Frage von DezorianGuy:
Hi!
I now have a problem. The videos that I with my Canon HV20 (NTSC) tape of've ripped on a PC are much too large (30GB per tape). What should I convert them as small as possible (DVD version), but with as little loss of quality to get.
Another problem is that the smallest movements in the video and everything nachzieht streaks arise. Is this normal? Since I have with my Sonydcr6e (or so) better results. The HV20 is the status of the super quality, with no more movements. Since hätt I like my Canon Powershot A710 can take and save 900 euros.
Is the Cam really good, but should be. Why am I not even good as an amateur, even if semi Leutchen were thrilled.
I took in HD 24p with cinemodus on, and times synonymous with other modes, but always with HD24p.
If I have to choose normal HD? 24p = poor quality?
NEN actually wanted to short-film ... but so ...
I hope that I am here in this forum Slashcam someone can help, do not know where those who should know better. :) If this discussed or even solved, I will rest. ^ ^
Thank you for your hearing,
Dezorian
Antwort von kitanai:
streak, ie the bewegungsunschärfe, is characteristic of HD and at 24p in scho ... is normal, so you have to accept!
Antwort von Axel:
Another problem is that the smallest movements in the video and everything nachzieht streaks arise. Is this normal? Since I have with my Sonydcr6e (or so) better results. The HV20 is the status of the super quality, with no more movements. Since hätt I like my Canon Powershot A710 can take and save 900 euros. I have the HV20, but I have a lot of HDV clips seen, and "host" (if not already registered, then at least with a nod name sign!) Is right:
streaks, ie the bewegungsunschärfe, is typical for HD and quite scho at 24p ... is normal, so you have to accept! Typical for HD, not only HDV. You will be noticed that tripod shots and steady hand shots moving objects look completely natural. Only when you turn or drive, or a shaky hand-held camera machst, du hast das synonymous And only if you swing very fast. Especially is this so in the progressive mode, where the motion blur of images is desired. Please use the search function for more observations relating to find, so I do not need Wolf tap. Then go to the movies and you see a real movie (not just Shrek), sit a little closer s.die canvas. You'll remember: sharpness burglary at fast movements, the larger the picture and the higher the resolution, the more worse. For 24p (this is exactly the frequency in the Movies) will quietly steered (synonymous or not, but then "guest" Conclusion: "...
so you have to accept!) Perhaps this fact will give you the first time consciously, and you 'll be very surprised (synonymous surprised to hear that the actual screen resolution to a very average well below the no longer even a new HD ready TV is located), but of the moment s.wirst du synonymous Purchase DVDs at the same phenomenon can be observed. You will synonymous same "bucking" find the video mode s.progressiven fans hate.
I took in HD 24p with cinemodus on, and times synonymous with other modes, but always with HD24p.
If I have to choose normal HD? 24p = poor quality?
NEN actually wanted to short-film ... but so ... The choice of camera fits already, the choice of mode synonymous. Now you have to practice, as with film.
Antwort von kitanai:
... why 30gb per tape?
normally you should be up 11.3 gb m2t data have
and if your clips on dvd like to have
you into the appropriate format to convert.
gruß cj
Antwort von kitanai:
24p need the correct software synonymous. How you adapt the material for a DVD?
Antwort von DezorianGuy:
I use PremiereCS3 and select Canon 24p ... and AVI files then get the 30 GB. When what should I burn to DVD ne?
What settings.
And thanks again for the enlightenment! :)
Antwort von DezorianGuy:
Is there a tutorial which is dealing with the movies with the 24p mode is concerned? With the big No nos filming? NoNo iss probably certainly is about to move: \ (probably'm really beginner)
Antwort von DezorianGuy:
Should I PremiereCS3 Canon 24F HDV HV20 Cam for my vote?
Antwort von DezorianGuy:
In Premiere CS3, there are after canon 24f has chosen, nor the possibility of "device control DV / HDV or HDV CineForm" to choose. The admission also edit settings under "CineForm HDV or DV / HDV.
What is correct for my HV20?
Antwort von Axel:
Is there a tutorial which is dealing with the movies with the 24p mode is concerned? With the big No nos filming? NoNo iss probably certainly is about to move: \ (probably'm really beginner) What you write sounds very much like to long Shutterzeit. I know the camera, but the Shutterzeit should at least be 1/48tel, in no case 1/24tel or 1/12tel. That you have to test everything.
