Frage von laumaster:Hello,
I was chosen for our abifilm the vintage to produce.
I have some ideas and I decided to come to broaden my horizons and would like to make more professional in cameras back.
I have about a SonyVX 2100 + to rent a head light, etc.
My project is the movie in 16:9 to produce and synonymous in a disco recordings do.
My question is whether the camera would be suitable and the synonymous own micro camera for a relatively befiredigende sound recording in the disco.
Did the Camera a Firewire port?
Best Regards
Laumaster
Antwort von Meggs:
The VX2100 is only suitable to 16:9. If it is in the disco is very loud and you are in the vicinity of the boxing art, each built camcorder Micro distort.
Antwort von PowerMac:
A built-in microphone is good for nothing. The VX2100 is good for 16:9 nothing. The camera has a Firewire port. That you would after ten seconds "Google" to find synonymous.
Antwort von B.Katz:
Just as a final video should be yes in the first place after a long time synonymous nor serve as a reminder.
Would not it be perhaps more meaningful, a little more money for rent and pay ne HDV cam to provide?
This is probably something lichtschwächer then, but you wanted it so or even hire a head light and also takes it in 16:9 on auto.
Could you shoot in HD, not SD version as the DVD and HD material archived or halt synonymous directly on Bluray or so pack
Antwort von wontuwontu:
A built-in microphone is good for nothing. The VX2100 is good for 16:9 nothing. The camera has a Firewire port. That you would after ten seconds "Google" to find synonymous. As saith the professional. Lately, I have the feeling you have always a bad mood. Is not that good? None forces you to answer, would do everyone a favor if you zurücknimmst times.
Forget that which Power has written. A micro-camera can be sufficient for your purposes, however, is a sound recording of a disco in an extreme situation. In schools there are often simple stereo pair, which could use its synonymous and separate mono recording.
The VX2100 has no true 16:9 chip, which means it does nothing else than the 4:3 picture to put black bars. It makes sense it would be here, and 4:3 recorded when shooting for the markers to be displayed 16:9. Then you can still cut the material with which to play and have some meat for safety.
I had the VX2100 for a long time, it has served me well. If you have something you can make easy money, would you possibly an XH-A1 well done. The get in the rent for just 20 ¬ s.Tag.
What is your budget for approximately how many days?
Antwort von Axel:
Just as a final video should be yes in the first place after a long time synonymous nor serve as a reminder.
Would not it be perhaps more meaningful, a little more money for rent and pay ne HDV cam to provide? Since notice spontaneously but the FX-1. Easy to use, automatic class, Lowlight enough for a disco (which will hopefully not only an LED light organ from the electronics market operates). The Resolutionist not "full" HD, but if one spends in 720p, you not only would have to be an adequate resolution, but synonymous with a more realistic, given all the tricks, with which chips work and of which many Slashcam WoWu song to sing white. Consider this as a direct recommendation.
EDIT: The XH-A1 have myself I find it good, but it would have before you of someone, so that they are ready for the disco is. In terms of automation is nothing more than Sony. For Sound: Absolutely manual levels (once, so that the level always remains below -12 dB). Nevertheless, disco sound usually not so great.
Antwort von PowerMac:
Again to confirm: a built in Microphone for nothing goes out. Neither for dialogue on a playground, or for discussions in a classroom. Certainly not in a disco. At most for Athmo tones synonymous and then only on one channel, while a real s.anderen Microphone depends.
The VX2100 is much too old and too bad for a reasonably good movie Abi. It only makes a bad Letterbox 16:9. No man wants to still beams with 4:3 or 16:9 extrapolated. If you are coming from 16:9 to 16:9 Letterbox real, looks on any plasma or LCD TV from shitty. Already on tube equipment looks bleak.
Antwort von domain:
PowerMac, my daughter is now (until Sunday with plenty of action) in Berlin at a special ceremony attended and this video was of her and her boyfriend under my help with a VX2100 rotated.
So do not talk such a shit, therefore, synonymous with SD, you can still halfway dramatic content transported.
Antwort von PowerMac:
Your daughter you need not bring inside.
A plane crash can be synonymous with the mobile film.
But it is a matter that Abi-film is a lifelong memento is that he s.sich a good quality should have (vsin Given that it many people in modern television today and even better TV sets will see tomorrow) and that HD - cameras almost no more expensive than renting in the SD cameras are.
Antwort von wontuwontu:
Again to confirm: a built in Microphone for nothing goes out. Neither for dialogue on a playground, or for discussions in a classroom. Certainly not in a disco. At most for Athmo tones synonymous and then only on one channel, while a real s.anderen Microphone depends.
