Frage von Yllon:
Dear forum members,
Some time ago I received a very nice post once before using. Meanwhile, I'm next with small steps.
As noted here
http://forum.slashcam.de/richtige-vorgehensweise-hins-auflosung-and-kodierung-vt37202.html?highlight = I have described material from various sources in various formats. From this material - a total of approximately 150 minutes - I want to cobble together a trailer. To come straight to: I know that it is sometimes quite a fiasco and I want to win any Oscar synonymous. Also I realize afterward that you can not make gold out of shit.
These are concert recordings from different years. The movies were then recorded under quite lousy lighting conditions. In addition, the cameras were not particularly high quality. Initially, VHS-C camcorder, now simple consumer DV camcorder. The recordings do not know, in principle, White Balance, and are mostly reddish, sometimes synonymous overexposed.
Now the problem: I want all the material so well it now goes and match. So my questions:
1. What do I do s.besten how I manage to vote?
2. First, divide up into scenes and then adjust the color later in Premiere (probably a hell of work)
3. Or vote on the first major movies to each other in color and then chop up into individual scenes (presumably compressed between newly required)?
Somehow it all overwhelmed me - I am sooo glad that this forum and you are great helpers!
Schonmal thank you in advance for all the efforts ...
Antwort von superflow:
Definitely cut first, then correct.
How bad is the arbeitsmäßig not synonymous, since you can copy the correct values for a simple settings and add in the next shot from this material again. Then you've got the rough times and even then can still individually a bit torquing. Would you fix a flat all that would render unnecessary the first lots of free time and do not be second, but drumherumbringen s.end all settings to adjust finely.
Antwort von superflow:
Achso, and in principle: as the first experiment, the brightness hinzubekommen - black level, white level, then perhaps the gamma (in moderation, if at all) Then you can devote yourself carefully the colors and you should deliberately to focus the direction in which the high, mid , and dark tones in the picture tend to try and gegenzuhalten accordingly. In between, always compare with other images to keep the feel for where you come from color and want to go.
