Frage von Commanderjanke:
Hi folks I would be interested in what times their programs for the color correction is used and what positive or negative experiences you've made?
Since I have the money soon if there is Adobe Creative Suite 4 Production Premium buy because your help is appreciated!
What programs are recommended?
Basically you almost always hear the same names:
Red Giant Magic Bullet
Colorista as a plug-in for AE
or color finesse
Has one of the comparison between different programs?
Thanks in advance
Antwort von Mylenium:
Colorista as a plug-in for AE or color finesse
As had nothing to compare, CF is in AE with it. It's more extensive than Colorista, but you will have to manage. The question is stop what you need: CF is rather a technical correction Color designed, therefore colors really wrong to correct Colorista is a Gradingtool, ie the video a certain mood to give. The one excludes the other, however, it is not enough. It's synonymous bissl a matter of taste and depends on how "bent" the source material is or how it should be bent.
Mylenium
Antwort von jogol:
The "onboard" Farbkorrekturtools of AE, can be synonymous, for some jobs with denFunktionen, pretty much achieve any look.
Greeting
jogol
Antwort von Commanderjanke:
Thank you in advance for the answers!
The question is stop what you need: CF is rather a technical correction Color designed, therefore colors really wrong to correct Colorista is a Gradingtool, ie the video a certain mood to give That is Colorfinese with s.Bord knew I wanted to do is know whether plug-in or stand-alone solutions, the service-quality and technically greater leap forward are. Of course, the first iron out any errors in the foreground, the final look is another matter. (Lighting is synonymous not quite unimportant ;-))
The "onboard" Farbkorrekturtools of AE, can be synonymous, for some jobs with the functions look pretty much everyone can reach. That is good to know, but simplify some of the tools available for sale the handling of this function?
or can they just details away so that it becomes easier and this is then synonymous to quality?
Magic Bullet for example, shall be subject in almost every "movie look" (oh God, I wanted to write but have not done it) Thread hewn around the ears, I am no friend of presets and will always have full control over my tools, take such a control tools away?
Antwort von jogol:
Magic Bullet Looks is nice, you can all the parameters of the individual effects within the final edit presets. My enthusiasm is limited because almost all of Videoschnippsel is posted, with MBL beharkt is. In addition, the controls pisel small in the bottom right corner of the paved and not just user-friendly. Lad you sometime down the demo. Colorista is a very effective tool, not as accommodating as looks, but very good. Class presets are synonymous of
DFT 55mm, which are synonymous to the smallest set and reckon with internal 16Bit. Mbl assumes the color of the host and which is in most cases 8Bit what effects and some fine color gradients (eg sky) leads to banding.
Greeting
jogol
Antwort von Commanderjanke:
So with MBL, I can only agree with you it's very worn. Of Tiffen DFX (55mm successor) looks good, is not very cheap but it is holding.
Antwort von Mylenium:
Mbl assumes the color of the host and which is in most cases 8Bit what effects and some fine color gradients (eg sky) leads to banding. Not true. MBL expects always in 32bit float, so it can run on graphics types who do not can not synonymous. The reduction of color takes place only at the transfer s.das host program, and the times are now cutting programs for the maximum 16 bit, for HDV & Co. Timelines course usually 8bit. In AE you have this restriction obviously not.
Mylenium
Antwort von Mylenium:
The "onboard" Farbkorrekturtools of AE, can be synonymous, for some jobs with the functions look pretty much everyone can reach.
That is good to know, but simplify some of the tools available for sale the handling of this function? Neither. Many of the tools are designed simply to certain specific problems and slay thee with too many controls. This can be useful in case of hardship, but creative work to hell, because then there through the stacks of the tidal effects s.Knöpfen and next options are increased. Sure, you can basically synonymous so everyone can look, but if one has a choice, what is torture? Also, many gestapelete Effects imemr slower than a compact Effect of the internal everything in one go makes.
or can they just details away so that it becomes easier and this is then synonymous to quality? Nope. All tools are 32bpc MB and thus are suitable for any loss of quality in the next distance (in AE). Moreover, you yes None, synonymous these tools with other effects to combine. As in meinme first post said - the decision what you need, you need to still myself.
such tools take control away? Nope. The people are just too lazy to modify the presets. Can stressed editors who do not have time to even understand when compositing artists do not necessarily ....
Mylenium
