Frage von prfilms:
Hi cutter and cutter,
I have two questions about Final Cut Studio 2:
1:
I've heard there is in Final Cut Pro is a possibility of a Rohnschnitt on a kind of multi-screen performed. Means that multiple clips run in a window (eg a viergeteiltes Picture with 4 different camera angles of a scene) and one by clicking on the various clips in this window, the program makes car rough. (Sorry for this confusing phrase I do not know how ichs can better describe)
Is there really something? If yes, how does it work, or how do I get s.diese function?
2:
Is there a possibility all the effects on the individual clips were issued individually without the clips and adjust the effects to be removed again? For such a rough, where some have with effects rumgespielt was back on the actual rough to reduce, so do not constantly be re-rendered.
Would be glad if one or the other may say something about this and if only to be that everything is rubbish:)
Thank you to each instance once.
Philip
Antwort von PowerMac:
Both absolute beginners questions.
1) Manual: "Multiclip". Is not just as described. You need proper timecode. Then you can clip to a different Multiclip merge by using the perspective and the sound in real time while playing can change. Are several tutorials about this.
2) s.Effect copy, select all the clips, and more.
b) Clip Effect with copy. Desired clips highlight the context-menu: Attributes / filter insert.
c) in the Timeline Viewer (context menu) to open, insert the desired effect.
The way the timeline is s.einfachsten, with "Undo" are you back immediately and do not re-render.
Antwort von prfilms:
thanks for the reply, synonymous when the first set easily sounds arrogant ..
but unfortunately, I do not understand to have been ..
Antwort von Axel:
thanks for the reply, synonymous when the first set easily sounds arrogant ..
but unfortunately, I do not understand to have been .. ? Your questions were answered, both with "yes". 1. Multiclip there is in the manual under this index keyword detail. 2. All filters and effects can be undone, synonymous revoked. And depending on the number and complexity of the filter, you need not just to render the real-time because you a good preview shows. Even with a red render bar will show you the current frame is always displayed anyway. Just a few years ago there was nothing else, and let yourself be told: You have not cut then slower.
Antwort von prfilms:
I am really pleased that you addressed this issue, so please understand this is not wrong if I say something, but as I understand your answer, I just feel that the question does not really arrived ..
So the "problem" is that I like a finished movie in the timeline did lie. with hundreds of fragments, hide, incl neukadrierungen keying, etc. So things louder, which is now theoretically be rendered so I can watch the film. what I now would like Final Cut Pro is to say, it is simply all the effects just in my timeline scattered ignore and simply aneinanerreihung of the clips in the timeline is playing without synonymous only one effect of the thousands since the rumschwirren.
Antwort von Natevi:
Hi Phillip,
I'm still quite synonymous with s.Anfang Final Cut Pro, but if I have understood everything correctly, you need only in the settings of the Timelime "Unlimited real time", then it should work.
But certainly I am not.
Antwort von Axel:
... So the "problem" is that I like a finished movie in the timeline did lie. with hundreds of snippets ... what I now would like Final Cut Pro is to say, it should be simple ... Playing without synonymous only one effect of the thousands since the rumschwirren. As for "workflow" is called for:
1. Before you ever Capture, Create Empty Project in many sequences, such as it is useful. A longer rough timeline than 10 minutes will be confusing.
2. After capturing sortierst and appoint you the clips (in the case of s.Stück gecaptureten DV, via start / stop and separate analysis Subclips name).
3. You shall at all clips I + O, and draw them into the timelines.
4. You
are only as "Sowieso rough."
Three days later, the project cuts through nonsense, too many loud effects and errors completely ruined. Since you are already at the next processing step
as "Anyway" had saved, you still remain the Immaculate "Sowieso rough" version.
Even if the child has fallen into the fountain is not your question was only hypothetical and now you two hours before
a long timeline with an average of 5 video tracks, all "red" are, stool, and the first apple + R you 72 hours waiting time predicted,
then not everything is lost if you allow Final Cut Pro did all what I know, 30 minutes auto secure. The files can be found in prfilms Mac> prfilm home> Documents> FinalCutProDocuments> Autosave Vault> Anyway. Chronologically ordered, the date and time are displayed.
Antwort von dziga:
So I understand what you mean, with the second question. Possessions but unfortunately no answer to it. I would try:
Copy of the sequence to make, security, and then everything makie and s.den attributes rumschrauben, practically a clip as an attribute without effect for all other employers to use. so you can make?
is unfortunately just not Final Cut Pro.
Antwort von dziga:
perhaps synonymous simply highlight everything, then right mouse button and attribute distance?
Antwort von dziga:
yo, this is the answer to your second question.
gruß
b.
Antwort von Axel:
perhaps synonymous simply highlight everything, then right mouse button and attribute distance? But in case something goes wrong.
Antwort von dziga:
PS The solution is suboptimal, however, because the effects are not issued, but will be deleted. Remove attributes, you will find synonymous in the menu under Edit.
Antwort von Atom:
Menu item: sequence> Settings> Render Control
Adjust as needed, with or without effects ... etc.
For final output, however, and newly re-render.
