Frage von Grievous:
Which camcorder is good for post production use?
I think there are separate types.
Is Sony's because as the Digital Betacam, which very well suited for post-production is. However, $ 37,000 too much for me.
I do have a camcorder of very good quality to have and especially for the postproduktion s.PC suited.
What that usually causes a problem is the Keeying and the Color Grading.
Antwort von PowerMac:
lol, du hast ja echt drauf it.
A camcorder is not for the "post production" where appropriate, any video format. Each format is a professional course for the appropriate post-production. About DVCPRO50, DVC PRO HD, IMX, Digibeta, D1, XDCAM (HD / EX), HDCAM (SR) ...
Antwort von WoWu:
Do you perhaps a VTR for PostProction because your camcorder is usually to acquire an AND actually less for the PP.
If you from keying and CG speak, then it depends on the sampling size, especially in the chroma or the algorithm, with which you work and if you are of a professional camcorder speak, then you should s.Prices you like the above, Just get used to.
Basically, there are other Prices actually only semi-professional equipment.
So Say exactly what you want to do and then it is certainly a reasonable solution for you to give.
Antwort von smooth-appeal:
I think he looking for a camcorder that works with a codec really keying-CC and is fit. That is not synonymous with the DV and HDV, but only up to a certain degree.
A cheap alternative would be DVC PRO HD or the capture of HD-SDI interface. Everything else will be disproportionately expensive, if the compromise format XDCAM EX times outside vorlässt.
