Frage von Buzzdee:
Hi,
I have been a few days, a violent Denkblockade and need your help:
Shoot I do with my Panasonic GS400 in PRO.CINE FRAME mode.
How do I export and capture the material with Premiere CS3 to see it as a progressive loss of material as possible in After Effects CS3 to get (if possible, without extra de-interlace to be, what is the frame mode or good?)?
Thank you in advance!
Regards
Buzz
Antwort von Markus:
How do I export and capture the material with Premiere CS3 to see it as a progressive loss of material as possible in After Effects CS3 to get ...? Progressive image sequences are DV recordings often (always?) In the usual half packed. Two related fields shown without further action then returns to the original full screen. When capturing nothing unusual should be set.
The project targets in Premiere, you can indeed Halbbildfolge on the "off", so that will work with frames. The same is true synonymous to export the timeline and the continuing work in AE too.
If you use a DV codec is not lossless enough, you could be synonymous to a Lossless codec à la HuffYUV dodge. The size of video files, however, thus significantly.
To any "fundamental problems" shortly before the conclusion of a longer work out, play the above workflow based on a short test sequence until the end (DVD-Video?) Through.
Antwort von Buzzdee:
Hm, I thought exactly synonymous. But no preference what I RESTRICT premiere in (be it by capturing or exporting), AE is always interpreted with lower field first (and it looks like so synonymous interlaced).
I can see already at capturing the typical "waves" of interlaced material ...
Regards
Buzz
Antwort von Markus:
Is it possible that "Pro Cine Frame" is nothing other than black bars and possibly a Sepia Effect in a normal 4:3 interlace video?
Antwort von Buzzdee:
So when the GS400 is a true 16:9 recording with "quasi"-25p (as I've noticed is indeed genuine 25p DV not possible).
Antwort von Buzzdee:
So I have now with the various project and export settings in Premiere experiments. I can not progressive material to export. AE always interpreted "lower field first". Interesting was the sequence of TIFF despite aspect ratio set to 1.42 to 1.07 but has been exported ...
Regards
Buzz
Antwort von Markus:
I can not progressive material to export. AE always interpreted "lower field first". This should pose no problems yet, because at 25p as 50i camouflaged, the scan lines, so where they belong. So likely no single exported interlace strips show no preference with which Halbbildfolge.
Interesting was the sequence of TIFF despite aspect ratio set to 1.42 to 1.07 but has been exported ... This is not good, but not synonymous dramatically. If the scenes (in whatever form is always synonymous) in AE or later be imported into Premiere, set the pixel aspect ratio manual easy to 1,42:1.
