Frage von JackJohnson:
While on this subject a few posts to find, I unfortunately still no solution found.
Here is my problem: I want to gecaptureten Mpeg2 clip in Final Cut Pro editing. Although I have all three possibilities of Halbbilddominanz in the sequence settings have tried, I can not prevent Kammbildung. Neither in the Canvas window, even after the export.
Or will the effect on a PAL TV screen about no longer visible?
Can someone help me? Biiiiiiitteeeee! [/ B]
Antwort von Schleichmichel:
Is not it so that the half before the user "hides" are, you do the "combs" on the monitor ever seen.
Since it is based on the principle of the TV screen-based, you can see this just not there ... if you are not confused between the sequence brings.
Antwort von PowerMac:
Combs are for material from interlaced to progressive recording always visible representation media.
Antwort von JackJohnson:
Vielen Dank schon mal!
I habs jetz on the TV screen tested. Synonymous And there are the ridges visible ...
How this "disorder" because before the user "conceal"?
I am recently of iMovie to Final Cut Pro transition. iMovie makes this car.
Antwort von Schleichmichel:
Uh .. do you want to because it was not on the monitor? Then the regular playback quality down.
The fact that the "ridges" on a television are visible, I would be surprised. Rather, I can imagine that it is terribly zuppelt in any movements. Then it would have changed the Halbbildreihenfolge (You have, I think, too much gefummelt).
But directly you can SEE the ridges on a (tube) screen is not exact, since these are displayed in a row. In order wrong then runs the Picture under this scheme:
1B-1A, 2B, 2A, 3B-3A, ... instead properly 1A-1B, 2A, 2B, 3A-3B, ...
If you do something like horizontal waves siehts, the MPEG2 distorted changed. Is me with MPEG2 import synonymous ever happens. In Final Cut Pro, you can fit in the clip equalize.
(Half are shit, I know)
Antwort von JackJohnson:
The fact that the ridges only on the comp to see are actually about me no preference. It just surprises me that the iMovie Kammbildung synonymous already on the Comp avoid and Final Cut Pro?
But unfortunately the synonymous ridges visible on the television. Although not as clear and disturbing, as the Comp, but synonymous annoying. Man she looks especially good at quick movements. I know the jerky effect. But is definitely a Kammbildung what I see here ...
Antwort von Schleichmichel:
So for me it is even desirable that I have two fields in Final Cut Pro synonymous ... see if it is verfranst. Finally, one could overlook something.
And to your reactions as to avoid hushes the outset of the iMovie. Just so you learn nothing about it.
And combs can only be visible on the television, where distorted. Please check this in the viewer below clip settings.
Show synonymous perhaps take a screenshot of the Canvas (100%).
Antwort von Axel:
It just surprises me that the iMovie Kammbildung synonymous already on the Comp avoid and Final Cut Pro? Maybe you're in the Preview pane of iMovie, and 50% in Final Cut Pro 100%? At 50% of course no one sees Combs. Also in the Apple DVD player, the ridges disappear, here is apparently different deinterlaced.
But unfortunately the synonymous ridges visible on the television. Although not as clear and disturbing, as the Comp, but synonymous annoying. Man she looks especially good at quick movements. I know the jerky effect. But is definitely a Kammbildung what I see here ... Tube? Quite puzzling, because what you reported test. Everyone knows what is meant with combs, and still is probably your problem so far unknown.
Antwort von PowerMac:
Then just the Halbbilddominanz wrong.
Antwort von JackJohnson:
You're right! Now I am forced to me with this sh ... fields to employ. ;-)
here is the screenshot:
Antwort von Axel:
Unfortunately, the attachments are not displayed in original size (for me at least, maybe it's s.Browser and its settings, I am with sowas überhaupt not). If the players are very fast moving, this could be a normal effect. That's yes but not at all synonymous. Final Cut Pro works as surreptitious Michel says yes consciously with the method "Interweave," in which both fields simultaneously. No bug. If you are in the sequence preset in the inconspicuous
Halbbilddominanz check box
without a tick've done, I would sowas synonymous expect after export. I say now, without trying to have it.
Antwort von Schleichmichel:
That looks a really squashed and distorted clip. Can it be that you do not have 720x576Pixel large sequence and Final Cut Pro has scaled car? Or it is in a different size before and is now distorted.
Can not really be different, because at 100% Uniformly combs should be what they are not here.
Antwort von JackJohnson:
So I'll post s.besten the settings:
Object settings Mpeg2 clips: Image Size: 720x404
Pixel Format: Square
Halbdominanz: No
Sequence Settings: Image size 720x404
Pixel Format: Square
Halbdominanz: Odd lines
I think it should not be distorted, right? Here again the screenshot: (without cut edges: S)
Antwort von Axel:
I think it should not be distorted, right? Here again the screenshot: (without cut edges: S) Strange format. The Solution: The sequence must be the same as Halbbilddominanz have the material or not. Did she not with you.
Antwort von Schleichmichel:
Try the following:
If you have VLC, you watch the clip here at times. If you are synonymous because a picture like this you, somebody has this file by a distortion destroyed. In that case you should try to s.das original material (which then also anamorphic zusammengequetscht should be what you are in the sequence settings of Final Cut can adapt so that it is displayed correctly) to come. Here you can no longer start.
