Frage von AlexG:
Hello,
I do for a friend, the sound for movies-Spot.
The spotlight is on IR and will be rotated gefazt on film. Previously
I did sound for the medium of DVD, and have no
Idea of standards for film.
In my search for standards or recommendations, however, am not
necessarily find it now. Only on the page of the FDW Advertising
(http://www.fdw.de/prod/index.htm) I have information
found, however, tend to confuse me even more:
Commercials are basically to mix in Dolby SR ...
... The clay mixtures after FDW Decoding can only be in recording studios
be made over the loudness meter 737 of the company Dolby
have ...
Maximum Audio Control
Compared with the loudness meter 737 of the Company may Dolby, the displayed
Average, the number 82 do not exceed. Can anyone tell me, with which maximum levels should I mix?
There is perhaps synonymous with a recommended / usual RMS value?
Can I ignore the produce with Dolby SR and normal 48 kHz / stereo?
Regards
Alex
Antwort von derTHOMMESisses:
Hi,
--- Can I produce with Dolby SR ignorierenganz normal 48 kHz / stereo?
no, then would the decoder, which receives the film sound to respond incorrectly.
--- normal 48 kHz / stereo produce?
coded yes, and then in a recording studio equipped with Dolby SR your PCM sound-sr leave. Often, however, offer the synonymous (FAZ-to) copy works. The need to create the sound that is synonymous with a separate film master.
hope this helps.
gruss,
thommes [/ quote] [/ code]
Antwort von AlexG:
Yes, thank you. This helps even very next time.
Because someone else knows what the maximum Level I
can go? Or can I ignore that, since the later
Transcoding will be adjusted when?
Regards
Alex
Antwort von camworks:
this can certainly be adjusted, so I would play out as normal when on max. 0dB levels. then you have the greatest dynamic range.
