Frage von musk74:
Hello!
Here are some tips for good sound of the comment.
As has been the cutter and Film Freak given so much trouble and instead of a fine-sounding commentary just another noisy murmur is heard, often distorted, still too low and then much too loud and often times we hear that the woman in the background in the kitchen to through to A-and Ausschaltknacksen the microphone, etc.
This is a shame.
Here are a few little tips and equipment (who should know more add):
For Microphone:
The first thing you should get yourself a decent microphone and a mic stand for use at home. Similarly, a pop screen to one.
No! Not Popscreen! I mean a drawn before the microcode, or any material reduction of 99% of the pop sounds of the voice and recording of a sudden oversteer more or less prevented.
The offer is obviously daunting but we will not stop to find something real.
When the microphone selection should opt for a good condenser microphone. This requires either a battery or the operation of an audio mixer or audio interface, a phantom power supply. The condenser transducer is today because of the high signal quality standard in recording studios. He is however quite sensitive and can even be damaged by very high efficiency. Therefore, always carefully deal with the mic and this typical amateur rapping on the mic should be not to do.
So! Now the new mic is in the room and everything is plugged in, phantom power is ON. XLR Cable s.Audiointerface synonymous or where ever.
Levels!
To find the appropriate levels should be a hand's breadth distance (ie, palm) to comply with Microphone otherwise you will get a proximity effect of the comment is not necessarily desirable.
In between is, or is the pop-fortified protection.
I just go once assumed to have the most of any extra software for audio recordings, such as Logic or Cubase, etc., but use the Voice Over function of the editing software.
Ok.
The level adjustment of the software remains at exactly 0db!
Must now be achieved, the input level through the mic gepegelt shall be at least one level in the software of-3db. So dowries not full!
It would make sense as stated above in the micro setting and talk about a text! Yes! Text! No 1. .2 .. 3 ... Test, etc.
The only ones who do have no idea!
This too should make the speaker itself and not the woman just has time.
Why are we so much air (3db) can air up there?
It is indeed processed yet! But we'll get to later.
So! Now, there are the prerequisites for a good recording.
Quietly, it should be. Mobile phone. Any Wall Clock s.der the clicks! Also interferes with the glass bubble! So always have carbonated water in the vicinity! (LOL)
Each room reflects no preference where and produces a certain sound. The cheapest solution to avoid any reflections is to pull a blanket over my head. A small table on a table in which the micro is a little light for reading and a blanket over it is ingenious and sounds great. Only then s.Rande.
We must take the signal as dry as possible.
I'm going from the time of the recording is in the box. One should of course keep an eye on the level to prevent overdriving. If they do! The recording is useless! Digital distortion is impossible to rescue.
Now come easy steps:
1. Recording with EQ Edit
The equalizer is an equalizer! No miracle cure!
My experiences have shown that only make that back of certain frequencies in the first step makes sense.
Avoid presets! Also make time to listen to during a break and listen to something from the Net or ner DVD. The sense of hearing plays a welcome the blow of habit.
2. Signal compression!
The compressor is part of the dynamics processing. Dynamics? Quiet and sound. With the compressor is an effect in the sound device from the group called the control amplifier. He belongs to a group of dynamic processing and serves to restrict the dynamics of a signal. He is depending on the setting and raising the signal s.The border
Antwort von domain:
This is a very valuable contribution, I think.
Fabricate with the Edirol and partly with Ruessel with microphones and textiles unhinged inner hallway at night synonymous occasional personal commentaries.
One must simply encourage amateurs to discuss synonymous with his own authentic voice and idiom of their videos on your own if necessary.
Each is an expression of German dialects spoken local culture, from the Waterkant of about Best Hannovera Consulate of the lake into the Eastern Styria with its Bellerei.
The easy part of it, one must not only try to speak to a perfect High German, the Schwitzer but do not synonymous.
Antwort von darg:
Good and workable proposals.
We must accustom ourselves especially once only himself s.The own voice. Most are amazed at how eigenlich own sounds for the actual listener who knows a possibly synonymous but this is normal. Stop is a matter of acclimation.
Antwort von domain:
But that relates synonymous photos or videos of themselves always one you first see himself s.and found disgusting, while others say, why, you can see quite naturally from it.
Antwort von Frank B.:
Thanks for the interesting Profitips! Have a couple of times since the same questions about it.
