The current review for Blackmagic 4K Camera Production by Andrew Reid / EOSHD falls used to in metaphor rich, but otherwise only confirmed what has already been heard about the camera. Andrew criticizes the fact that the concept of Black Magic 4K camera more than ever resembles only one sensor in a box and just barely deserves the rest of the camera selbige name. The global shutter is probably indeed for Rolling Shutter plagued filmmakers a revelation, but at the expense of dynamics. Andrew himself reckons that the thus associated, poor low light behavior as a not so dramatic, but also means that you then why does because of the early highlights for clipping rather underexposed and the shadows full (fixed pattern) noise. These are gecrusht in REC709 mode anyway and in movie mode it wastherefore also highly recommended. Alternatively, of course, is also a prime discipline for the noise reduction in the attached full version of DaVinci Resolve. Only is likely to reduce noise quickly make the Schaerfevorteil 4K opposite FullHD naught. The monstrous data rates that amount to prepare in spite ProRes compression about 100 MB / s Andrew headache. Well, maybe because Panasonic with the GH4 now but the hotter irons in the fire. Because the momentum is expected here (no later with an external recorder) turn out hardly worse, the lowlight behavior most likely better and the rolling shutter after all be reduced significantly. And the GH4 ergonomics likely doing many filmmakers meet many more. Ironically, however, just remember the 4K crop factor of Panasonic GH4
