Infoseite // Cameras for stage use?



Frage von ThomasSch:


Servus.

As a musician / tape, we of course always on the Web and on DVD present.

I have an HV20.
Ne SonyHC17E is as synonymous.

Basically, I would 1-2 people with good cameras rumlaufenlassen the active stage and varied to capture HDV.

then I would have like to have one camera per musician and possibly one for the shot.

sound comes forth elsewhere, ergo no preference.

Etz is getting complicated.

The cams are small, ie not noticed or even obstruct the view when they s.mikroständer Drumset Pippen or are hidden. (sog Webbie?)

The cameras should have a hearty Have Wide Angle (to less than one meter by half a bassist incl full tool show!), Or at least an essay by thread allow.

The lighting on stage is either Heftig (Spotlight fits the HV20 as well), or poor.

HD has not been 16:9, Progressive recording Imme is good!
(If there's actually SD cams, the "P" record?)

Budget is running.

My calculator is a G5, as modern AVCHD can not edit!

HV40 will probably soon erworben.Aber what I do on stage?
Used DV sweetie? Mini-Pnasonics? Flip Minos VHS .....

Ideas?

thanks
Thomas

Space


Antwort von MarcBallhaus:

Take the money in hand and do it properly or forget it.

Space


Antwort von thos-berlin:

Marc ball hits home because the nail on the head.

Your requirements are (at first glance) to quite a number of cameras. These will be synonymous still be bright. Already have an HD Camera. You want to, but mainly for web and DVD production.

For WEB and DVD HD brought you no, it is SD. DVD is 720x576 points. On the Web, the resolution is still lower. HD is not necessary initially. It would preiswertete SD cameras rich (SD is interlaced). Mini-DV cameras are small. Kleiner would only finger cameras, microphones like the look, but an additional recording device need (and mE: usually 4:3 format).

Different cameras provide different colors synonymous. So if you are very many different models to use, you do a lot of time into a color correction / Farbangleichung have to invest. From the point you should maybe arrange such cameras, as you already have.

If this is too expensive, buy two or three very inexpensive MiniDV cameras (there are always special offers again - some time ago there was a discount for a JVC approximately 150, -) and hope that they cope with the light coming ...

In this price range it will be with aufschraubbaren WW intentions, however, closely ;-)

Space


Antwort von robbie:

People must have time! What there is now estimated at 6 cameras s.Rohmaterial rauskommt must be handled werdn. Have you thought s.das? And s.das light? and the sound? and and and and?

Space


Antwort von Bernd E.:

"Marc ball home" wrote: ... do it right or forget it ... "robbie" wrote: ... What there is now valued at 6 cameras s.Rohmaterial rauskommt must be handled werdn. Have you thought s.das? And s.das light? ... And and and and?
Alternative suggestion: Get an offer of a production company, which with so little experience, cameras far beyond HC17/HV20-Niveau use and live with Director works, so that the cameramen during the concert can deny.
Comparison to your project must still not too much more expensive, and you can get in any case, a result that you have your fans - and those that it should be - synonymous with joy can show.

Space


Antwort von ThomasSch:

Ok, thank you first for the answers.

I think rent is probably cheaper than buy.

Oh yes, with time.
I do not want just my shooting tape somehow, I get to grade with emphasis Final Cut Studio, I need the material

ciao
Thomas

Space





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