Frage von lisa:
So, should I shoot at an event at the tape and a short play. Now my question:
As I film s.besten the tape? What are the prospects? From the bottom, top, waving? Better a Standkamera or should I walk around? From whatever perspective, the guitarist, drummer, singer, the bassist, piano? Should I shoot in front of a frontal or rather sideways? Dear s.einer body can move, or more?
Danke schon mal in advance for the tips!
Antwort von jens:
Hi Lisa,
First some questions:
thou shalt live film (that) in real time?
How many cameras are at your disposal?
Does the (good) sound a role?
Greetings,
Jens
Antwort von lisa:
Yes, a live recording.
How many cameras? Sorry to smile just because ne is rather small event (about 200 attendees), so we only have a small hand-camera.
Yes, the sound should already be fairly well.
've honestly no idea of filming it, I have time today to read through instructions of the camera, but I've never actually filmed, so bidde very simple statements, or I'll check that is not nothing:)!
Antwort von camworks:
optimal conditions of eligibility. : - /
Perhaps you do at home for a few test recordings to get you acquainted with the camera too.
the requirement to use only one camera, which is very bad, so you can not incised. So, all dirty zooms, wobbles, etc. can not be rausgeschnitten because you do not have cut images. Think it over again and would rather get you of anyone, a second camera with tripod and add them to movies and to a total. in the emergency so you can always incised on the total. And believe me, you'll have many emergencies.
Setting the film sizes, with hand camera always at different times, which is not as dreary as dauertotalen and pan and zoom.
Antwort von bendit:
at best, you have 2 cameras.
of job you choose and on the back of the picture rather total
(large)
With the other camera you runs before / around on the stage.
You can go through both cameras ... so do not press to stop,
then you broke the syncronize two video tracks s.computer only once and then you can always cut out and her!
totally easy.
ne can certainly muster second small cam!
Antwort von camworks:
uh, I'm still writing grad!
Antwort von lisa:
Cool, thanks,'ll schaun whether I can muster ne second!
Now even the prospect:
Which perspective is s.besten? So what should I look at the tape, is there any specific criteria?
Antwort von camworks:
Just try not to take extreme persektiven too. blinkered view and bird's-eye view are not so well-suited for a concert. But look at a concert in time to watch TV, record s.besten. then analyzed at rest, because you can learn a lot.
Antwort von lisa:
Thanks, I'll follow the advice and views anschaun s.and me to a concert on TV!
Gruß lisa
Antwort von camworks:
Cam is not enough really, one must look at each setting change (= change camera) why did it so and what exactly changed. so I have to admit said. there may be on "pause" button and front and back hike.
Antwort von lisa:
Okay, I'll none of it to me:)!
Fallen else do you have any tips for filming one, so for grad Beginners like me?
Gruß lisa
Antwort von camworks:
PRACTICE! practice like crazy, üb times to steady the camera, which is ne hour long rather heavy. üb simply rotate, where the important buttons are s.deiner cam, so you can find them in the semi-dark.
Antwort von mint400:
Although for most users here is, of course, again, the reference for you (Lisa): Take your leave from the automatic mode! Especially in semi-darkness you will with the autofocus of your camera unravel probably not a single sharp picture ...
Antwort von lisa:
@ mint400: Okay werd, I do, thank you!
@ CAMWorks: Did yesterday 3h Spent familiarize myself with the camera, I think that I might somehow unravel!
So is clear that there is a lighting system at the event. Do I need to pay attention to what particular setting or particular item?
Gruß lisa
Antwort von Markus:
So is clear that there is a lighting system at the event. Do I need to pay attention to what particular setting or particular item? Aperture manual, manual focus limit, signal amplification, or manual set. Lights in the back to avoid (smear effect), possibly using a mesh filter to smear Effect to cover up ". White Balance on Fixed artificial light.
The sound from the PA mixer on a separate recorder to record and synchronize later. As far as the principal soon ... ;-)
Antwort von lisa:
All clear, fully checked!
If I may ask: What does it mean to limit please, "Signalverstärung"? Ne Probably stupid question, but unfortunately I have no plan of the gefilme:)!
Gruß lisa
Antwort von Jan:
The signal does not unduly increase () may be very noisy picture, or better look at which amplification (gain), all you get the best picture.
The question is, of course, if the camera ever hatt a freely adjustable signal gain? What is taken for a model entry-level price SonyHC 17oder Consumer Top Class VX 2100?
For entry-level price and availability were accurate amplification Panasonic well, eg GS 17 has been freely adjustable gain of 0 DB -12 dB. Aperture 1,8-22 as well as accurate and shutter speed 1/50-1/4000. I hope the camera but is a class higher.
A few tips for novice filmmakers Concert
Several camera crews with equivalent unit can focus on individual musicians. Of course, one should avoid filming each other. Anschliesend done on the compilation tape of the camera, as the sound perfect
Hall has received mixed via line input (from the mixer). Here
is a little musical Gespühr helpful - or one s.Schnittpult patience musicians as assessors.
Ideally, have camera crews at the dress rehearsal ample opportunity to adjust to sound or light, and to deny processes.
Battery Check is in front's always important rotating duty. Where possible, work s.Netz.
The map should actively follow the stage action, but not act frantically. Directions of movement such as zoom's and pivot's should alternate whenever possible.
As in manual focus zb.s.Micro described the singer's move to wild pumping of the AF's to be avoided.
Look out for bass heavy music, as a lightweight tripod with the camera
vibrate much else can.
So s.besten would be in favor SonyVX 2100 and Canon XM 2 (Own Stage Lighting Program + Spotlight (otherwise over-exposure of the actors in the dark
Stage background) If not, the cost will be too expensive.
LG
January
Antwort von camworks:
And if you're at it, let me by the sound engineer to make extra mixing ne kamera. often, namely, the schlagzeug not miked, because in small halls before the schlagzeug already loud enough. But in the recording you would then have no schlagzeug here that does not sounds good.
So if the sound engineer with an extra mixing schlagzeug makes just for you, he must still install extra micros s.schlagzeug, but for that you'd be together all the instruments.
The signal then you can either give to an external recorder (hi-md or something), or total feed into the camera. eh is the only stupid around on the same places. But pay attention to the modulation: switch to adjust level control and peak levels at approximately-9dB.
Antwort von lisa:
Thank you for your tips! That really helps me next!
Gruß lisa
