Frage von tehaix:
Good afternoon,
because I am so after my equipment and after zusammensammle now stands as an external microphone to.
Internal Microphone FX1 know of in contrast to the internal microphone of my old Panasonic DS33 (Note: sound quality is not to consider as a reference) with stronger bass to impress, it really satisfying to me but not.
Now I am looking for is a Micro. For Atmo recordings enough for me, the internal Microphone (anyone knows a good windbreak for the thing?).
I am looking for is a directional mic, logically and with self-powered hot shoe compatibility. Required for:
Normal conversation recordings (person sits / stands / zappelt two to three meters in front of the Camera);
Pseudo-Videojournalistische contributions for which the interview partners 0.5 - Camera of 1m away;
I assume that synonymous and concerts again to me is clear, however, that the audio recording there really should perform differently. Nevertheless, it would be nice, with a few bass to catch. "Thinner" sound should be avoided. Also short films will be rotated out and back, same chapter in this case. I do not have a Tonangeln or other, so the shorts is no dialogue constraints. Very easy. The tribute to the lack of XLR technology.
Now I am of course the usual suspects slipped under your nose:
Rode Videomic / Stereomic (allegedly bass, perhaps even too much; of Stereomic not yet read a lot)
Sennheiser MKE 400 (apparently somewhat thin sound - although, of course, is relative. Comparison with an ME 66 but significant difference. Sure, no wonder. Yet)
Beyerdynamic MCE 72 (great description, otherwise little idea of it)
Now I am looking for help armrudernd. Help ....
Would be great if people with experience could comment. Even people who have me down for my ignorance, are welcome:)
I hope all the necessary information are given.
AAAAAAAAAAh, now wanted to have some "BUDGET" scream. 200 eggs. Windscreen possible already. If not ... I made a building from a Swiffer.
I am grateful for any potential help:)
Greeting
Antwort von Fan:
Hello,
I am also with the sound quality of my FX1 Mikros not satisfied and therefore take advantage of an ECM-959 of Sony.
This is the time to get on Ebay.
http://cgi.ebay.de/SONY-Microphone-ECM-959-V_W0QQitemZ220339339973QQcmdZViewItemQQptZDE_Elektronik_Computer_Audio_Hi_Fi_Mikrofone?hash=item220339339973&_trksid=p3286.c0.m14&_trkparms=72%3A1229|66%3A2|65%3A12|39%3A1|240%3A1318 | http://cgi.ebay.de/SONY-Microphone-ECM-959-V_W0QQitemZ220339339973QQcmdZViewItemQQptZDE_Elektronik_Computer_Audio_Hi_Fi_Mikrofone?hash=item220339339973&_trksid=p3286.c0.m14&_trkparms=72%3A1229|66%3A2|65%3A12|39%3A1|240%3A1318 | http://cgi.ebay.de/SONY-Microphone-ECM-959-V_W0QQitemZ220339339973QQcmdZViewItemQQptZDE_Elektronik_Computer_Audio_Hi_Fi_Mikrofone?hash=item220339339973&_trksid=p3286.c0.m14&_trkparms=72%3A1229|66%3A2|65%3A12|39%3A1|240%3A1318 | http://cgi.ebay.de/SONY-Microphone-ECM-959-V_W0QQitemZ220339339973QQcmdZViewItemQQptZDE_Elektronik_Computer_Audio_Hi_Fi_Mikrofone?hash=item220339339973&_trksid=p3286.c0.m14&_trkparms=72%3A1229|66%3A2|65%3A12|39%3A1|240%3A1318 | http://cgi.ebay.de/SONY-Microphone-ECM-959-V_W0QQitemZ220339339973QQcmdZViewItemQQptZDE_Elektronik_Computer_Audio_Hi_Fi_Mikrofone?hash=item220339339973&_trksid=p3286.c0.m14&_trkparms=72%3A1229|66%3A2|65%3A12|39%3A1|240%3A1318
Greeting
Fan
Antwort von TiMovie:
precaution - the beyerdynamic MCE 72 is a stereo-micro - because you can immediately use your house!
I work with my FX1 with a beyerdynamic MCE 86 SII cam micro judge - is good for interviews!
how you been, you need to write for concert recordings and / or loud music with bass other equipment, since the FX1 my knowledge s.einer always overrides certain volume.
shooting brings such as an xlr adapter beachtek of where the audio level you can control well!
gruß TiMovie
Antwort von krummhorn:
Hello!
Since you use the purpose of looking mics you exactly describe.
You should be the Sennheiser MKE 400 of taste.
With the micro you can do exactly what you plan: Language from a distance of 5-7 meters in good quality aufzunehnen.Das part is
very flexible (2 sensitivity levels, windscreen circuit you ..
s.Windstärke but only need 4-5, but then the lower frequencies
cut off) and about 2 Special props rubber well decoupled.