About the default, I can tell you nothing, because I Premiere CS3 does not have, but "Canon 24F HDV" sounds somehow right ;-)
Stay s.Ball. In the movies before?
Antwort von overdose:
streak, ie the bewegungsunschärfe, is characteristic of HD and at 24p in scho ... is normal, so you have to accept! Von wegen ...
Nee,
Antwort von Axel:
streak, ie the bewegungsunschärfe, is characteristic of HD and at 24p in scho ... is normal, so you have to accept!
Von wegen ...
Nee, das hier will ich nicht haben...Es ist immer gut, wenn die Möglichkeit besteht, einen Beispielclip hochzuladen. Wenn das nicht eine merkwürdig bedruckte Tagesdecke ist, die ausgeschüttelt wird oder die Luftaufnahme eines gewaltigen Bebens, läuft hier was falsch.
Die erste Frage wäre: Sieht das schon so aus auf einem Television direkt of der Camera?
Dieser Film, falls in 24F aufgenommen, läuft nämlich in 29,97 fps ab, was eindeutig falsch ist. Es erklärt ein Ruckeln, das man s.besten with
two steps, describes a step back. A Halbbildreihenfolge interchanged, where there is no fields should be. And that there are fields, you can see in your clip s.den also horizontal stripes ( "combs").
Otherwise, such a moderately turbulent air intake for HDV not a big problem, no, the motion blur to "Schlieren" leads. Even the camera work is not that man with progressive-Jerkiness (One step, one step before) had to be ready.
A one-hour HDV tape is on the 13 GB hard drive, not 30 GB. Unfortunately, I can give you nothing about the behavior of NTSC in a PAL Environment say only that you have everything somehow vermurkst. The cocoa aksPhilip Slashcam member owns a HV20 NTSC and one for 24F umgemodelte XH A1, he should be able to detect your mistakes.
Here Here, what Jerkiness motion blur and concerns about which hardly anyone can complain. 25 or 24, the difference is so small that it can be neglected. Some will have your pictures look like, if you do everything right.
Antwort von ruessel:
Von wegen ...
Nee, here I will not have ...
The movie example is synonymous rather a bug of the HV20 with the image stabilizer:
http://www.dvxuser.com/V6/showthread.php?t=98824
Antwort von Axel:
Right. The clip comes from this DVXuser thread. Well, Dezorian, but do take a short (!) Beispielclip, for example on rapidshare, so that we can not fish in murky. And temporarily disable the Image Stabilization.
Antwort von overdose:
Jep, I do the same. Do not search the scene briefly and clearly is (as many MBs per second mean ^ ^).
Antwort von overdose:
Oh yes, Premiere shows me constantly s.dass each video is an outstanding medium ... "Outstanding Media" will be displayed in the preview window.
I've searched the forum and Slashcam was found. The statement reads: Premiere Audio calculated times etc and should wait. Is that so?
Ich warte schon ne now and there is no evidence for an early end, or a counter to count the remaining time.
Antwort von Axel:
Ich warte schon ne now and there is no evidence for an early end, or a counter to count the remaining time.
After seeing the other threads relating to read, in which no solution of the problem to the end of the thread formed, it is probably a bug in Premiere. At least not your fault. Stay left and try it again. And if you will be too much today - zickt Camera, Software zickt - let the stuff is until tomorrow ;-)
Antwort von overdose:
... it is probably a bug in Premiere.
How do you because it, tell ...
Antwort von Axel:
... it is probably a bug in Premiere.
How do you because it, tell ...
It has simply None wrote: "Hey, after ten minutes were indexing the files will no longer be outstanding, thanks for the info." Have patience when really 30 GB material durchgekaut be like the most `ne awhile ...
Antwort von overdose:
Now, 30 GB, it is no more. 12 GB maximum, such as DV material previously always been synonymous. Do not know why I am now of 30 to 12 come, probably because of the new Choice of Canon 24f "fashion at the beginning.
As always synonymous, what is this supposed to be outstanding with the media ...
Why are there no counter showing how far he has durchgekaut the file ...?
Antwort von DezorianGuy:
(only for info, I'm sometimes visiting here, but actually Dezorian: P, because the shortcut I've created here ... I always log off)
By the way, if I were a movie import, is a "Media Pending" in the window, down at the properties to 29fps video ... thought it was 24?
