Newsmeldung von slashCAM:Hier geht es zur Newsmeldung: Zacuto: The Great Camera Shootout 2010
Antwort von deti:
This part was at least a bit interesting.
Deti
Antwort von Valentino:
Nice test, synonymous if not exactly why I here mean a Golf with a Porsche is compared to a 35mm ARRI :-) The CAM with Cooke S4 lenses is sharper than a VDSLR should really surprise no one. This is the 2k and 4k Kodak (200T vs. 250T) Fuji Comparison very nice.
The rest is more of heise air such as the color grading. Here are the colors of the film emulsions in the direction of the VDSLR colors were rotated out.
Who has some idea of time should look to colleagues p.26: 20. Comparison of times along the way with an 8bit RGB 14 bit RAW file. A RAW Video / Stillimage has no color, but is S / W. Only by de-bayering caused the colors, the RGB color space but not in each 14-bit per channel can resolve.
Why is absent in the whole test, or even an R1 Sonyoder ARRI digital is synonymous mystery to me.
Antwort von kundesbanzler:
So I'm keen to be seen all parts of the shootout and it was fairly informative synonymous. The decision, 35 as an analogue model, was to me quite plausible, because that is ultimately the standard that s.dem be measured for each Camera Movies must be synonymous, the R1 and consorts. If they had with one of the digital cameras compared, all the time would have been in the back of the question, as reflected in turn by 35mm.
That 35mm is not reached or exceeded, except vllt in low light was clearly the outset of synonymous and has no one else expected. The crucial question was, however, with which the residue DSLRs lose and how they hold their own against one another. The basic idea, because you can judge s.Monitor bad the competence of a screen image, simply plug to a number of people in a movie and to show their reactions, I found quite original.
The color test was really something silly. That you can straight footage, that it afterwards as DSLR Footage (or whatever) looks like is not particularly surprising. That was probably just a complicated way of saying that you can cut film and DSLR row without it totally looks silly.
Largest Kritipunkt my part: the keying test I found unnecessary. For one, anyway rumgekommen not much about it, the other is the keying in the entire VFX work anyway overstated total. Since you would have to test more, the tracking, that would have been about 100 times as important and crucial in the relatively synonymous for these special cameras. RollingShutter and Alias | Wavefront Mayaing a wreck that is very consistently the tracks.
