Frage von sans_serif:
Dear Slashcam professionals.
I have the entire Internet and searched for weeks hanging s.einem still the same problem.
I have miniDV material with the Canon XL1 in a 4-channel mode.
Here is a SonyHVR M25E recorder and a Mac on which I both Final Cut Pro Studio as synonymous Adobe Premiere CS4 have available.
Can someone please tell in detail how I Picture and Sound File in a synchronous capture, or can capture what the correct settings are?
After capturing a tape repeatedly without success to synchronicity, I am almost s.Verzweifeln here and hope to help.
Liebe Grüße
Paula
Antwort von B.DeKid:
Gude
You have to hand the material via manual push together, the XL1 offers no possibility of Sync via TC
That the reason why you will find nothing synonymous.
MfG
B. DeKid
Antwort von sans_serif:
Hm Good
'via hand push' now actually tells me little.
First I need the material captured on my HD and here are the problems with 32 kHz and different bitrate presets in Final Cut Pro, Premiere as synonymous to me no reasonable supply audio track, which I later nachsynchronisieren, since the material is initially partially synchronously and still is by past auseinanderläuft next time ...
Antwort von B.DeKid:
Use maybe Nuendo, Cubase Sound Booth or the sound equipment to capture
Un via hand pushing means then the track and the video footage together to push.
MfG
B. DeKid
Antwort von sans_serif:
So only the final understanding:
you think it is not possible with either Final Cut Pro or Premiere CS4 directly with 12-bit 32kHz sound on capture?
Antwort von B.DeKid:
Sorry, I know not with me, I use NEN Field DAT recorder and capture the sound in Nuendo and process it later in the premiere.
MfG
B. DeKid
Antwort von thos-berlin:
Unfortunately I have no 4-track-capable. My editing program Liquid can but up to 4 tracks record - so "says" at least the Properties tab on the clip.
Hence my assumption: You have in your editing program setting. Final Cut Pro experts' ran!
Antwort von sans_serif:
Yes it was actually really synonymous per se, my question here that I probably only in a specific forum to find an answer.
Which reads:
How to 12-bit 32kHz sound of a miniDV correctly after Pro/PremiereCS4 Final Cut (Mac) capturing by means of a SonyHVR M25E recorder.
The problem is that Final Cut Pro no 12-bit offering presets and do not seem to be synonymous CS4. Or I can find it somewhere. Or what other software can help me.
The problem is not that I do not have 4 channels can capture, it's purely for the bitrate.
If I get the answer somewhere else I will do a synonymous for the benefit of all synonymous hierposten.
Antwort von Axel:
If I get the answer somewhere else I will do a synonymous for the benefit of all synonymous hierposten. That is good. I had earlier a VX1000, synonymous with the 12 bit 32 kHz recording. I know synonymous, that the bitrate for Final Cut Pro will not alter it. I still had problems none. Very vaguely I remember s.eine Warntafel that the audio sampling rate to match the sequence settings, whether it is "ok", they adapt. If it was (long ago), it hangs with the check box "warning on import of non-optimized media 'together, since existence of the open timeline weggeklickt will be happy times. The Final Cut Pro Manual explicitly mentions that many DV - Audio rates with such work, however, says nothing precise about how you use them.
Antwort von thos-berlin:
A program that DV Datenstöme processed, the 12-bit processing, which makes it DV - standard (namely, for 4-track recording and dubbing).
My recorder can stand dubbing. Since I have the opportunity to experiment with something (which is unfortunately of no use to you, because I do not do the same and a different editing program using ....)