The VX2100 is much too old and too bad for a reasonably good movie Abi. It only makes a bad Letterbox 16:9. No man wants to still beams with 4:3 or 16:9 extrapolated. If you are coming from 16:9 to 16:9 Letterbox real, looks on any plasma or LCD TV from shitty. Already on tube equipment looks bleak. Plasma / LCD? Boy of what you are talking about there? Since when does a signal to Pal-tube devices from bad? That you believe no human being but what you want here mortise. I know colleagues who make an XL1S with many great pictures than what I see so neuzeit.tv.
If he has a good story, can it a very rich VX2100. Ne good camera alone is nothing.
Antwort von wontuwontu:
Your daughter you need not bring inside.
A plane crash can be synonymous with the mobile film.
But it is a matter that Abi-film is a lifelong memento is that he s.sich a good quality should have (vsin Given that it many people in modern television today and even better TV sets will see tomorrow) and that HD - cameras almost no more expensive than renting in the SD cameras are. Your argument is really poor. Think it out a little before you write something. Yes you get it with the fear to do.
Antwort von PowerMac:
If you think that four plausible reasons as poor reasoning apply, then I argue just poor.
Antwort von PowerMac:
Again to confirm: a built in Microphone for nothing goes out. Neither for dialogue on a playground, or for discussions in a classroom. Certainly not in a disco. At most for Athmo tones synonymous and then only on one channel, while a real s.anderen Microphone depends.
The VX2100 is much too old and too bad for a reasonably good movie Abi. It only makes a bad Letterbox 16:9. No man wants to still beams with 4:3 or 16:9 extrapolated. If you are coming from 16:9 to 16:9 Letterbox real, looks on any plasma or LCD TV from shitty. Already on tube equipment looks bleak.
Plasma / LCD? Boy of what you are talking about there? Since when does a signal to Pal-tube devices from bad? That you believe no human being but what you want here mortise. I know colleagues who make an XL1S with many great pictures than what I see so neuzeit.tv.
If he has a good story, can it a very rich VX2100. Ne good camera alone is nothing. Take 16:9 letterbox, 4:3 ie with beams and scale it by a factor of 1.33. Then you have anamorphic 16:9. Review such material on a tube TV. It looks much worse than the material from which a true 16:9 camera has produced. Review your material then scaled on a current plasma TV. Here it is tough through. Native 16:9 SD comes with a lot better. I have a few productions with an old DVX100AE made hochskaliert and it looked terrible from. Or look at some of SWR productions. About Planet knowledge. Is hochskaliertes 4:3. Looks terribly already on Grannies tube out on an LCD should not.
The argument manslaughter, a great story was much more important than the quality of the camera, I write under. Thus you can not impress me. That is so not. It is a case-Abi, mainly from memory images. No particularly great history, but memories of celebrations, of the exams, of disco visits - perhaps mixed with a nice story. These are all EB situations where it comes to quality. If a film staged staged synonymous extends the mobile phone camera. In my opinion, should have a camera in the EB-field always as good as possible and fully manual to operate. In movies you need is not so much.
Antwort von domain:
So there is no Abi movie. There was already a tough elimination involve competition, quite far of the training, but no preference, just funny that s.einem some time longer the only one script. And only under this scenario she got the first part of their price and exactly in this direction was the then chaotic work synonymous next.
She has even paid their flight to Berlin failed (I could choke it now) and did not come until just before 18pm with an extra paid flight there, she just a genius in every respect.
It does not matter, but with the author of its screenplay has them in Berlin can cry together, which I really like that, seems so no differences between the women of the nations and also to give the author said that the name Anna Flick as a writer so bad even was not, as the "Flick" under threat of assassination from the family grave was stolen and it had better not happen, as they in the future with the macabre "Flick" brought into play would be.
Antwort von wontuwontu:
Take 16:9 letterbox, 4:3 ie with beams and scale it by a factor of 1.33. Then you have anamorphic 16:9. Review such material on a tube TV. It looks much worse than the material from which a true 16:9 camera has produced. Review your material then scaled on a current plasma TV. Here it is tough through. Native 16:9 SD comes with a lot better. I have a few productions with an old DVX100AE made hochskaliert and it looked terrible from. Or look at some of SWR productions. About Planet knowledge. Is hochskaliertes 4:3. Looks terribly already on Grannies tube out on an LCD should not. Absolutely correct. Just so we do not misunderstand, no one says is not true 16:9 would be better than 4:3. That is natural. I've written above synonymous, I would borrow A1, since he will be true 16:9. But it produces its Abifilm not ne output on BD, a good pal signal goes completely. And that is synonymous in the future still looks good, the new engines of Sony (BE2Pro) Pal-scale signal at a very high level. Does not last long and amateurs already recognize the differences are not more.
