Frage von ereshkigal:
Hello,
working just s.einer Knet animation. The footage is produced by a DSLR. I have every frame of every writer or image that arises in a low-resolution (eg 800x533px) and a high-resolution (8MP) variant available.
Now I would s.liebsten work so that I always present with the Lores-performance materials to cut to save, and then only shortly before the final rendering the footage of the monster-resolved exchange.
How do I care?
(Alternate to render is not practical (or?) Because it is about 3000 + frames involved.)
Antwort von Mylenium:
(Alternate to render is not practical (or?) Because it is about 3000 + frames involved.) And why render again if you already have? "Substitute define" funzt exactly.
Mylenium
Antwort von ereshkigal:
oookay, clear, straight out.
Only ... I must then but for each of the 3000 images individually, or? Hm ..
Antwort von Mylenium:
oookay, clear, straight out.
Only ... I must then but for each of the 3000 images individually, or? Hm .. Wüso? If you's are imported as a sequence, you machste exactly 1mal, provided that the numbering skin and AE are not complaining ...
Mylenium
Antwort von ereshkigal:
True, at least when the sequence of real 0001.jpg through 3000.jpg up. "In true 'starts all scene / setting (at least in my case) back to 1, so it's worth, I have
only once each scene make. Everything really is no problem - but:
So I wanted to not work, because some frames - as it was customary for Stop Motion - more than once to be carried out, or pingpong-backandforth-who wants to run.
(; Yeah, I have always done: All images of a scene as individual levels, then keyframe assistant> sequence layers and sequenced the entire composition may be about loop_out ( "cycle", 0) or ~ ( "pingpong", 0) repeat.)
So instead
1,2,3,4,5,6,7,8,9,1,2,3,4,5,6,7,8,9
synonymous times
1,2,3,4,
3,2,1,2,3,4, 5,6,7,8,9,1,2,3,4,5,6,7,8,
7.8, 7.8, 9
With time distortion hardly controllable.
What now? Sorry, all this would have perhaps
earlier times in more detail to be ...
Antwort von ereshkigal:
Nobody?
At the coolest wär natürlich sowas:
Twice the same folder with the same folder structure and the same files / filenames. Only a folder full of deputies, the other folders full of high-resolution images.
Then the folder called "Substitute" and "Render material" define ... and Fertsch.
Is that somehow better with Premiere?
Antwort von ereshkigal:
but has anyone an idea?
I mean ... is not an everyday problem of half a DSLR with Stop Motion Clips made?
