Newsmeldung von slashCAM:Hier geht es zur Newsmeldung: Pre-NAB: Further field recorder with SSD, sidekick HD
Antwort von deti:
... with this large number of field recorders should the camera manufacturers will react quickly and provide even good equipment with 4:2:2 codec ;-)
Deti
Antwort von NEEL:
Especially since this recorder no apparent advantage over the cheaper Atomos brings ... For less money you can buy the Ninja and the Samurai ... So why this price?
Antwort von 407621:
... Find yes, more like the sidekick looks cheap-design made in china.
The Ninja and Samurai makes since even a high-quality impression.
800, - + VAT is synonymous still priced a good alternative for direct recording into the laptop (or the forgotten OnLocation Capture Tool of Canon - ähhhh as it was called again and where there was the fact: Console - so you could actually 4:2: 2 record - probably not).
Antwort von Bernd E.:
...slashcam.de / news ... Old hat ;-)
http://forum.slashcam.de/weiterer-prores-kompaktrekorder-in-sicht-sidekick-hd-vt88931.html
Antwort von Zaaacharias:
ProRes and again ...
I'm surprised that there are almost noportablen recorder in the record DNxHD. ProRes is indeed a great codec, but the mac only closed system really sucks totally.
Antwort von Bernd E.:
The use of ProRes should have had the same reason as for Atomos: David Shapton, where he was responsible for Europe, Africa and the Middle East, said that the decision with "We've gone with the most-requested codec for the most-requested NLE. "
ProRes is the way to None, a "closed Mac-only system," because other editing programs, no preference whether running under OS X or Windows, this format accepted long ago as well - at least those relevant in this area such as Media Composer, Premiere or Edius. It can encode just do not export speak, but the required here so no one synonymous.
Antwort von iMac27_edmedia:
Yes same s.besten a 422 update for the PMW320/350 and the two EX1/EX3.
Antwort von domain:
It does not have to be a high-quality intermediate-or any other codec that is recorded in the.
I've downloaded the now widely available but has 422 50 Mbps Mpeg2 samples derCanonXF100 and considered.
The difference with my existing or HD40-FX1 footage is not to be overlooked.
It is not so much purely to Sharpness (trunk main criterion), but quite different and extended observations.
For example, the lens quality time away from the test shots of Slashcam with standard focal length, so as to specifically telephoto shots.
Since the new Canon series but is ever something in front of the FX1, the HD40 to say nothing of that supply from these focal lengths already striking CA.
Then the single-image viewing. There are hardly more blocking in the closed areas of color, probably because of the increased data rate and synonymous much less artifacts in high motion objects.
So pure of the measured values as seen and with this codec should have the HF100 even the EX1 / 3 to be superior and that even in Lowlightbereich because it "then a little more hail, yet stronger than the EX1 / 3 strongly colored and especially .
So I trust the first place, the blind test results from Slashcam test lab, but you only get a real sense of real video recordings on their own, or first foreign leader demo production.
Antwort von Axel:
Lowlight is all no longer with the little finger nail chips. It is, data rate or color resolution or not, what used dishonestly was not on the cheap cassettes Ferro: LowFi-HiNoise.
For the reason it is so annoying that use the new Großchipper nobesseren codecs.
Still cholesterol instead of "butter fish".
Antwort von domain:
especially so since the publication of the JVC HM400 synonymous but the SD707 with its 1 / 4 "sensors is quite clear to me that in Comparison to Digiknipsen DSLRs or even not particularly high anyway Resolutiondes 1080 he format synonymous with these miniature sensors can be achieved.
One should not forget that even synonymous to mask exposure of the nanostructures at the chip-breeding is still optically, if synonymous with UV light and other tricks.
Basically, it behaves much like 20 years ago, when the medium format cameras noVorteile terms of the Resolutionund Sharpness comparison to small screen offered more, but of course still with the DOF-picture composition.
I think it will in future even come increasingly from the smallest sensors on a massively improved coding, because the hardware on the sector does not seem to be the problem as and synonymous not the light sensitivity of these mini-systems, because it lies at a comparable grain (ie noise) so certainly at 3200 ASA with former conventional paper silver films.
In this respect, the current flood of third-party image recorders as an interim solution seems obviously interesting, but synonymous an indication of the Manufacturer to be finally improved recording method to integrate a priori for the cameras.
