Frage von Fred4G:
Hello,
I'm looking for the appropriate sound equipment for a documentary. as the camera is the new panasonic s.hvx200 planned.
what would be best if the sound can be fished?
and
what would be best s.Funk-Ansteckmikros, s.die directly to the camera (the situation is that only the cameraman on a small boat people filming and recording their conversation)
for all the reply I would be very grateful fred
Antwort von BjörnF:
How many people / protagonists should it be? More than two radio channels, you do not get s.die HVX, because it is only two Toneingänge there. And then you have no atmosphere, but always just the spark gaps, which are then only through the automatic gepegelt be.
The ideal case would be an additional Tonmann, with the SQN nem equipped, fishes and / or the radio pegelt. Often interfere with cameramen s.Spiralkabel between the mixer and then a little camera - there is ne radio link between the mixer and Camera synonymous worth gold - especially in tight "premises" :-)
Björn
Antwort von robbie:
Clearly, what Joerg says is absolutely correct.
2 Funktstrecken, fishing, and a SQN mixer ... This is probably the most, with which you will achieve optimal results.
Has the HVX NEN Timecode Off / Input? Since then, I recommend that a time code Synchronous Audio - recording device and the cable between Cam and SQN deleted :)...
Schöne Grüße,
Robbie
Antwort von BjörnF:
For details, such as a stereo SQN to two tracks with the Angel of the spark gaps to separate, we come later :-)
Björn
Antwort von Fred4G:
Hello,
Many thanks for your reply!
s.besten would be a combination-could look like:
I can stretch funk (mean micro, sender and receiver) at a zb protagonists s.die camera and connect with several s.einen-mixer and so for example, three people with funk track and at the same time provide a further micro-environment for the position and the four different Mikros s.die camera then wirelessly transmitted?
(Which with the time code input / output, I must still clarify)
and it would be a good option, such as a micro fixed position, the scene when, as in the example of the boat is small and not a ton assi-is?
many greetings and thank you, fred
Antwort von robbie:
Sure, you can do the 4 signals transmitted s.die Camera. However, just as 2 separate tracks, which means you have the 3 lines to a radio mix, and the atmosphere directly to the camera through.
Or you an camera with 4 audio - footsteps, then you can have all 4 microphones separated record.
But as I said, without the SQN is then all but a heath fun ...
I think the time code is the most practical solution because you have really no connection between the camera and audio need. And with good equipment synonymous 4 separate tracks can absorb.
Otherwise: A second boat?
Schöne Grüße,
Robbie
Antwort von Fred4G:
Hello,
very sincere thanks for the expert answers!
I apologize that my response so long to wait for it! I'm abroad these days and was rarely an Internet connection, as originally planned.
Regards, Fred