Antwort von Axel:
Since I am neither Premiere users have ever had 24p material, I recommend to you, on occasion reinzuschauen again, if anyone knows and is now just to chill. There is a solution, but today you will probably no longer enforce. Good night.
Antwort von DezorianGuy:
Chill, I do not think so. Have 20 tapes, and much has yet to begin.
Why is this the video "29.97 fps, 1440x1080 (1.333)"? Damn.
Furthermore, I had my Raynox Weitwinkelobejektiv growth and see this often in selbstreflektiert Picture. You can even Eingravierungen lenses and crystal-clear description read in some scenes-__-inclusive Lensflare effect.
http://www.250kb.de/u/070721/j/87f94936.jpg
The Rode Microphone to unscrew it does not work. Only a slight beeping erschallt for the sound in the video. -__ -
Irgendwie klappt nix here.
Antwort von dernightdj:
Oh yes, before I upload a video (if I find out how to outstanding media to co-operate can talk about), one can already make an impression of what I am talking about when I Schlieren, after dragging or speak (waving arm of men).
Antwort von Axel:
Oh yes, before I upload a video (if I find out how to outstanding media to co-operate can talk about), one can already make an impression of what I am talking about when I Schlieren, after dragging or speak (waving arm of men).
zum Bild
The man beckons. Only the fast-moving hand is smeared. On the video, this is usually a natural look, if it's synonymous in a single frame disturbs. It can of course be that the shutter speed is too long. At Sunshine you can - of the required amount of light, not that I recommend here (!) - 1/2000tel to go, then you have absolutely no motion blur more. Your complaint would then read as follows: The movements are not fluid! The shutter settings of your cam you can find (at least in PDF Manual of the Canon-HP) on pages 46 +47. You can thus experiment, the respective effect you see in the display.
At the Lensflare: pictures in the sun with video because of the high contrasts are always a bit problematic. The camera then screams "ND", and that there is a button you need to connect synonymous, and even then ..
But Backlight! A camera without a hint of the sun, with an additional vorgepappten, probably unsuitable optics (a lens, you can not vorschrauben, just a converter, s.besten only to the Canon itself sells accessories). Even a good photo camera with lenses will be fully paid in direct backlight display lens reflexes. In this
I know your Microphone is not, perhaps, probably it needs battery power and must be turned on. Then the built-in microphone is disabled, and now you should adjust the level (p.60). Do not be surprised if there is a directional microphone, the sound of the left only come when this is normal with mono jack plugs.
From one image based writer, I believe that all your problems, both with the cam as synonymous with premiere, self-made.
Antwort von DezorianGuy:
Lensflare is still ok. But the fact that my "Converter" mirrored to see, somehow I find disturbing. 've Read that it is normal for such a "shadow" can be seen. But it just looks bad.
Is probably no different manufacture? Or I'm back to set up a perfectionist?
Also I noticed that the extremely Picture wobbles when normal on the road goes along. You can see each step in the Picture as a huge earthquake / shock. Is there no stabilizer or the like, that something at least somewhat cushions? Sowas kenn ich SonyDcr6e of my credibility, I do not (I was never as extreme).
So, I take up the fight again with the outstanding media ...-__- hab ja nix else to do ... oh je ...
Antwort von DezorianGuy:
Furthermore, I see even more stark trickle NEN / snow in the slightly darkened room. Had the HV20 Plus there might not actually be able to collect points? (would like to pictures / videos to send when someone is with outstanding media in Premiere would know, or should I use the CS3 version of Premiere and leave on Premiere Pro 2 switch?)
Antwort von Axel:
I try to bring you with everything to help, but remember that I do not work with Premiere, so can a few settings differ slightly. Let us first such case. Maybe so but logs in a Windows-man and corrects us.
1. You have a recording preset "HDV" is selected? If you have something simple preset s.dieser have changed, it was probably wrong. You should create a new project, with new Logbin HDV and simple configuration.
2. Your camera is detected (shown), if you've connected via Firewire, and in VCR mode when you close the window "Logging and Capturing" have opened?
3. The setting for the timeline is "HDV1080 24p"?
In Final Cut Pro, you could be cut now. In English you have any "index" (?). Maybe there's a command. How would it be next? You have everything cut and ready to render. You then choose somewhere something like "Export to tape", etc., confirm the "Start" and the camera (still in VCR mode), the film takes on a fresh tape.
