Frage von CreateDreams:
Hey guys,
should be used for a project to film a train that is close in some settings, in others, a little off, next time so I need a zoom lens. What would you recommend? Also a wide AngleObjektiv should I have to.
So I would say 3 Lenses:
Zoom
Wide-Angle
- "Normal"
-Evt. even with a fixed focal with good light transmission
Ask for tips.
Thank you
MFG
Antwort von Wechiii:
The 50mm 1.8 is good. Maybe the 50mm 1.4, but it costs a whole rack more!
Greetings
Antwort von Mink:
What is near and what is called away next? Evening, night, in the midday sun? You must be specific otherwise the wild one (very personal) Lenses-any recommendation thread .....
Antwort von Zizi:
Purchase yourself a cheap Tamron 28-75, 50mm 1.8, etc. and a decent telephoto or UWW!
I find much more of 2.8 s.der 5D for video anyway superfluous and unkontrolierbar for sharpening!
Antwort von CreateDreams:
Nah: Interior and up to 5m
Width: 20m
Most of it is filmed in the scorching sun, but a few night shots synonymous should be in there.
Would love to use Canon Lenses, but if others are well-synonymous, synonymous third-party will be happy.
MFG
Antwort von Meggs:
So I would say 3 Lenses:
Zoom
Wide-Angle
- "Normal"
-Evt. even with a fixed focal with good light transmission
A zoom lens with a focal variable. A 18-200 zoom has, for example at 18 wide-angle, telephoto and normal at 200 at about 50th
So you need a zoom lens and maybe even with a fixed focal and high brightness of.
Antwort von B.DeKid:
Search the net for times "DoF Calculator" and you would be calculated based on the story board the respective focal lengths that you need for each scene.
And then if you know what settings or in some focal lengths you need then we can give you better tips regarding what Lenses are good and which not.
.......................
What Zizi said, because with the f2.8 I vote for everything under 2.8 is very steep and to control the depth of field is especially short.
For night scenes, although it may be of advantage to have ne big aperture, but the optimum aperture is the case with 8-11 for the film as far as the depth of field sharpening.
Otherwise one has to quickly Prob "What we now eyelash sharp ;-)"
MfG
B. DeKid
Antwort von JonasB:
Do not forget the distance to the object ...
MFG
Jonah
Antwort von Zizi:
Do not forget the distance to the object ... That, and the Aperture's the only thing it makes!
Optics are less than 2.8 in 80% of the filming Falls completely useless to the ordinary!
Optimal would be 4.0 and good lighting, then you really what makes a rule Hollywood.
ISO 3200 is indeed in the 5D eh no big deal!
I think even 6400 even halfway useful when VF .. therefore, of investing in a better light instead of light!
Antwort von JonasB:
Do not forget the distance to the object ...
That, and the Aperture's the only thing it makes!
Focal, sensor size?
MFG
Jonah
Antwort von Zizi:
Focal, sensor size?
MFG
The Focal .. logo!
The sensor size has to basically nothing to do so.
Or I'm lying wrong?
Antwort von JonasB:
Focal, sensor size?
MFG
The Focal .. logo!
The sensor size has to basically nothing to do so.
Or I'm lying wrong? Yes;) Why are the all so sharp on DSLRs? Big sensor = more blur ...
Antwort von deti:
Yes;) Why are the all so sharp on DSLRs? Big sensor = more blur ... For the same distance to the object and the same image of the Focus range is inversely proportional to the sensor size.
Thus, one would have to take a full frame sensor for the same image the 1.6-fold Focal.
Example:
Object at 3m distance, f/2.8
- @ 50mm APS-C -> DOF: 0.38 m
- 80mm @ small -> DOF: 0.23 m
0.38 / 0.23 = 1.65 (that's the effective focal length difference for the same image).
The best times to try here:
http://www.dofmaster.com/dofjs.html
Deti
Antwort von Zizi:
Yes in short:
If the sensor is bigger, I need to get closer or bigger focal take ne = less depth of field!
This is often a mistake because many think the larger sensor is directly responsible!
