Frage von grinsecat:Hi, just completed a documentary cut in Final Cut Pro 6 as a DV PAL Project. Did the Project until the final stage and was taken over with horror finds that normal DV PAL material with LFF and, via capture card in 4.2.2 uncompressed, with uff-rehearsed material in a sequence have been used. There are various filter, without a discernible logic to me, the field sequence in approximately 5% of the clips to move. Btw: my predecessor for an inquiry not be achieved --
Did someone perhaps a proposal of how the chaos as flicker-free fix it?
Thank you ... grinsecat
Antwort von Axel:
Did someone perhaps a proposal of how the chaos as flicker-free fix it? DV (LFF) and HDV (uff) in a timeline is normally no problem. This time I just synonymous. When you preview even more evident in the (set to SD) timeline a few combs, but we must not forget that the material a real-time special equipment. And a mix of footage so different (in a moment DV, in the next uncompressed) play perfectly in real time ...
Before you will be angry, but render times for a short distance from. I do not think it will be necessary to do everything possible to deinterlace. Perhaps you have now terminated the predecessor with the uff-made stuff (some filter "Skip cancel"), which of course in an "i" Timeline Kappes is complete. This filter before you have to test rendering of course delete them.
If it still fails, you will be in
http://www.finalcutprofi.de
determined at the highest level of professional help.