Antwort von DezorianGuy:
I've now made some screenshots:
So I start it all:
24F = 24p?
http://www.250kb.de/u/070722/j/d7cf519d.jpg
Is perhaps here's what to complain?
http://www.250kb.de/u/070722/j/7405d84f.jpg
Here, everything seems in order. 24fps ... HDV1080p .... right?
http://www.250kb.de/u/070722/j/fb7476f1.jpg
Well, what should you choose. CineForm HDV or better DV / HDV ...
http://www.250kb.de/u/070722/j/8867b2aa.jpg
When I've finished the tape, I will file with the following information ready (below 29fps?).
http://www.250kb.de/u/070722/j/9b4b131f.jpg
So, incidentally did rausgefunden that it NEN counter there for the media ... pending indexing, as you correctly my test.
Antwort von Axel:
I've now made some screenshots:
So I start it all:
24F = 24p?
http://www.250kb.de/u/070722/j/d7cf519d.jpg
That's true in any case.
Is perhaps here's what to complain?
http://www.250kb.de/u/070722/j/7405d84f.jpg
Well, the appointment is of course a bit strange, but "optimize stills" is not what we want, right? We want everything with the maximum bit rendering. Imho wrong checkbox.
Here, everything seems in order. 24fps ... HDV1080p .... right?
http://www.250kb.de/u/070722/j/fb7476f1.jpg
What you can read it. But why is it grayed out? This usually means: Not selected. Where's s.den "still images"?
Well, what should you choose. CineForm HDV or better DV / HDV ...
http://www.250kb.de/u/070722/j/8867b2aa.jpg
As far as I know, is a Cineform Intermediate Codec, which is needed as it natively with HDV yet fluppte, or if you have a slow processor had. Could be wrong but synonymous. Take prefer HDV.
When I've finished the tape, I will file with the following information ready (below 29fps?).
http://www.250kb.de/u/070722/j/9b4b131f.jpg
Do not know.
Reads because there is no crack with Premiere?
Ah yes, what I wrote because of the back of export to tape, may be that with the 24p and / or Premiere will not work, what was so synonymous to the defaults.
Antwort von berlin:
if the streak is still there, check it out if something like noise reduction is activated. which is often abundant streak. at least in the xh-a1. or switching from another mode. good luck
Antwort von DezorianGuy:
Find nothing of Noise Reduction ... and the shutter speeds are not for the Movie Mode, as I read in the instructions.
1.)
Can you even DV recordings to the PC with the HV20 play on?
Here I get the message that a wrong recording format existed. Do I have the internal set recording format to DV hdv24p of change?
2.)
Is there anything that shake largely prevented? As I said, shaking the picture is of shock while walking blurred.
Every little movement makes the picture look shabby. Time s.Zoom what you want to set a movement that destroyed the video.
Coupled with the Schlieren / After pulling a firework s.Chaos.
I ask no professional camera, but what I have since bought?
Just because it is HDV, the cam must be good?
Antwort von Axel:
've Seen your other thread. I will from Cocoa s comments synonymous not quite clever:
"Currently there is only one possibility with Premiere 24p (23.97) to obtain, namely with the expensive software AspectHD (500 $)."
A sentence later:
"I have the new Premiere Pro CS3 and then tried to run my (Canon XHA1) and the 24p (Canon HV20) 30p smooth side."
Because Wat nu? 24p to 30p is?
I hope that with your previous recordings in 24p, it is not urgent. My advice is to wait. For everything comes to a solution.
Why teases you with PCs around MAC :-)
Generally I have to agree, in Final Cut Pro is used for the recording presetting HDV108024p synonymous mentions "29.97 fps time base," but whether this is funzt unproven.
Half a year ago went 108025p synonymous with Final Cut Pro has not, nor with Premiere. Always industrious, update, and in between try.
So now practicing with the first war erstmal 1080i60 and the handling of your cam and go - you'll forgive me - a few basics of the video filming, before you turn shorts with actors, then their time is sacrificed for nothing, if you have not mastered the technique. Especially for HDV has a "p" While some benefits, but "i" is synonymous of class and also has less, uh, Schlieren.
The film look, which is probably you, is 90% of the effort that you invested it, from his recordings to make strong images, because contrary to who?
Antwort von DezorianGuy:
Ok, what is "i" and what "p"? Interlaced and progressive about?
