Frage von JMitch:hi ...
big problem ...
have blue screen shots of people, of the green (left) and red (right) are irradiated flood light .... and work in premiere pro
PROBLEM: when I change the tolerance, etc. so that the person was free to be the green light on the human durchsichtig (logical)
how can I get the better of blue green disconnect?
working with the "bluescreenkey" effect because the "Colorkey" is too grainy
've tried a lot and do not come next ...'m grateful for any advice ..
Antwort von smooth-appeal:
I have not yet even gekeyed but I think with this variant lighting did you made the whole more difficult than necessary ....
Antwort von Markus:
once tolerance, etc. I have so that the person is free is the green light on the human durchsichtig (logical) So logically I do not think, because blue and green are actually far enough apart to separate transparent as to be able to be defined.
I think therefore more likely to bluescreen and motive were not well lit. On the other hand, I knew, however, is not synonymous comfortable panacea. Will probably only one (of hand-drawn?) Mask.
Antwort von wolfgang:
One of the colors might be inappropriate with the secondary color Corrector against another exchange, and then on the other hand keyen. I believe, synonymous APP has such a filter.
Antwort von camtv:
Ähhhh? And why are you doing something?
But seriously: In English you get out. New masks, or Not to each frame in Photoshop individually edit .......
Or try Adobe ... they've got good keying software.