1. Why not use the Normalize function? Some, fearing that the noise could be raised too much? I use the function, and often did, just made for comments, no negative experiences.
2. There are basically concerns, instead of using hardware software? Each audio program has some useful built-in EQ and Comp here today functions. So what still speaks for the purchase of separate hardware.
3. I'm trying to ranzuarbeiten slowly s.das about audio editing. The question has surfaced, including one microphone amplifier is required. I opens up the meaning, not entirely, because it can indeed each mixer (usually available to use for editing) on the levels increase.
So one thing I've noticed. A sound audio processing an Videofilmes is again a huge step for an amateur. Perhaps the really crucial point that we (I) separates the amateurs of professionals.
Frank
Antwort von Pianist:
We must take the signal as dry as possible. No, this is a fallacy often made. A good speaker area must not have too short a reverberation time. Sowas exist only in anechoic spaces in radio drama complexes (for "outdoors") or with acoustic measurements. A degree is s.Reflexionen necessary, therefore, alternate in absorbing and reflecting surfaces spokesman spaces. It is important to get the low interest under control, plus I've already written some articles that I am not here but cite or link.
The fact is at least that good speech is one of the most difficult tasks in general, are not very expensive technology and a very good space hinzukriegen not practical in perfect quality - of the quality of the speaker not to mention. The room should be so good that one can choose a meeting space of 20 to 30 cm.
So I can only guess if someone has a little time paid job, prefer to use one of the many free speaker with its own studio to send him the text and get e-mailed to a File. I think about it, although nothing because I believe that we engage more synonymous as "dubbing director" must guide and direct, ie that the speaker himself to me to be present, but for people without speaker space is the other solution is certainly better than even what to . bungle And who wants to try himself once, a very good voice, perhaps the night unravel in a quiet calm area outside.
Matthias
Antwort von PowerMac:
(...) I have to write several articles, which I will not be here but cite or link. (...) Well! But would I like to read.
Antwort von Pianist:
Well! But would I like to read. Nope, then yes flies on my cover. And you will not do that please now again as it was then ...
Matthias
Antwort von domain:
Well I always try to hinzukriegen enables dry shots. The adjustment s.div. Surround sound experience made in hindsight.
So I have experienced it the way synonymous in the recording studio of our local TV stations. Eerie thick structured "foam walls" but synonymous with adjustable Schallreflexionsparavents and the testimony of equipped instrument players, that they begin their instruments have not recognized and almost desperate.
But maybe the snow of yesterday.
Antwort von Meggs:
1. Why not use the Normalize function? Some, fearing that the noise could be raised too much? I use the function, and often did, just made for comments, no negative experiences.
2. There are basically concerns, instead of using hardware software? Each audio program has some useful built-in EQ and Comp here today functions. So what still speaks for the purchase of separate hardware.
Of course you can only normalize times. The compressor raises the quiet sounds, and thus the noise of even more than that happens when normalizing. Depending on the setting, the compressor takes synonymous Normalizing.
Good software-effects are better than bad hardware effects. I work with Cubase Essential 4, I can recommend. Inexpensive and good.
Antwort von Pianist:
So I have experienced it the way synonymous in the recording studio of our local TV stations. Eerie thick structured "foam walls" ... Yes, this is exactly the problem. Suggestion: Please go in s.Führungen participate through public service broadcasters and leave you there, show times really good speaker rooms. So do not these new-fangled Aquarium radio studio with the huge glass panels, but really good rooms. And then once you go along the walls and they are talking to themselves to get a feel for it, are distributed as reflective and absorbent surfaces.
The pure doctrine for space needed for voice (unlike rooms for music recording by the way) is no minimum size, but I really think that a speaker room at least six to nine square meters would be great, everything else is synonymous acoustically difficult for the speaker and an imposition. And of these wooden cabins, I do not think much synonymous.
Matthias
Antwort von PowerMac:
Well! But would I like to read.
Nope, then yes flies on my cover. And you will not do that please now again as it was then ...
Matthias How about with a link via email?
Antwort von nicecam:
Protest!
of sensible advice, we may soon benefit all ...
Antwort von domain:
So, in my primitive Amateusicht it can go just about as dry as possible during this primary shots. Only then fine tuning with electronic room reverberation is carried out. The only way I can adapt, whether it was the voice takes place outdoors or in a room of various sizes.
The sound field can be manipulated so much easier and more effective than the Picture. Unfortunately, so is not even used most of the amateurs.
