Frage von diebadehose:
Hello!
what might be possible, the best way to transport the data (the film) of finalcut to premiere on?
thought of the film cut to final read on spending minidv and again at premiere;
the data by re-compressed?
how big are the qualitaetseinbusen if so?
There is a better way to transport data of system to system?
many thanks and love gruesse!
diebadehose
Antwort von PowerMac:
Either output as Quicktime and easy to import into Premiere via QT, or play on tape and re-import or export via EDL list.
I have not tried YET ... but soon. But just because I have to.
Antwort von Nightfly!:
Hello diebadehose!
Case 1: So if your film is already on the calculator, I would leave him there, synonymous, and copied over a network from the Mac to the Win PC.
The format of the finished film can be DV-AVI, Uncompressed AVI, MJPEG, or a lossless codec.
If you have nothing because YOU must probably take Quicktime.
Case 2: If YOU have just cut and captured but not yet created a coherent film write it onto the tape back and capture it with premiere new.
Greeting Nightfly
Antwort von PowerMac:
All AVI * There is not anything on the Mac.
You can spend from Final Cut Pro ONLY Quicktime format. Or end formats.
If DV, then as a mov with Quicktime DV compressor.
Or, like synonymous with DVCPRO50 DVCPRO with 50 Mbps, but just the Quicktime codec.
Antwort von diebadehose:
hello and thank you for the same time, the quick answer!
about networking: not because we are indeed going in the same statd (vienna) but are in different districts and via internet at 512kbit upstream that is not much fun;
especially since it would save the result only once synonymous;
save as QT DV worsened made the bildmaterial clear; did this before and am not particularly satisfied with the result;
would like to find out if the rauspielen tied to newly compressed;
unfortunately I'm still out bekommmen no clear answer;
many thanks and love gruesse!
The badehose
Antwort von Spiu:
save as QT DV worsened made the bildmaterial clear; did this before and am not particularly satisfied with the result;
would like to find out if the rauspielen tied to newly compressed;
unfortunately I'm still out bekommmen no clear answer;
many thanks and love gruesse!
The badehose Hi,
So if you DV footage of eindigitalisierst band you should choose where the DV-Pal codec. If you then have your materials you can cut it as a quicktime export without quality loss. That you in your case, while a poorer quality have received is probably that you have not chosen the correct settings. the quicktime - "format" is practically only a container, in which the data are reingepackt. You can export the settings but adjust to the next and still have a DV-PAL codec with 25 frames per second (PAL) select. Rausrechnen you could just as well as AVI with DV-PAL codec, however, run the avi's not auf'm mac.
what concerns the rausspielen to DV tape: nothing happened but if you exportierst with DV-PAL. only the film that you just have to band instead of eg a data DVD.
It is generally always in DV compression. But even with the DV-PAL codec.
I hope this has helped somewhat now ;-)
Beste grüße nach wien!
Antwort von Markus:
Hello, "the badehose"
Perhaps an optimized workflow would be synonymous, a solution,
either with
or capture with Premiere Final Cut, cut and spend. What is the procedure (should be starting with Mac, next with a computer) makes sense?
Antwort von diebadehose:
hallo markus!
one welchsel between different systems is often unavoidable;
Sometimes it is so that the Mateial eg on a powerbook is captured, a raw version is created, then it comes to me (pc) and I will make keying, color correction, compositing, fx, ...
after that it's sometimes back again for dvd-authoring, or other weiterverarbeitung;
only to explain why a system change is often unavoidable;
gruesse love!
diebadehose
