Frage von Muggs:
Hey professionals,
I have a music video before (once again) to turn .. langsamm so I get everything out really well ..
However, I had a problem: I take the first time in a relatively dark hall on ..
serves as a template to me this video:
My question: just out of the front light on the film to the person shot at a performance? is synonymous or even a weak brightening light attached? wieggesagt the hall floor is dark, tall and has little windows ..
thank you for your help ..
achja still a wonder s.rande: I really wanted to shoot with MINI35 .. But many felt that synonymous A TIFF film look kit is sufficient .. Your opinion?
Antwort von Markus:
just out of the front light on the film to the person ...? That depends on whether one considers only the person with a hard drop shadow to see whether or plasticity and background play a role.
Antwort von Muggs:
yes this is just .. I wanted to have the background that you see .. but the focus should be quite clear to the person subject .. I will just with brighter lighting and without trying .. it should halt all still remain true dark ..
similar question:
I wanted this synonymous use flash .. because I should but in any case einzusätzliches still light out, or what do you think? (it dawned me s.meisten ;-)..)
Antwort von Schleichmichel:
In the video, the characters in the first place in a collet, which is almost only side lighting. Whether and how much whitening is required, so you can quickly know, with video on the spot, or even very easy check before turning. That is so often mentioned advantage of video over film, or not?
Antwort von Markus:
I wanted to have the background that you see .. but the focus should be quite clear to the person subject .. Your key point is always double. ;-)
Is to reduce the depth of field using 35mm adapter is not meant to allow the person (sharp) in front of the background (blurred) highlight? Brightness and Levels can be so synonymous in the Postpro still do, at least when no differences in brightness between the foreground and background will be identified that were previously not even there were rudimentary.
Antwort von Muggs:
yes is really bad for me ...... ;-)..
many thanks for the reply! help me its very next ..
Antwort von Axel:
In my opinion, can the advantages of a 35mm adapter ausreizen only when one works with high contrasts, where video is very strong after video would look like. Both in a uniformly bright as synonymous in a dark room evenly Picture could otherwise simply something soft, muddy look (the same is true for low-contrast filter, even if weak contrasts next reduced, sieht's arm off).
Schleich Michel says that video is but Whatyouseeiswhatyouget, but only if you use an external monitor. Viewfinder display and suitable for orientation, the image effect can be on a big picture better judge.
A good method to atmosphere in a set to pump, it is fog. Good einnebeln and distribute, no delicate haze, but a thick soup. If you think there is too much, it's just right for video. This may, in the case of a hall is a bit slow, but the bigger the space, the greater the effect.
In the example video can be seen as synonymous high contrasts, especially beside Farbentsättigung and vignettes (these dark edges are hardly Effects to interpret but the motif as red arrows). A demolition style factory building itself is doing much, as you can with many typical effects still aufmotzen next, in the Studio, for example, with exposure 1/12tel (lubricate movements), a greenish postproen stitch (sorry, German) à la Matrix, or sepia.
In Alien ³, most of these effects together, the movie, I would prefer a purely s.deiner body:
" Darkness at high contrasts
" Fog
" Minimum depth
" Color correction Dramaturgical
In addition, an image-building, which is simply mistaken. Viewing from this point!
In short: A continuous, planned look is better than experimental Aufmotzen. And a good (good?) Set is the most important asset.
