Frage von Korbi:
Slashcam Hello!
I have long pursued the sometimes very interesting discussions in this forum. Also, the tone here says to me. If yes, unfortunately the network is not always so:
Wollt times have a general question to throw Round: Who of you has been with color management in the video field apart? In the print sector is already common standard, but what about in the world of moving images?
Hab grad mal so starting a workflow for HD set. Based on ITU-R BT.709. In the Adobe products (AE, PS etc) is all simple. It is as simple color HDTV 709 A.
BUT: What about in other programs? Final Cut Pro with Color, for example, Cinema 4D, etc. ..
How to calibrate your monitor her best, or what is your optimal viewing Invironment from?
Best wishes from the snow-covered Bavaria
Antwort von WideScreen:
Of course, expensive productions in the adapted colors.
What surprised me a little is because of your statement to ITU-R BT.709: firstly ask you whether you Colormatching makes, on the other hand you throw with ITU-R recommendation to you. That does not quite fit together.
How to calibrate your monitor her best, or what is your optimal viewing Invironment from? Optimal? BVM-L230, Vector Scope, Waveform and Quantel.
I think what you mean but with normal appropriations feasible. :)
http://www.slashcam.de/artikel//-Color-Grading.html
Antwort von Korbi:
Hello,
thank you for your feedback.
The link you've gepostest relates to the Colorgrading s.sich. But what I want to reach is that I in all production stages of the same color performancehabe.
An example: the material is in Final Cut Pro and captured in the timeline drawn. The Color Viewer performancedie me here ausspuckt be exactly the same as that in After Effects I have when I use the video as reinlade. Umgehrt A AE animation the same color performancein AE, Final Cut Pro, Quicktime etc have. I want to reach!
Thank you but still ...
Antwort von PowerMac:
The problem is the gamma shift, because the gamma really nowhere defined. I would manual with a gamma value of 2.2 work.
Antwort von Mylenium:
But what I want to reach is that I in all production stages of the same color performancehabe. Kannste bend. Testing, to customize their own workflow. In AE Adjustment Layer with corresponding effect presets for example. Everything else falls under the heading "bad things that you do not actually want to know, especially when it comes to QT goes. The apple is pretty lazy s.der place ... In any case, the computer monitor gamma value manual to date. If calibration tools at hand, then the synonymous use and create a custom color. QT takes into account your Monitorfarbprofil anyway, in AE you could be there dan staff composition profile to assign. And any reliable CoDec use, so rather than Uncompressed Apple ProRes ...
Mylenium