Thomann When you get the micro for about ¬ 200 to incl.zusätzlich
order "profit" kit. The kit includes a mini-jack adapter to 3.5
XLR and an excellent Fellschutz in a real wind from basket
Plastic (foam before assembly to remove the protection).
Better for your Zerck are in my opinion the only correct
Professional parts for 800 - 1000 ¬.
Schöne Grüße jürgen
Antwort von veejay:
Hi,
I have the ME66 and the 400th MKE
I'm very satisfied with both.
Antwort von tehaix:
Hi,
here the state of things:
I have looked at Thomann MKE 400 with the accessories concerned. Looks pointed out. The content, however, convinced me less:
The Fellschutz could not assemble. The instructions described to me a click when the Fellschutz snaps. No clicking for me. On closer examination, I find that a part of the plastic basket is broken wind. This part goes back Monday s.Thomann.
Micro: Super size, but then that's synonymous. Directivity okay Language synonymous sounds fine. Unfortunately I seem to catch a Monday model to have the noise, even on volume - significantly stronger position than the internal microphone. And not just when mounted on camera (although I have the hot shoe with an additional foam insulation did): In the freehand operation is a constant noise level of 40dB-A. In the automatic mode. For Comparison: Internal Micro and an external SonyECM MS-907 produced in automatic zero noise level.
I hope strongly that it is s.meinem Model. Both parts I send back, let them return. For comparison, I will now still Videomic order. Apart from the direct comparison of 60 euro price difference is next weekend, I need urgent a directional microphone. I do not think that return shipping and exchange until Thursday evening, will be settled.
A pity, because actually gave me the part of the idea of her well-liked: A very handy guide qualitatively superior micro. Hopefully the exchange runs smoothly from: /
Edit: In which class plays a Rode NTG-2?
Antwort von Jogi:
you had no way equivalent to a switch Z1. The same would have been an ordinary Tonabteilung with XLR.
The microphones of Rhode quite properly should be. The VAD is in place now synonymous s.erster the list.
Antwort von tehaix:
Unfortunately I could not decide big. As a student, I have limited funds available. At that time, volunteer and I've used the FX1 purchased. Not that we are wrong, it was a great price and the unit is 100% okay. But enough for a Z1 but then it is not. Where is the unit price?
Should someone want to exchange, I am happy to report on negotiations to establish myself:)
Good, I hope now is that the Mic synonymous to Thursday there. GNX. Something that I always just about to have to do.
Antwort von Jogi:
The FX1 is still around 2000, - ¬ for a Z1, I think are loosely to pay 3000 ¬. With the FX1, you have a good allrounder Cam. Harmonic images, very good and great Lowlight reliable automatics. Good, the sound is something basslastig. But as a well-accepted Atmo need. For interviews, but should be a good directional micro be purchased. that you have well recognized.
Antwort von tehaix:
Sou,
is somewhat modest, that Fred just two microphones to fight, but anyway ...
Since the Sennheiser now is on the way home, I decided, in addition to Videomic nor NTG-2 to order to find out whether the extra investment worthwhile for me. Because somehow I have a sensitive ear.
Now the question is whether I ordered with the following articles "equipped" bin:
NTG-2 Micro
SM-3 mount camera (hot shoe)
Windjammer Ws-wasweißich
Pro-Snake xlr mini jack (stereo), soldered (correct)
The question revolves around the symmetric signal, which no longer exists. Is the cable with 1.5 meters (smaller I do not) too long? There is really only the Micro, which is on the cam is mounted, connect with your camcorder. If while the unwanted interference signals already occur ... now, yes. Would ungut.
So far I have read, it is easily possible in principle, an XLR mic s.miniklinke to hang synonymous when the advantage of the symmetric signal is lost. If this advantage, for the short stretch micro-camcorder bracket is not decisive, everything is in order.
Should I someday have a look at the idea come to fish, I will give me a XLR adapter superior. Alternatively, the software route, of which I have read here, but I am still questioning: D
Or what exactly did it with the Tu-box mean? I know the only thing of forgetful bassist ...
Antwort von robbie:
I guess it uses nothing. if you are already a sensitive part, then it is absolutely no preference what you buy, you will always hear what.
-40dB and noise, jo, occurs.
under a me66 you'll probably never be satisfied. I recommend something like the savings and buy mkh416. then everything should fit. Great part, the cheap, what else can I use no more. 've been more of them.
Antwort von tehaix:
With all my love to be heard - 1100 Euro, I think for my purposes but for a little exaggerated. Should I have actually come to the embarrassment, purely by chance the ARD for a personal interview with Mr. Stein Meier in the southern Gaza Strip to lead - lend me one. With the ME 66, you could unfortunately be right.
Nevertheless I will try Rode. My many years of love for Sennheiser (vocal microphones - yes, I've always Shure shitted) was supported by the MKE 400 unfortunately somewhat tarnished. I am open to new: D
They only question whether the one meter cable is too long?
