Frage von Jennes:
Hello! I have two questions:
For a DVD I would like in the DVD Studio Pro on a button that when mouse-over light colors (white background) and at another that he is the mouse-over white colors (the background is light blue). If I, however, the colors telle understand this is to all other buttons in this menu apply. Can synonymous separately, or is it on a DVD is not possible?
My second question surprised myself a little: I have a normal button in the menu by click and drag with the mouse generated. So no icon, just plain text. Only makes this button in the simulation is not selected, the mouse-over (though I had) will not take place. Does this kind of buttons Specials?
Thanks in advance!
Jennes
Antwort von Jennes:
for the second question is the answer I already own haggard .... * * embarrassing embarrassing .... On "also highlight text" you should already click ...
Only someone can give me at first, to help?
Antwort von Axel:
Salut.
I use the DSP for many years, but only in conjunction with Photoshop, where I still menus, fonts and highlighting preparing (on the other hand, moving into Final Cut Pro). I saw me only once the "Apple key", which belong to the package, and knew that I did not want something. Your second question I would not be able to answer. The first question I can with "yes, that's" answer, but it's only what, even if you have Photoshop, otherwise I myself stand in the rain.
Antwort von Jennes:
Obviously I do synonymous unmoving with buttons Photoshop itself verpixelten These buttons do not come to me on the DVD ...
Only in Photoshop, I always do three levels, which mask the actual button and the Highlite.
This is synonymous of all duly recognized DSP, but I can have two different buttons do not have two different mouse-over colors to assign. What am I doing wrong?
Would be great if you could help me!
Antwort von Axel:
Only in Photoshop, I always do three levels, which mask the actual button and the Highlite. Nervraubende This procedure is required only if you have your own button design will, like the "Apple Key" under the "My" store and across projects is used.
I however have either a still solid - background image (with integrated graphics buttons) and only a second level with highlights, or a background film and then only one level in the overlay file for the button highlights.
It is so that a black blob on a white background (a black and white in Photoshop Picture PAL-size) of DSP auto outline as your buttons is interpreted - as long as you have in the menu setting screen
overlay file specify
Dingenskirchen.psd and a hotspot (the dashed rectangle) around draw. The colors themselves - one for each standard (eg, gray), selected (eg, green) and Enabled (eg red), advantageous if you later decide. The black blob (or the black letters, borders, scroll, button, etc.) So take each of the color that you set. The black is somehow the Keyingfarbe.
They, however, it is only "by default". Synonymous You can specify color as white or red or blue. In the settings window for the button highlights, there is an
Advanced button, which in turn is divided into
grayscale and
chroma. These "colors" are not the colors, how they produce later in the menu to see, but alternative "keying" colors (DSP-Language: "Masks"). You can be the font color blue, how you've used in Photoshop to highlight white assign, and the PS-font color red color blue highlight (see attachments).
The problem is that the color under the
Advanced s.besten be used to select a color and the same in a different opacity to be generated, so as an
Anti-Alias | Wavefront Mayaing to achieve, because the subpicture highlights not smoothed edges (can) - see Manual - tend especially graphics with curves (literature) later to flicker or frayed edges.
PS:
Of course it is stupid, a red font color to use to make a white font to generate. That serves only to clarify. Maybe the method "grayscale" (Manual) for this very delicate matter better. With a menu without music and without a background film is the whole thing, as you probably already know, with a
menu levels with no issue. Each button and each button state can be considered as a separate layer in Photoshop. Advantages: Nicer graphics. Disadvantage: No music, no movie, and lahmarschiges Mouseover (if at all, no longer made).
Antwort von Jennes:
Great, thanks for your explanation, very enlightening!
Only now I have my buttons with the three levels of design. Now I no longer around.
Unfortunately my problem is that I use for each button the overlay color on your own wish, is still not solved ... If I "just" or "extended" a little change, it changed the buttons s.allen equal synonymous with ... and I would not ...
Antwort von Axel:
Only now I have my buttons with the three levels of design. Now I no longer around.
Unfortunately my problem is that I use for each button the overlay color on your own wish, is still not solved ... If I "just" or "extended" a little change, it changed the buttons s.allen equal synonymous with ... and I would not ... Well, just because the synonymous with all the same color are
made. Actually, your call for different highlight colors for
a suboptimal result in the state - because of the aforementioned Alias | Wavefront Mayaings. But the only way, as described above works in accordance with the highlight method, if you do not, as I said, the
menu levels with Method want to use. Generally speaking, the 3 - levels of total Kappes method. The changeover to a single level, with black outlines highlight gives you the best control over the final outcome, because you can already proposed colors in Photoshop to try (for a
film background load you need a Still Image from Final Cut Pro or Motion for guidance in Photoshop that you before saving as "Buttons.psd" to delete), and s.Schluss with> Picture> Adjust> Brightness> Contrast black make for DSP. Sometimes the simplest solution is the best, actually in most Macs.
