Frage von robbitobbi:
Hi,
I plan just for the first time a movie (about 3 min) not only with music to Verton, but a spokesperson synonymous use.
The footage (a lot of city scenes) is available and a friendly player assumes the role of Specherin.
But how do I do?
1. I cut the film only once on the music, and the speaker gets ready to cut film, or is it the text is drawn first and talked, and then cut?
2. Is it faster synonymous Music / cuts fast start, or should I expect the opposite and always a little longer for the individual scenes linger?
3. What music do I use if I do not dahinplätschernde "Wellness-Yoga/Music" wants, but like synonymous have a little rhythm?
Would something like this?:
http://81.169.180.125/demos/RP/rp048demo.MP3
Freue me about answers or examples!
Antwort von Axel:
Actually no preference as to whether you first comment and the spokeswoman aufnimmst the pictures to see it (may be synonymous in the concentration of distraction).
What kind of music you choose, of course, depends heavily on content from the movie. The link would be excellent to listen to a demo Staubsaugersets fit as you would of QVC uskennt, fast, shallow, meaningless.
I quote from their song Madonna
Express Yourself: "Second best is never enough, you'll do much better baby on your own."
Antwort von Pianist:
I cut the film only once on the music, and the speaker gets ready to cut film, or is it the text is drawn first and talked, and then cut? Everything is possible. Generally, long quiet things (eg, 30-minute film landscape) and then only cut texts. A very short film jagged I would only write and then cut. If you are alone to determine the text, you could even make the voice recording and then precisely cut. Many speakers but want to see the movie, so then again speaks for the "first cut". Other speakers want instead to see no picture. All very different.
Matthias
Antwort von robbitobbi:
I have a bit herumprobiert and me at the moment can be difficult to imagine that synonymous "really" fast music works. Because the speaker is his voice but with the film guide, and not ( "completely out of breath") after the race. Hmmm?
And another question:
Who actually provides for contract work (not TV production, but kl. Frame) the text for the speaker?
The Filmmakers of s.Anfang production with the product still is not familiar, or the client?
Regards
Tobi
Antwort von Pianist:
Who actually provides for contract work (not TV production, but kl. Frame) the text for the speaker?
The Filmmakers of s.Anfang production with the product still is not familiar, or the client? This is also highly variable. If, for instance, an advertising agency in the boat is, perhaps for the client already has a brochure, then it can be synonymous times that a complete matched text and then to the right film revolves. But even s.solchen lyrics are still what changes to make it a film text. Otherwise, it is obviously the task of the filmmaker and author, is to incorporate the theme in the film and text to write. The text must s.Anfang but not yet completed, but only at the end. At the beginning you write a rough idea of content, and the many details for the actual film text you collect the car quite Rotate.
In the rarest cases s.Anfang I already know how my film will look exactly. Often this results in the beginning of the movie until the very end. Of course it is always good if you know roughly what you want, but too much stress must be given s.Anfang not do. It is only important that you immediately enough nice pictures have in mind, if you like someone says a theme.
Matthias
