Newsmeldung von slashCAM:SONY HVR-V1E: The CMOS Dreichipper Of rob - 11 May 2007 20:01:00 In presenting the SonyHVR-V1E was some confusion initially, but many were of the opinion that this is the successor model of the Z1 is - but far from the truth. The V1E is intended to supplement the supply s.Pro HDV camcorders in the current Sony line-up thinking and thus much more the Pro version of the FX7 and which, in fact: The V1E differs in a number of features of the Z1 and also in some (few) of the FX7. Let us first consider the comparison to the Z1 - So s.Pro Pro: There is s.zentraler times the body image converter used in the V1, the newer CMOS chips of Sonyeinsetzt and also in a three-chip process works.
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Antwort von Kujo:
beautiful thanks for the informative article,
Unfortunately, one often wishes to compare the direct
cams in the hands, ie. footage of v1, a1, z1 and HVX200
from the same situations ...
The Berliner Fernsehturm shows zb. HVX200 at the much less
details and more about than the v1.
There is a reason for the 1 / 4 inch cmos the v1/fx7,
because the 1 / 3 cmos chips the HC1 and HC3 did not bring the same focus
as the v1, or as the 1 / 2, 7 duty of canon cmos chips hv10/20
is it because s.der signal processing chip s.der or efficiency?
s.großen cams's probably just the red one with cmos chips.
gruß cj
Antwort von ph_glitsch:
Small note on the 25 P-Mode:
The camera takes the picture in progressive and interlaced, there is that simply two fields from the same frame, so to speak (because the hardware specifications of the HDV is not real 25p designed).
Here's the proof: http://www.videoaktiv.de/content/view/668/78/
So if the computer is wrong deinterlaced the movie could be just to the jerky picture guide!
Antwort von Valentino:
Very interesting article, but still would be an assessment of the microphone helpful. I hope that the Micro is not the same as the PD170 is because the wikrlich was very bad.
If you look at the 25p material on an LCD or plasma device screen sizes, you should take the de-interlacing off, because otherwise the device but says that a 50i Siganl is present and this tries to be progressive.
This can then just go wrong. On the procedure of Sony Can it do not lie, because Panasonic at 1080i but exactly the same as Sony and the full power in two different fields.
Interesting is basically just like the picture later gefazt on the screen looks like. I can see apart from the "force" of the movie looks no reason for 25p.
For the HVR-DR60, which is like the Firestone gates with any DV / HDV2 Camera, only the Sony promises to stop, only the V1 synonymous with the Pre-Record and Accurate Recording the image works.
But I have one synonymous with the XH-A1 Pre-Record and without tape recording hinbekommen, even the 25f mode, the Sonyauf.
As far as I synonymous of Sony is known, was the DR60 already Z1 times in development and is positioned so synonymous Firewire beech beside the Record button. I can imagine synonymous to the Recorder for XDCAM EX Sonygeplanten of equipment through an upgrade is compatible.
Greeting
Valentino
Antwort von rob:
Hello,
thank you for the feedback extent.
The material was directly 25P of a 25P timeline on a TFT monitor - Interlacing should not occur.
Testing of camera-microphone, if one does not make it right, very expensive - it requires a further test laboratory - this effort is not worthwhile.
Basically: who sound professional-quality decrease wants should be a good guide or ball-Micro invest - there is quite synonymous with cheap rent. The microphone of the camcorder can not be so specialized, that at the same time as good-as directional synonymous surround sound could absorb.
Best Regards
rob
Antwort von Schnurlos:
S.ROB of Slashcam question: What has you look 25p (purely subjective) better: The Canon of the A1 or the SonyV1 of?
Antwort von Valentino:
S.ROB of Slashcam question: What has you look 25p (purely subjective) better: The Canon of the A1 or the SonyV1 of? So I know that I'm not Rob, but from her look jerky my Canon 25f of something too much, but it is synonymous not a "true" 25p, because the interlaced CCDs work and then the picture is progressively gerrechnet. It recognizes the fact that the camera in the 25f mode ordinary delay of about 5 p.m. to 10 p.m. frames has appeared in 50i mode, this does not occur.
The Picture of Sonygefällt me in 25p mode and slightly better synonymous colors of the beginning s.and just do not have the presets of Wolfgang will be put in order.
I compared the two cameras JVC HD s.einer tube and not as Slashcam on a TFT. I know now synonymous no camera man of the Picture of a Camera on a computer screen would look like.
Greeting
Tino
Antwort von siggi schnurlos:
Valntino Thank you! Did you experience synonymous with the Z1 regarding 25p, lowlight and Color etc in Comparison (the jerky synonymous, if you subsequently 50i to 25p counts)? Can me between the three cams are not just decide, but soon became a must buy (for documentation).
Siggi
Antwort von Valentino:
Valntino Thank you! Did you experience synonymous with the Z1 regarding 25p, lowlight and Color etc in Comparison (the jerky synonymous, if you subsequently 50i to 25p counts)? Can me between the three cams are not just decide, but soon became a must buy (for documentation).
Siggi So, the HVR-Z1 has a kind Cineframe, but according to a test of the magazines
cameraman very jerky and not to be used. Then that is exactly the same magazines rausgefunden that if the camera at 1 / 25 shutter speed stelten, the camera seems to record 25 frames. I doubt that very much, because the interlaced CCDs work. The same is in the XH-A1 is the case, but here are the 50 fields into 25 frames a very expensive transaction.
The only cameras with the image converter has progressively come out of Panasonic (HVX200/DVX100Be), JVC (HD100 and 200 series) and now synonymous halt the HVR-V1 of Sony.
Personally I have all three cameras (HVX200/HD200/V1) in 25p mode s.einem compared HD monitor and find the 25p mode of the HVX s.schönsten, which simply s.DVCPro HD codec is because each of these stores full, however, the P2 cards are still very expensive and the work so very difficult.
The 25p mode of the JVC, however, is somewhat better than the V1, with the JVC Picture of an entire piece is blurred.
I would after a great deal to me and her for a production for TV without the thought s.eine theatrical release a Canon XL-H1 in use and rotate 50i.
If a theatrical release in the foreground is, I would Sonyzulegen of the V1.
Greeting
Valentino
Antwort von scubavideo1:
Very interesting article, but still would be an assessment of the microphone helpful. I hope that the Micro is not the same as the PD170 is because the wikrlich was very bad ... The Micro is really only a stopgap! Mono, is not very sensitive, a rather low directivity. I recommend it as against a
Rode NTG-1 or
NTG-2 exchange, both two very good mono-directional pipes, which are worth every penny.
If I'm without Tonmann and Stereoatmos need to use I have a
Rode NT-4