Interlaced is this horror fashion, where everything ... with lines verschandelt is RöhrenTV or emulated? ;)
Progressive then although "streaks", but then the isses halt worth.
I would just kind of in the direction of the "movie filming" come.
Slightly less in the schlieren photographs, for example in the fight scenes, where it is hot hergeht, or rapid movements of the case.
Since I can not just change the closing times by getting into the TV, AP Fashion Cinema Fashion flee ... but should still remain.
OR ...
I simply can NEN for some other fashion (fast) scenes to choose for the particular holding period, because I am ahead of the purely recording HDV24p chose instead a normal HD or DV. The additional Cinema Mode, the system easily without warning adjust, like TV or the AP, which seems just a bit more dynamics to give, but nothing earth ... I see that right? Or should we for a short film always remain in a fashion?
... what I need for equipment are flowing movements ... as with the HV20 any human weakness will be punished mercilessly with shaking, and so there was not even something like stabilizers?
Had the AS (Auto Stab) always angehabt ... jetz hab him off, as I have been advised previously synonymous.
Because what would bring? I mean, so I've still more (?) Verwackelungen ... because no more stable?
Versteh not misunderstand me, I have always and always (if possible) a tripod here. Nevertheless, some better shots from the couches, the Hocken filming, and then slowly yet friendly oben.in a tripod position.
This cam is really well (as in some threads treated) exclusively for the direct use of suitable film, no experiments, no adjustments during the rotation, no great movement, and if they ever air with mechanical stops, and slowly and in a line.
Antwort von Axel:
... what I need for equipment are flowing movements ... as with the HV20 any human weakness will be punished mercilessly with shaking, and so there was not even something like stabilizers? I have in my attachment a Picture of a bicycle handlebar (16 ¬), on a tripod, I've assembled plate (15 ¬). Apart of levitation systems (which are now on small cams like yours for about ¬ 200 there), there is no better and more compact nature, a camera to hold with both hands, but loosely and ensure it "controls". Very successful are synonymous monopod.
This cam is really well (as in some threads treated) exclusively for the direct use of suitable film, no experiments, no adjustments during the rotation, no great movement, and if they ever air with mechanical stops, and slowly and in a line. I do not know what you are doing wrong, but you do something wrong. Modern HD TVs that show no more Skip to internal deinterlace. You see it full auto. Nothing against it, with "p" record, I do so mostly themselves, but this topic is too much hype made.
And with 60i if you were at least clever editing, at first.
The camera must be simple and at least as good as "normal" like any normal record DV-Cam, with no streaks and what I know, otherwise they would not stop praise.
Antwort von DezorianGuy:
Impressive, Axel! Done?
Like so synonymous to know the problem, of which I speak. :)
Sun, s.morgen I s.cutten, did everything on the PC.
NEN agency synonymous video online, if all go well.
Antwort von DezorianGuy:
Ah, I know only from interlaced old days. I do not know how it is today. If you say that one little difference between the two formats, noted that it could be even better ... because versuch ichs but equal times:)
Just ... how?
Antwort von Axel:
Ah, I know only from interlaced old days. I do not know how it is today. If you say that one little difference between the two formats, noted that it could be even better ... because versuch ichs but equal times:)
Just ... how?
How? Premiere HDV1080i30 will probably have your Cam synonymous. That should fit. Apparently, it synonymous 30p, synonymous when it is unclear to me how this works with your cam.
Before you post a movie online, you need him but then deinterlace.
Antwort von DezorianGuy:
This means that if I see a movie in App Mode record, I can with him in interlaced premiere, convert or do I have before in the recorded mode. and why should I make a film de-interlaced interlace around him to online?
Antwort von Axel:
This means that if I see a movie in App Mode record, I can with him in interlaced premiere, convert or do I have before in the recorded mode. and why should I make a film de-interlaced interlace around him to online?
The Manual is, you can choose between 1080i60 and 1080p24, since there is nothing of 1080p30, so you do not have much choice, unless you buy yourself for around 500 ¬, the Aspect HD or you can even wait until the premiere format as I have advised you ...
OR ANY OTHER IN THIS FORUM SAYS WHAT TIME!
... and films while in "HDV" (1080i60). Your 24p shots so you need to first store.
