Frage von fresh_hotboy:
Hi,
one reads here and there in this forum about those who are different events with one or more cameras record and then produce a DVD.
How are you actually with the music, sync-and GEMA-rights?
The jungle is so large and the information overload sooooo low. Because someone gave me an answer?
Thanks.
Antwort von megalutzi:
Hello,
So I always see the work order. I will contact the organizer beauftagt, an event record and for him to create a DVD. The rights he must have. A similar clause in the contract must stop because drinstehen that he Besiz the necessary rights myself and keep pest-free.
So I'm out of the schneider - at least I das
Antwort von Pianist:
Generally the one who is always responsible for the broadcasts, performances or reproduced. This can be nice as the client indicates s.sich but is that really his beer. Of course, if you own is the one copied, you have to have to take care of the necessary rights. Then, it is good that has already been a musical choices, where you are with the publishers (the da Gema is rather a secondary problem) some can. Because afterwards there is no change in more ways and must accept the conditions.
The easiest way is of course if the choir, organist or orchestra plays the bagpipes, which are clearly public domain and is not synonymous to edit a protected act.
Matthias
Antwort von pat16:
Hi!
Yes, correct, the organizer or contracting entity must inform the Gema, publishing, performance, and usage rights with the rights owners or authorities clarified.
If the booking contract is a clause inserted that we as a contractor on the basis of a einduetigen rights between rights holders and AUftraggebner arbetien and of legal claims by third parties are something nobody can make us want.
If we work as an online demo showing the consent of the provider contract and collect the Music Royalty with a piece to replace, which to us is lezensiert.
If copies were then either myself or if it goes to work copying a certificate of the client about his rlaubnis attach the pieces of music used to be. Each German factory will make a copy Gemanachweis require.
Liebe Grüße
Pat
Antwort von Pianist:
Each German factory will make a copy Gemanachweis require. So similar. The stamping want an anti-piracy rights declaration signed, but this has more with the "intellectual property" s.den contents of the DVD to be done and only secondarily with the specific pieces of music.
Gemamäßig looks as follows: we first seek times on the music, the right to use one. Whether because license fees are required or not, depends on the negotiating skills from. Then you have a contract or a certificate of the publisher that he had the right to use in his own name has awarded. After pressing send, together with a copy of the contract or certificate of a list s.die Gema, giving the title of the film, the length, the pieces used and the used length of the pieces shown. It can then namely Gema-playing as a percentage to calculate, because it reduces the minimum remuneration.
Example: DVD-VR fare after BT H2. The film is 10 minutes long and there are several pieces of it have been used for the one from the publisher using the law has brought. The music is a total of 5 minutes, Gema has therefore a share of 50 percent. The minimum pay rate for this is 31 cents per DVD. Let us start of an edition of 500 pieces made. Since s.sich would be willing to pay 155 EUR. Because the Gema share but only 50 percent, reduces the invoice amount to around EUR 77.50.
The stamping always sends control messages s.die Gema, so that in the Directorate in Munich industry is examined in detail whether one has forgotten his message.
There are so synonymous Royalty provider, but my opinion about these people I have already explained in detail.
Matthias
