Frage von thekloi:
Hello,
need reflectors, lamps in order to be clever auszuleuchten.
Can not more than 100 euro for radiators, etc. to spend!
Could you recommend me a good reflector?
And from the looks like with the styrofoam plates?
Antwort von thekloi:
sorry hab mich prescribed in the title
Antwort von thekloi:
buy you a few Baustrahler (better lighting tubes, but complicated to fix) with softbox (available for self build) a couple of reflectors (eg aluminum foil ...) and les you to prepare for college movie with the most important!
http://www.movie-college.de/filmschule/index.htm
Antwort von thekloi:
For some people this means placing the light just "bright." [irony] And "Kelvin" is with "C", because they are so of their boxers know;) [/ irony]
Used area of Lights "beach" usgibt cheap nowadays. However if you only know the market median, then the distance to the nearest DIY store does not seem far.
Antwort von Axel:
All modern video cameras can
record at a "normal" to make light. Other words, while the 60 W ceiling lamp is burning, what comes over the picture, but it looks sad.
The mistake of many now is a Baustrahler up with 500 watts. Summit of sophistication: Indirectly to the opposite room wall. The room is bright, all the details mercilessly dissolved, the atmosphere is zero. "Somehow" seems so Baustrahler not quite the truth to be.
Why? Because it removes the differences in brightness and the picture, mainly due to the scattering by indirect lighting, flat and dull appearance.
Rule of thumb for good lighting and a powerful dramaturgically
Picture (in contrast to "Studio"): The
motif light. The motive is not the living room, but usually a person. Often it is sufficient in daylight through the window a large white surface (polystyrene plate) the light on the dark side back to reflect. Even after this "brightening" the direction of light on the finished video still clearly visible, and the atmosphere and the spatial depth of the scene are preserved.
PM creates the need to use artificial light, the excuse, directed and scatter light, frontal-and back-mixing in order to provoke any mood that you mind. Again, the subject is too light, while the secular establishment s.besten diffuse, blurred and
not highlighted. It is not impossible that with several Baustrahlern to achieve, but they are more surface and as such lights too bright, the background to recede into the background to leave, unless your motive is
relative to the light
even brighter.
Abstract: The motive illuminate. They remember that for everything that is called "illumination" deserves brightness relative. Your eye irons in many everyday smooth brightness differences, therefore, would be a good exercise in the context of light quantity and quality in everyday perception into account. Stills from films or expressive photos to find out how the foreground, background and motif are illuminated (direct, indirect, hard, soft, front, side and / or backlight).
In order to design with light, you need both scatter light as synonymous light. It is the finished film, but not your bank account, no preference as to whether you that Styrofoam plates, reflector umbrellas, reading lamps, Baustrahler, halogen spots, PAR lamps, photo lamps or Fresnel use. There is no all-round recommendation for a lamp 100 ¬ buy, rather the tip, with different light sources to experiment.
Antwort von Reimer Reimer:
Hello Guest,
A few questions:
how big is the space?
If you want to rent or buy?
Is it a short film?
How many filming days?
In which city is the location?
Only anticipate good buy lamps for 100 euros, only about
E-Bay, you will need these lamps but synonymous old.
All the best Axel
Antwort von thekloi:
When something goes Ebay!
http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=270192287670
Antwort von tv-man_sh:
When something goes Ebay! But only when synonymous Ebay: D
Antwort von Fantomas:
Hello,
thanks for the detailed description.
In a an interview is conducted, how should I as the "light contact".
Have heard of
"Three-Point Lighting".
It is suitable for interviews but is not it?
The second would be:
A conversation between 2 people should be filmed, is a part of the film. (Scene takes place outdoors instead)
Outside, yes, I can work with existing light.
As a whitening can styrofoam plates from the DIY serve.
Do I need any more spotlight?
What brings it to me if I am the subject even more brighteners, outside it is bright enough already eh?
Antwort von C.I.W:
So outside in the sunlight, I would on a bright spotlights with abandon. The approval from the building have always less than daylight Kelvin (5600 K). I would with either polystyrene or foil with rescue brighten.
Antwort von Andreas_Kiel:
What brings it to me if I am the subject even more brighteners, outside it is bright enough already eh? Motif in the shadows ... Backlight ... You do not want bright sun, because otherwise either Cast Your rumblinzeln or stumble blindly through the set ... you get the contrasts in the handle ... thousands of choices (or needs), aufzuhellen.
The popular Baustrahler is simple and safe to handle, but for an accent light is not good enough. Since you're possibly even with a simple desk lamp better off (as a stopgap times taken in two tubes at 11 watts ... was not bad at 2 meters).
BG, Andreas
Antwort von PowerMac:
Outside light? lol!
