Frage von scsven:
I think that since everyone has their own way of working. But perhaps even someone a recommendation or even a standard work for me.
So, let's say I have a report for all interviews and settings in the chest, seen everything and done a rough cut.
Would you rather mastering the sound for all the clips individually, or the soundtrack from the report as a whole?
Would you make the color correction as a last? (Since it takes a lot of computing power, would have a new cut-out to take back all the effect. Since you clicked is stupid.)
I'm curious.
Antwort von Axel:
Of course, always in order. Quite simply because in every place craft design (cut) and finishing in parallel. Try, since you already all by oneself, to do everything at once, at least lead to poorer videos, but probably more often in despair ...
On "New cut" First there are the modern NLE packages, dynamic links (which is a certain discipline workflow assume, of course, was me but
poor condition is no). Secondly, we can save a bundle color correction, so even a brand new FK, based largely on the same footage, done in a fraction of the time from the very first time. Third, there are the audio concept of the mixture, which provides for a single clip from the independent New Balance for the final output, not very comfortably possible in a NLE.
Antwort von scsven:
Yes, yes, one by one. I find that synonymous good, but how is the line?
Antwort von Axel:
Yes, yes, one by one. I find that synonymous good, but how is the line? 1. To worry about the finished film: non-linear, non-destructive off-line editing in mind.
2. The material with the idea in mind, on the one hand, but openly and critically on the other hand (a contradiction, but one s.dem no way is over ...) designate sift, sort.
3. Sequences (timelines, scenes, chapters, parts, file) Add to specify a structure (namely yours). Even a three minute consists of at least intro, Pointe, outro, it in style
4. The designated, assorted clips in sequence and spread a little unkind to the Time Lines: rough cut. Do not hesitate. Do not show off a mess.
5. Rough cut prospects.
6 s.Rohschnitt trim (if it is urgent).
6 b) reject rough cut and start over. This always make a principle. No Stückelei.
To the last edit decision "(fine cut) are synonymous and yet still noEffects nocolor correction. Only time behavior (slow motion / Shirley, still images, time ramp) is part of the section: How should for example, effects, titles and stuff like governor are already at least in Time Lines. The film is s.Ende - "humanly" - with the prior period and the final velocities as intended.
7. Effects
8 and 9 (interchangeable): Color correction and tone correction / mix.
10. Edition of the best quality (master).
11. Pull of copies for each distribution format (DVD, BD, DCP, Web Movies).