With 60i, you have no problems, except when you make a movie online want. You will see him hardly at 1980 x 1080 setting, because the file would be huge and hardly anyone has Bock, much to download synonymous hardly anyone has such a resolution. If you have the Picture verkleinerst however, the lines of the original value to an odd place, which means that the picture looks like scratched with a rake.
zum Bild
The backgrounds are on the Page, the Picture of the dates, well declared:
www.100fps.com
Antwort von DezorianGuy:
So what does all AspectHD unlike premiere?
When I record in 24p, I can not just start at Premiere of s.1080 select 60i (29fps) and video cards.
Or?
Antwort von DezorianGuy:
So, now a video for all who participate here, or read ... or if it is someone should be interested except the faithful Axel here.
Apparently None else know ne HD Cam, Premiere or otherwise want to join and here to help.
Here is an example video:
http://www.file-upload.net/download-346630/Sequenz-01.mp4.html
Hopefully now everyone sees what I mean (what s.besten video window bigger draw).
Although resolution of the less extreme, but should be across what I'm talking about.
Schlieren, After pulling, flicker, what else ... well, everything a movie can be cruel act, as it almost never present a clear picture to come. Except I was a Tripod out.
PS: I am aware that I s.and s.wild umherschwenke. Check out the short, therefore, slower recording towards the end of experiment.
Antwort von Axel:
Most causes are to recognize, at one point, I am unsure:
1. The camera work is all the gun. You have to be necessarily practice, only the camera controls to move. Either you only monticola Cam on a tripod and films, only the motive, or is it possible you (in this example), the brown-clad through a targeted Schrat (!) Schwenk, then no man respects verschliertes on foliage. I think somewhere I rausgehört that you already have filmed with DV and then shake the "less bad" found. Sure, the bigger the picture, the worse the motion blur (1080 is just 6 times as large as 480), which is in full HD resolution worse yet disturbing, right? Take the Test and draw the window very small. The streaks will disappear. HDV strengthens the instability.
2. Long Shutterzeit. Whether a shorter in this Gewackel brings something, I doubt, but here the tip is that most of the moving camera shutter at 50-100tel brings good results (when you probably 48tel), standing in Camera and fast moving subject you should have a smaller take (what I know 200tel or less). Only a rough generalization. Find the middle. Too long: Schlieren, too short, stuttering. Automatic emergency.
3. As you know by now 100fps, which interlace artifacts are eighth in a single frame on the individual stone and grass, the ghost images. I'm not sure which will be produced, whether you've deinterlaced 60i bad, in any case, such things to poor impression in Picture. If you look at the image height when exporting for the web exactly halbierst (540 x 960, square pixels, you can be synonymous quarters or eighths), you have the clip deinterlaced it de facto, because every second line is discarded. With this method there is no ghosting.
Antwort von DezorianGuy:
1) Well, shake it, not only, but afterwards schliert is blurred, etc. I call it just "Drunk Vision".
I post a video later on where I slowly and calmly filme. But even there to be angry isses. Whether it's 1080er Resolutionist. This sounds somewhat like an apology. (Do not take personally;)) Somehow HD iss soooo much not to be great, as a traditional computer, I somehow noticed (barely there, until no streaks). Iss course better, but the price is too high (cost of the Cam, as well as the side effects = less room for creativity, or tripod-law and still streaks, but if what the lens should move).
This is probably HD. Na wunderbar.
I must say that I "only" a 22 "TFT monitor with 3ms have. No Bravia FullHD screen.
2.) Shutterzeiten. In CineModus there is somehow no big freedom of action, since all auto runs, right? Only in the AF and TV fashion, there is something (everything is dark in a fast sequence).
3.) gabs artifacts ... the ghost images? (By the way, very good this Page 100fps). I got the Page'm well read and, in fact, become smarter. I have the material with 24p on 60i plays. Only for the test.
But the progressive video is almost equal to what are tightening / Blur.
PS: The question remains, why in the information below for Premiere is a fact that seems 24p video from 29.97 fps to exist. I'm not sure how I had to understand. If I've recorded with progressive 24Bildern, then it can not suddenly have 30 of his ... but nothing is set. I am now confused ...@_
And why is the sound zeitverschoben and not synchronously?
Ah yes, and your sentence, I take me to heart and bring him synonymous again:
Quote: "The camera must be simple and at least as good as" normal "like any normal record DV-Cam, with no streaks and what I know, otherwise they would not stop praise."
That's why I bought the Canon HV20 yes synonymous. ;) So I ask why this is not so.
