Frage von Räuber:
Moin together
I cherish the thought acquire a 550D. Which seems so "only" to make 30p. Do these images with those of my FX1000 together? So, purely optical, do the different frame rates in some way, recognize this, the viewer's problems for editing program (Magix Pro X1.5)?
Maybe someone already has experience in this direction.
Thanks and regards,
Stefan
Antwort von Axel:
This is a misinformation. The data sheet states: 1920 x 1080 (29.97, 25, 23.976 fps) 1280 x 720 (59.94, 50 fps), 640 x 480 (59.94, 50 fps). What you see is "25" synonymous here, something nondescript. But there are a "30", and the (1/30tel sec) is probably the shortest possible exposure time (of "Shutter" it may well in a mirror-shutter-camera in Live View not speak so often).
What I have answered None: Is it possible to fix the exposure time in the movie mode manual? Else could shutter in bright environments fairly ".
Mixing with FX 1000? Guess what the DSLR is less for shots from the hip when it gets bloody, are the reliable camcorder (wedding, reportage).
Antwort von DamienTrickster:
This is a misinformation. The data sheet states: 1920 x 1080 (29.97, 25, 23.976 fps) 1280 x 720 (59.94, 50 fps), 640 x 480 (59.94, 50 fps). What you see is "25" synonymous here, something nondescript. But there are a "30", and the (1/30tel sec) is probably the shortest possible exposure time (of "Shutter" it may well in a mirror-shutter-camera in Live View not speak so often).
What else None answered me, the exposure time in the Movie Mode Allows manual fix? Might otherwise fairly bright environments "Shutter in".
Mixing with FX 1000? Guess what the DSLR is less for shots from the hip when it gets bloody, are the reliable camcorder (wedding, reportage). I thought to do this, there is ne complete manual control over shutter, Aperture and ISO;)
Antwort von Räuber:
Moin, thanks for now. 've Just got the latest issue of the digital video, with a corresponding test. Since then synonymous detailed info's were in it. My "First-info's were" from the Color PHOTO, who have the video function naturally represented as photo book only marginally. But now I'm smarter ....
Thanks and regards,
Stefan
Antwort von srone:
I think your biggest problem will be the color match, sony tends to warm the direction orange, cyan canon more in the direction, if you both with a gray card (-wedge) films have you continued good point for your correction.
lg
SRone
Antwort von Jott:
I do not know now whether you can put the FX1000 to 25p - and if not, is your task adventurous. With mixed 50i is not really 25p. In contrast, the color matching is pillepalle.
Antwort von r.p.television:
I do not know now whether you can put the FX1000 to 25p - and if not, is your task adventurous. With mixed 50i is not really 25p. In contrast, the color matching is pillepalle. So I've just completed a project with mixed 25p and 50i. Was not a problem. Sure you can see the differences, but there are enough documentaries which are synonymous with mixed interlaced and progressive materials.
You should create the Project only so that the project corresponds to the dominant target footage.
But in general the mixing Of HDV, XD CAM EX, DVC PRO HD, AVC Intra, DV and H.264 in 50i and 25p is not a problem. You should only know how to master the color grading or seek a conscious look very differing between the footage.
