Frage von the_flasher:
Hello, I am especially interested in the way of working with the man in After Effects can save much time.
Let us at first.
I have a movie rotated, HDV, 24p, Monosound. Now I would like to leave the Monosound make a stereo sound. Thereafter, a scene from the film be improved for example through a keying.
The entire film is still a s.Ende own film look get. H all scenes should get more contrast.
Additionally there is also the program Adobe Premiere CS3 available.
I would like to know how you would solve this task, in order to convert as little as possible and whether it is possible all the tasks described here purely in After Effects to do.
Would you the entire movie into After Effects for download or just the scene that gekeyed be?
For capturing, I would use HDV Split or Premiere CS3.
Gruss
the_flasher
Antwort von Dextromethorphan:
Thou hast here 2 programs for a cut
and in the limitless ton and
a prog for the post and effects ...
gruß cj
ps. perhaps it is now synonymous everything else cs3
Antwort von Dextromethorphan:
Would you the entire movie into After Effects for download or just the scene that gekeyed be? Also ich würd so the water für'n coffee synonymous with'm Torch cook ... Everything clear? ;-) This is again so'n Krümelkeksfrage, which actually is not. You can all but synonymous really make everything in Premiere.
Otherwise: AE = conversion and little sense. AE is always uncompressed RGB. No matter what you do, you always add a 2 nd inevitable Adding Compression level, where the synonymous existing HDV compression artifacts again, because they are naturally of AE as regular pixels are treated.
In your case, but it does not matter anyway. Even if you work in Premiere, your effects are fully recalculated every frame with all the consequences as long forever rendering operations. It thus has no advantages.
As you do so it's worth, remains purely a matter of taste.
Mylenium
Antwort von Dextromethorphan:
Na coffee to cooking
(and duck away)
Antwort von Axel:
A matter of taste or not, there is a logical answer: Rendering means recalculation. HDV is the original (ie not calculated NRC) is already calculated so small that there is a whiff of nothing, so just yet looks as if it were something. It reached its low memory requirements by
Omission of information, namely all of the information that you just can not see.
A change s.Picture must now s.diesem klapprigen skeletal information Move. It will rotate at the first, shall we say, s.Helligkeitsregler, the original not only changed, but a high percentage of the information (descriptions of the luma and chroma pixels, otherwise it is not) is lost.
Basically, it's not a tragedy, because you like the darker picture better. Synonymous you like it better when you are combining two image elements (eg by compositing keying). And you also aspire to a certain look ( "RFCT").
But you realized that you are not with the dark and certainly not with the sepia picture something sensible keyen can derive from this and two workflow rules:
1. Order of processing:
Cut, with comps keying, color correction and brightness (for a different color of the individual clips), Farbeffektfilter for the style.
2. Only s.Schluss render, not in between, because it is real-time effects were not synonymous earlier and we still play on the head-frame was to assess the effect, and because, like this:
Rendering means recalculation.
Antwort von the_flasher:
Hello, these are some very good advice.
But suppose I have the cut made in Premiere CS3 and would like to keying in After Effects make, but then I come to export from CS3 is not around.
Should I get the movie to export as uncompressed or what makes sense here?
Thank you very much
the_flasher
Antwort von Badd:
Should I get the movie to export as uncompressed or what makes sense here? Yepp. Intermediates always uncompressed export with codecs that are only on Binärebene compress (RLE, Wavelet, PIZ-Compression stuff ...), and so'n not visual-perceptual. Once the rough it is, I would in any case the whole thing as just as Quicktime animation, or frame sequence (Targa, TIFF) to park somewhere and then all the other stuff to do in AE.
Mylenium
