I would like with Final Cut Pro 7, a demo reel cut together from a variety of shooting. The films were made on different materials (MiniDV, EX1 ,...). I have them all but as a quicktime file.
If I, however, the various Quicktime Files into Final Cut Pro and import to the timeline is very much forms part quality is lost. (HD material looks like a cheap mobile phone with camera filmed). I make it only to set the sequence settings for ONE movie correctly (which I insert the first because there will be a Final Cut Pro auto correct), all other films lose s.Qualität solid!??
How do I set the sequence so that all films will remain in good quality?!
I'm for any tip on what to do, could I set this to be extremely grateful!
Antwort von Axel:
For hybrid codecs, frame rates and image sizes in a single Timeline tried Final Cut Pro - it was always advertised - all displayed in real time. Primarily just the footage in the original codec is playing, no preference, what does the timeline. Exceptions are scaling and adjustments to the pixel-AR. Since then does a preview of the defendant to show you mush. Do you have progressive anamorphic SD interlaced in a 1920 timeline, it will be muddy - what a surprise! And vice versa as well. However, rendering is the quality by virtue of the surprisingly well.
Now is to find the right size for the mix sequence. What size and what codec should be your demo reel? Would it not be the wisest course to take the size of the target format? Yeah, it would be. Then, shorten and said something flat, a little nicer than a scaled picture larger scaled (the Korinthenkacker times to be quiet). In predominantly HD footage in a ProRes would recommend 720p timeline for predominantly DV a DV timeline, even then, for example ("equivalent for Web and Devices") synonymous as 480p (~ of the Pal-quality, if this well deinterlaced) can be printed or DVD. You know already, the best is a compromise. If, for example in HDV and DV output destination only be a DVD that can be synonymous HDV timeline have one, here is the relationship of the codecs (both Mpeg2) is more important than the image size. The same would apply to EX, which indeed is also Mpeg2. In H.264 for the web is different. Since you have a short test times synonymous with making critical export clips, but I guess, ProRes 720p would be the most boring standard answer.