Antwort von KSProduction:
Good afternoon,
because I am so after my equipment and after zusammensammle now stands as an external microphone to.
Internal Microphone FX1 know of in contrast to the internal microphone of my old Panasonic DS33 (Note: sound quality is not to consider as a reference) with stronger bass to impress, it really satisfying to me but not.
Now I am looking for is a Micro. For Atmo recordings enough for me, the internal Microphone (anyone knows a good windbreak for the thing?).
I am looking for is a directional mic, logically and with self-powered hot shoe compatibility. Required for:
Normal conversation recordings (person sits / stands / zappelt two to three meters in front of the Camera);
Pseudo-Videojournalistische contributions for which the interview partners 0.5 - Camera of 1m away;
I assume that synonymous and concerts again to me is clear, however, that the audio recording there really should perform differently. Nevertheless, it would be nice, with a few bass to catch. "Thinner" sound should be avoided. Also short films will be rotated out and back, same chapter in this case. I do not have a Tonangeln or other, so the shorts is no dialogue constraints. Very easy. The tribute to the lack of XLR technology.
Now I am of course the usual suspects slipped under your nose:
Rode Videomic / Stereomic (allegedly bass, perhaps even too much; of Stereomic not yet read a lot)
Sennheiser MKE 400 (apparently somewhat thin sound - although, of course, is relative. Comparison with an ME 66 but significant difference. Sure, no wonder. Yet)
Beyerdynamic MCE 72 (great description, otherwise little idea of it)
Now I am looking for help armrudernd. Help ....
Would be great if people with experience could comment. Even people who have me down for my ignorance, are welcome:)
I hope all the necessary information are given.
AAAAAAAAAAh, now wanted to have some "BUDGET" scream. 200 eggs. Windscreen possible already. If not ... I made a building from a Swiffer.
I am grateful for any potential help:)
Greeting now wants no advertising or whatever but there is so synonymous www.thomann.de where you can order several microphones and those you do not want to return within 30 days without indication of reasons. then test the dinger just yet ;-)
Antwort von Jan Merlin:
Hey I'm just facing the same problem as you!
Apart from the fact that my FX1 synonymous volunteer time to buy, I just synonymous on the lookout for his new Micro!
I now have a good 1 1 / 2 years with the Rode VideoMic rotated and was always quite peace. But now the start of the rubber shock mounts to become porous and break one after the other ... (Did someone ne idea where I was new warrior? Is this a case of warranty?)
Moreover, my claim s.den sound risen ... The VideoMic is indeed basslastig!
I am very liebäugel synonymous with the Rode NTG 2 of and think that this is a very patentes device, if you do not want to spend quite so much!
Now I stand before the same cable problem!
One XLR cable so you can usually extend very well, a jack cable is very fast but fragile.
How does this now, if I s.das Micro (NTG 2) a "long" XLR cable connectors and then this with a Pro 20035 SNAKE CAMERA CABLE connect with the Camera?
Does it make more sense to direct a long PRO SNAKE CAMERA CABLE to use? So scarce 5 meters would have to go fishing is not bad!
Weis someone advice?
I would also like to me a stretch to buy radio and wonder if I NTG 2 problems with the Sennheiser SKP 100 G2 connect and use it?
http://www.thomann.de/de/sennheiser_skp_100_g2eband.htm
Do you have experience as?
LG Jan
Antwort von tillbaer:
deleted
Antwort von Jan Merlin:
Ah, ok great! That means I can be with such a cable with no problems using a longer cable or the cable extend? Previously I had only a Rode namely VC-1 and the three meters were often too short ...
http://www.thomann.de/de/rode_vc1.htm?sid=5bd4e8cd4ced5146f1064cb4f36f4e69
Furthermore, the Video Mic very vulnerable when mobile phones in the vicinity. Is that when NTG 2 synonymous despite extension cable better?
Thanks for the quick help!
Antwort von tehaix:
I might get to say no cable problem, because I have no applications on the thing with Tonangeln've tried, but the Micro:
Have now finally returned to the Videomic and the NTG-2 retain here. The processing makes a good impression, the only truly annoying is the fact that the battery after each application must be removed.
From the sound coming from it do me good. It gives quite "hot" recordings, but that is certainly tasteless dependent. It could certainly still a trace of neutral, I have the impression that the recordings are easy agedumpft. The directivity is okay, but the thing I had not yet been under continuous use. All in all worth it but the device really. For a price of 200-300 euros (SM3 and Windshield dazugenommen) has not really many alternatives. I can therefore recommend.
The camera of cable do I use Pro Snake incidentally synonymous. However, the jack connection, although actually very high quality, first of all very vulnerable. Did the thing again so a bit apart and put together to friction s.den to reduce contacts. Now nothing more synonymous crackles. I do not know whether cables of other manufacturers may have more to recommend are: /