Does it in VLC clean, enclose a standard sequence (ie 720x576 etc ...) in Final Cut s.and imagine there synonymous to the anamorphic 16/9-display.
Possibly. You still have to be in the clip settings in motion to adjust the clip ... then it might be a bug crept.
No panic. Final Cut Pro is otherwise the hammer, but here are just a small problem Chen.
Antwort von JackJohnson:
Sorry, was just gone!
Can it be that my camera (SonyDCR-SR100E) is somehow wrong? I have the clip of the Cam directly runtergeholt.
In VLC, the combs are synonymous visible.
If I'm now in Final Cut Pro is a standard anamorphic sequence and then create the clip in the timeline, drag the clip is funny reduced. (see screenshot)
How can I understand the clip settings? And what about? When I click Clip Settings volgende error message appears: "None of the objects has files to which this action is applicable"
Man, this is complicated! : S Thanks for the support!
Antwort von schleischmischel:
Double-click on the clip, viewers, and because of the tabs "movement"
Since then, there is the "distortion" and "scaling".
Antwort von JackJohnson:
Ah, ok. I've discovered. What settings should I make it there?
Antwort von JackJohnson:
Here is a screenshot:
Antwort von Schleichmichel:
Wait a minute.
The Sonynimmt yes in MPEG2 on hard drive on! How you do that because importierst in Final Cut? But change, right?
So, in what format and what size did you change?
Could it be that the original file to 720x404, or whatever it was, has changed? That would be wrong! It must be perfectly normal 720x576 changed (or NOT)! Then it's no wonder that the fringes appear everywhere and the clip is synonymous already "natively" is scaled.
Change nochmal richtig!
Good luck:)
Antwort von JackJohnson:
Convert? I pull the MPEG2 clip using the Finder of the Cam on my hard drive. The original clip can I import in Final Cut Pro. Is that wrong? In what format should I use the original walk?
Antwort von Schleichmichel:
Into one without such Fisimatenten. So s.besten in DV Pal 720x576.
Teu-teu-teu!
Antwort von PowerMac:
The camera is not really in 720 * 440, or?
Maybe the camera is set to something strange?
Antwort von JackJohnson:
Do you have me a tip, with which program I should convert the file? And better interlaced or progressive?
Antwort von JackJohnson:
the Cam is to 720x404!
Antwort von Schleichmichel:
"Cam is the 720x404 on!"
but they should not
War because when your Compressor Bundle is missing?!
Otherwise Quicktime Pro does it very well.
@ Powermac: Can I not imagine that the camcorder through a separate equalization without taking half makes. I can imagine no more than that in the file information, the display aspect ratio is exactly what causes problems, since some programs after orientation. Bin überfragt.
But a good example of problems with Festplattencams Bids for future:)
Antwort von JackJohnson:
But, but. I have Compressor synonymous. Is just s.arbeiten. Bin ja gespannt, obs finally succeed. Then give it. Thank you first!
Antwort von PowerMac:
To convert: MPEG Streamclip. Better is not to scale.
Antwort von JackJohnson:
Damn! Looks are still the same. The changed file (DV PAL anamorphic) is also somewhat blurred. And the combs are available in this file, as synonymous in Final Cut Pro is still visible ...
Scheiss half!
Would it maybe what, if I show you a Originalfile could?
Antwort von Schleichmichel:
Maybe you send me a Miniclip of the camcorder via email. As already reaches a very small one.
Can you send s.xxxxxxxxxxxxxxxx.
Say it.
Antwort von JackJohnson:
ok. immediately! : D
Antwort von Axel:
Object settings Mpeg2 clips:
Image Size: 720x404
Pixel Format: Square
Halbdominanz: No
Sequence Settings:
Image size 720x404
Pixel Format: Square
Halbdominanz: Odd lines And what is with this discrepancy? A progressive clip could be scaled, squeeze, which is always synonymous with Combs. And the material seems progressively to be yes. Then you would have with this sequence setting is causing the error.
Antwort von Schleichmichel:
Hi, Axel. The material is not progressive because it is so Halbbildlinien. And he already had all 3 options in the order sampled.
In any case, I have found the error.
Quicktime distorts the picture on 16 / 9, which indeed is very well intentioned. Only in practice, then stop the problems with the fields, which if it exists.
Scale in Quicktime Pro (or Compressor ... this will go as synonymous), as follows, then there should be no problems anymore (except that in Final Cut Pro will display again at 75% or so is made and then broke it again looks but do not worry):
Antwort von Schleichmichel:
Oh yes, and then in DV Stream export.
Antwort von JackJohnson:
Cool, thanks for the tips! I will try tomorrow.
Liebe Grüsse!
Antwort von JackJohnson:
Wow! Jetz läufts perfectly! Thank you for your help Michel surreptitious! Without you ichs had not packed!
GLG
Antwort von PowerMac:
I can only repeat as MPEG Streamclip Tip again. Scalt better than Quicktime.
Antwort von JackJohnson:
What do you mean Powermac? Have I understood correctly? From Final Cut Pro using Compressor in a different format?
Antwort von PowerMac:
Means "MPEG Streamclip" video transcoding. This is a program. Findbar via Google. Scaling provides better results than Quicktime.
Antwort von JackJohnson:
Ach so! Thanks for the tip. I will download and test.
