Frage von koji:
for a long time so I am no longer struggled with how this question:
Micro what should I screw me on my future?
I've found interesting:
Rode VideoMic (150):
http://www.rodemic.com/microphone.php?product=VideoMic
Rode Stereo VideoMic (200):
http://www.rodemic.com/microphone.php?product=StereoVideoMic
Sennheiser MKE 400 (150):
http://geizhals.at/a310843.html
anyone knows any other micros, the report on a 5D/7D match and bring a relatively good result? has experiences with the government?
etc.
Antwort von Jake the rake:
In the price category, it is eigentl. no preference or taste. A stereo microphone, this offers a better spatial picture ...
What could be the main field ...?
Antwort von carstenkurz:
I think you need both a Stereomic as both the first AND a mono shotgun. There are meaningful for both missions and none of them can fulfill both functions.
However, these microphones for the 5D and 7D synonymous probably a waste of money. Unless Canon equips nochmal ne manual level control by firmware after.
At the moment there is unfortunately garnix of the 48KHz/16Bit, automatic audio control is ne disaster, significant short-term approach, enormous noise bursts. So that you can only absorb ne durcheinanderbrabbelnde wedding party.
- Carsten
Antwort von B.DeKid:
Conclusion better still nen vernümpftiges sound recording equipment to buy!!
Recommending Of HHB - PortaDAT - PortaDisc - or if you have very thick - Porta Drive :-)
Then you can still work synonymous with other cameras later times and have always repays times s.Start clean sound ;-)
MfG
B. DeKid
Antwort von carstenkurz:
The 'just' popped Manual of the 7D describes the sound exactly like the 5D. Internal mono-Micro, external stereo microphone, but unfortunately only automatic audio control. So, fit only for reference pitch / flap.
Additional recorders therefore advisable, in fact.
- Carsten
