Frage von internetnavigator:
Hi,
I did ask one time:
you can take with 2 dv cameras (30 fps) (producing the same on) a highspeed "clip"?
villeicht when you're always 1 frame of the one and then another frame of a digital camera and always take the other way next?
does it work? weiss jmd method or another?
time I hope you can help me
thx
bye internet navigator
Antwort von Acer:
Can you tell me how to funz it? What do you all think with "highspeed" clip. If everyone here would ask his questions would have no user Slashcam more.
Cu
Philip
Antwort von internetnavigator:
sry so I write.
I like my nen Slomotion effect eg. in the matrix.
So if each camera every 0.2 sec. a picture makes me wonder if you could configure cameras nich so start that in Kamera1 sec. 0.1, at Kamera2 sec. 0.2, again on camera 1 sec. 0.3 makes a picture, and then next ...
would go?
cya
Antwort von Peter S.:
I think I have understood: two cameras to draw to a delay one field. Thus, one could (theoretically) a record with 50 frames per second. There is a filter designed for Virtual Dub, who composed the clips correctly.
MFG Peter
Antwort von internetnavigator:
@ Peter:
I mean exactly that!
do you know if there is such a filter for Virtual Dub?
megathx
cc
Antwort von Gast1:
The matrix effect was simultaneously recorded with a variety of cameras, which were like a wall or a hemisphere placed around the object. They thus achieved a kind of three-dimensional picture lann to move around the virtual one. That way, gabs on several occasions as a "Making of ..." to watch on TV and is certainly synonymous find anywhere on the network.
To make the picture a normal DV camera a very good slow motion one uses to Programs, interpolate them to the existing 25 frames or 50 fields more pictures, so expect to do so.
Such a program is as Retimer.
http://www.realviz.com/products/rtpro/index.php
Fü approximately $ 1,500 are you here :-)
Cheaper gehts with DynaPel MotionPerfect: http://www.dynapel.com/index.shtml
Antwort von Debonnaire:
When you capture with two separate cameras, the same scene, and even if you could synchronize them as planned to put out one field would then leaping back down 50 times per second the picture for a pair of arc-seconds-and since the cameras have different optical axes so in the recording. I get 'headache now watch this film at the thought of having to. Works nich ...
Here is an example of movies that was recorded with two closely related to each other cameras. You see how easily vary the angle of acceptance. (The film was taken for something else, demonstrates the problem but good!)
Antwort von 911:
Can someone tell me what camera with the euzeichnungen in the demo movie on the right page were made? Is there a no-brainer for demonstration of the depth or impact. Come on over well. With what good middle DV Cam, you can achieve similar results?
And brings the program results in better Retimer slomos as Premiere Pro and After Effects?
Greeting
911
Antwort von Debonnaire:
Och 911! Look at the URL s.and times but a bit think with! Then you can elicit the underlying site and read all about it entirely for yourself! Is really not a book with seven seals in the internet age, right?
Antwort von 911:
So the DVX100A, I know not stop. But maybe I'm wrong Post a Question schwerpunkt given.
So, what with better mini DV camera can produce similar results? Think of it as more in the price category Panasonic GS400.
Greeting
911
Antwort von Debonnaire:
NOT EVEN! Look at times but s.worum 's on this site IS! My goodness, a weeenig Mitdenken but really is not asking too much!
Antwort von 911:
Tell me, is this your normal tone? Yes very Hilfsbereit come over! ...
If you're such an expert, why do you not simply give a competent answer? I just have not your expertise ... Nevertheless, I have been busy myself with something simple and just have a question? .. Have asked for the gs400 because of the house is said to have already made quite a good field of view and depth of field! And have been synonymous with 35mm objective gs400 seen! So what is your problem?
