Just discovered what the cut of 1080p50 material. Is so synonymous with the 707 a p25-mode, as the acts I have not tried.
Quote what I found: <<Footage in 1080p50 (. Mts) with the Automator script Rewrap2M4V.app "which uses a Clipgrap. M4v convert.
The material can now be viewed in Quicktime, or another viewer. ("Perian" should be installed, otherwise there can be problems with the sound) - see synonymous Apple Support Forum - Topic Panasonic HDC TM700>>
Perian bites but with the XDCAM codec and can date lead to judder in XDCAM material.
So far so good, but why he transforms the material into 720p25, I would have at least turned it into a 720p50 or 1080p25.
<<Mit>>
I must now try yourself out!
Antwort von Axel:
"IMac27_edmedia" wrote:
("Perian" should be installed, otherwise there can be problems with the sound) (...) Perian bites but with the XDCAM codec and can date lead to judder in XDCAM material.
Does it really was to disable the Perian System Preferences, and then at "normal" EX no longer have judder?
Schonmal tried with Toast to convert to ProRes 1080p50? That is, at least with AVCHD, see here . What I tried did not have the time: Whether the drawing of 1080p50 in a 25p timeline (sequence settings) an allowed frequency native to cut higher through "to the sequence settings s.die properties of the footage to be adjusted?" (Or whatever that is). Would be exciting. Try it once, and give notice.
Just tried, I can play without problems since the 1080p50 clips s.Mac. Export the just-LT in a ProRes422 1080p50 file.
And the ProRes file can be played without problems in Quicktime with 1080p50 - ever interesting! Then I'll take the time to the timeline of Final Cut Pro ProRes422 in LT.
I've created presets in ProRes422 for 50p and then cut straight to the ProRes 1080p50 material - then exported from finalcutstudio and what does Quicktime, 1080p50 material. So it's all 1080p50 cut. If the synonymous Xvid colors may sometimes look too crisp.
Antwort von Axel:
"IMac27_edmedia" wrote:
I've created presets in ProRes422 for 50p and then cut straight to the ProRes 1080p50 material - then exported from finalcutstudio and what does Quicktime, 1080p50 material. So it's all 1080p50 cut. If the synonymous Xvid colors may sometimes look too crisp.
Well, damn interesting. Synonymous'm always in favor of something like supposed to find out. At some point, the obvious question: What the heck do you want with 1080p50?
Antwort von iMac27_edmedia:
The same as with 720p50.
One must always be one step next.
In any case, the movement of p25 resolution is not so good, so p50.