The argument manslaughter, a great story was much more important than the quality of the camera, I write under. Thus you can not impress me. Who wants to impress you here. It seems to me only when you're the leader of the "film look" movement. The argue the same. Camera fats, the rest is no preference. See Uwe Boll.
That is so not. It is a case-Abi, mainly from memory images. No particularly great history, but memories of celebrations, of the exams, of disco visits - perhaps mixed with a nice story. I have many memories at Super8. That looks grottig from. Nevertheless, it is worth a lot to me. When it goes to memories, plays the quality of the camera but really does not matter. I shoot professionally synonymous with big cameras, yet private enough for me for my son a 500 ¬ Camera entirely. The coolest photographs with cheap cameras, even most were blurred.
These are all EB situations where it comes to quality. If a film staged staged synonymous extends the mobile phone camera. In my opinion, should have a camera in the EB-field always as good as possible and fully manual to operate. In movies you need is not so much. My Abifilm was staged staged. And I know most synonymous.
Manual controls are always useful, but I hardly think that someone with a VX2100 borrow wants to deal with it really is white.
In view of the fact that the creator of the thread anyway probably lies in the cot, we now easy. I think we are both adult enough that we feel with others can live.
I was somewhat disturbed to questions like you in the beginner forum react. This is deterring young people s.and with security that is not the aim of this forum.
Antwort von domain:
Nee, PowerMac always accurately know what he what style of writing has.
This is catchy umittelbar pedagogically valuable and should always be on the digestive or genital level.
God, I would have it, the unrecognized educators loved as a child, he had me in my time to really Blähungsphasen Page can stand.
Antwort von PowerMac:
Ah, "domain", so stupid, I do thee not synonymous of the Page on. Above all, this is just an attack, one of hundreds of postings concerned. I feel so honored that you want me unobjective aufstacheln but Roused I'm not. Had I, I would reply that I had sex with your daughter, or she with me.
I do not. Yes Does not synonymous. For what company do you work?
Antwort von B.DeKid:
You're so cool.
................
Following loan
Tripod
Canon XH A 1 or SonyZ1
Portable light and head lamp
minimum 2 Mics
use the Mic for BuildIn atmosphere as mentioned above and another for an interview or voice recordings.
In HDV filming and processing the images as HDV and SD.
Write what good concept in the movie where when such occurs.
Set according to this concept from your rental activities (savings, because you need eg. No head light if it does not go into the dark - concept saves money)
Get of 2 people carrying / construction, etc. and help.
For questions, ideas and come back and let her advise.
Otherwise, have fun and Good luck
MfG
B. DeKid
Antwort von laumaster:
Hello,
On the budget:
The budget is fairly low, the money is made but with loose reserved.
So we wanted the camera for some shots and 2-3 days visiting disco hire. And did so around 100-130 ¬ in mind. Because we would have at a later date once again shooting.
I come from the area of food and have better offers than just rent in Dusseldorf and Krefeld and found that the cost Cams without light already 50 ¬ s.Tag. Interviews are in the disco is not planned but just a bit of Sound of Music out to be.
Maybe you can still what I recommend in this respect.
Also required is the head light + Camera 16:9
Antwort von Johannes:
http://dv-kameraverleih.de/
Expect nothing of this hire, he's just cheap. I see there was borrowed s.and (Berlin) and I can not complain, clearly have the equipment s.and s.optical flaws but it works.
If not ask it out of the PowerMac has a surprising Abiball as it sounds, with a Varicam filmed. Perhaps it lends you sometime.
Antwort von laumaster:
I had compatriots here
http://www.erento.com/mieten/foto_audio_video/videokamera/digitale_videokamera/seite1.html?gclid=CISP2ca7mpcCFUoa3godXn93JA
Antwort von Axel:
I had compatriots here
http://www.erento.com/mieten/foto_audio_video/videokamera/digitale_videokamera/seite1.html?gclid=CISP2ca7mpcCFUoa3godXn93JA Well, in Cologne, there's the FX-1 for 5 days for 150 ¬, that is still halfway through. Perhaps synonymous to a student discount. The example might look like that its the camera for five days for 100 ¬ you get, as long as they are otherwise booked. Calling, and asked for a little instruction in the Camera. Such lenders often than people seem to be friends, according to my experiences.