Frage von Breitino1:
Hello dear to her.
I have a Canon XL-1 and looking for a filter, which you can rotate during the day and then afterwards, the creepy dark as night, looks like (horror movie)
What I need exactly when and where I get to her?
Love Greetings
Dominik
Antwort von Axel:
Salut Dominic.
Such a filter does not exist. Movies in the one hour just before sunrise or after sunset. In the twilight succeed in convincing night shots.
Antwort von beiti:
The light of a full moon does not look much different than bright sunlight. Brightness and contrast are just a color temperature.
If you shoot under a full moon illuminated the landscape and long enough, the result looks like a picture in sunlight.
In your case (Day-For-Night) You do the opposite: Exposure narrowly (neutral density filter, Aperture, short shutter speed) until the brightness corresponds to the natural impression of a night scene. If you also set the white balance in artificial light, the colors are blue and come even closer to the moon.
If you board with the exposure means the camera does not get dark enough, or if you prefer to work with larger screens and / or longer shutter speeds to help a strong neutral density filter (ND filter).
Antwort von Axel:
Beiti is right when it comes to a full moon simulation. The traditional Day for Night with blue filter (or White Balance to Tungsten) but looks pretty silly in my opinion. Dear strong backlighting, underexposure, in postpro all color out, and then dyed with a slight bluish cast. The best thing to test what s.besten like it. As everywhere, there is no dogma, only different baking recipes.
Antwort von beiti:
The traditional Day for Night with blue filter (or White Balance to Tungsten) but looks pretty silly in my opinion. That's true. I always find it very strange when shown in television series, the night in a bright blue (which is) not a cool white balance anymore, but blue color effect. I've never really a bright blue night, but for some camera people they heard about the film conventions (like the false perspective view of an actor) in the mirror.
