Frage von organica:
Hello,
please please help me, I'll have my final film will soon submit ...
I got my DV tapes recorded in one piece and each had multiple audio files per tape, which must be synchronized.
I would prefer a movie file with something like Subclips only want to create a setting, each with just one of these audio files are synchronized. So something like an over-folder with the big video and synchronized among the different scenes, which I will then nicely under the flap could rename.
But if I as in the manual do I get an equally-long video, which are optical in the browser does not differ from the soundless video. I also have to be constantly in editing the settings in the giant video look awkward.
Has anyone good advice for me? :-)
Lieben Gruß
Antwort von Alex.A:
Hi,
analogue approach to synchronize, as shown here would have already described:
http://forum.slashcam.de/wie-with-externer-audioquelle-arbeiten-vt58414.html?start=0&postdays=0&postorder=asc&highlight = To Subclips creation, it would be possible, in synchronization with the full assistance of Scenalyzer auto disconnect after scenes to ...
Good luck
Antwort von Axel:
Without the link have read, I would under the traditional analog method of approach. I would begin with DV start / stop the automatic scene detection separation can go through. Then I would now so arbitrarily designated Clips sort and clear after shooting schedule and also appoint with the colored labels, which also facilitate later retrieval. One could approach this subsequent call logging. I turn it on synonymous. It is synonymous sense, a folder for each sequence of them, or two: video + audio.
The audio clips from the external recorder, I would immediately disconnect and then immediately (after each individual recording process) is identical to the video clips designated. Is the audio synonymous already s.Stück been, there still remains a backward-logging by cutting, Subcliperstellung and move into the audio folder. Cutting means at least initially obtuse Cleanup and Assign. The more order, the more gentle the workflow.
This sort of work done (which is impossible to automate it), it goes into the timeline:
A / B - cut, ie every second to take in the video track above. So you can only picture after the cut and only really needed by marking corresponding sound and Snapping create. If the start of the clip very far in front, nothing prevents you, synonymous with three, four video tracks to work, and the lead after the application of caps.
Ultimately, it is usually only about dialogue, and the sound mixing for the final must be synchronized. If you do not have overly much dialogue, the work far, far smaller than it seems.
For the sound mixing, I would then go on Soundtrack Pro.
