Frage von Arne_NRW:
Hello,
a little difficult through Foum to examine whether it is already a fairly specific answer.
Have a
well-stocked Final Cut Project USA in 720 24P to get hard drive and each movie must now edit.
The objective is to exchange text and inserts a German
PAL DVD to create.
In the first test, the files are exported via Compressor in PAL QT to convert images to black and Bildruckler. Vemute, abnormality in the conversion of 24 to 25 images.
Would synonymous with beautiful, if a program auto calculates the PAL standard.
How would you proceed to make the finished timelines 720 24P a PAL DVD compliant MPEG file to create?
- I actually AVID editor and PC users.
This project, but I do want s.FC place finish.
For help / tips I would be very grateful.
Antwort von klaas:
how about the files via cinemafreaks tools before cutting in to 25fps, then normal to cut off compressor and via DVD.
gruß, klaas.
Antwort von Arne_NRW:
Cinema Tools does not know.
But this is changing with sound 24p in PAL to clean?
Then I can so synonymous after cutting the finished film in order to convert, ie 24p ready to export as a QT Mov, use Cinema Tools to PAL to get QT mov and then with Compressor to convert to MPEG?
If so a good tip.
... I google the program times ...
Antwort von Axel:
Cinema Tools is supposedly synonymous (is part of FCStudio), it's easier with Compressor (also in the package).
- The> File (Finder) from FinalCut>
Export with Compressor -> Window> Preferences (default with the same codec as the original, but 25p instead of 24p)
- In the default window with the tab to the "frame" icon (Frame Control) menu.
- The control frame by clicking the gear icon to activate.
->
Retiming Control> conversion rate, of the options "Better" or "optimal".
Hint: not very much movement in the picture and thus excessive motion blur goes "Better", which does not last
quite as long, because time does it.
- Enter your destination, name, address.
NTSC DVDs are synonymous playable anywhere in Europe. As a reason for the conversion, I could only imagine that most synonymous and Pal-material on the DVD should be. Both systems are running on a DVD is not.
Antwort von Arne_NRW:
Thank you very much,
This will test again as soon as I'm in the studio.
Would be nice if it just works out. Since the source material is really good, would be small blurs, etc. not dramatic.
NTSC ... While playing everywhere, but when we had only self the TV or DVD player to NTSC switch, otherwise there were level of education in the graphics, etc.
Sure, for all the television or DVD player? can not even an issue.
But the retail, vermtl. Physician assistants and physicians aging ...
which often do not know of PAL or NTSC or it's missing the remote control television, etc.
... I think as more likely s.den stupid users. :-) Thanks for the tips.
Antwort von Axel:
Because of
Cinema Tools, the speech was: For 720p progressive genuine material would be perhaps a different solution to the cinema solution. As is commonly known, have all the movies that appear to Pal DVD, one to four percent shorter duration, because the 24 fps easy with 25 fps are played. It is not possible to tell the difference, it's been confirmed again and again, myself (projectionists) had a decrease at 25 already unintentionally material with 24 B / s presented, and director and editor told me afterwards that I made it good would have the film they had seen hundreds of times, and a wrong frequency they would be
immediately noticed. People with absolute pitch probably recognize the different key, then the music is running, but I think you can neglect.
How would you make? I do not know exactly. If you have 24p in a 25p timeline draw corrected Final Cut Pro by doubling the duration of 1 frame per second, which leads to the bucking. Perhaps it is the speed of the film by 4% increase, it would be so no longer need, and the sound would be synonymous nor synchronously ...
