Frage von Monster:
Hello,
I'm new here and allow me one, probably for you, stupid question. Synonymous've already gegoogelt was here on the forum and have found no satisfactory solution. Furthermore, I have been exporting various studies (sequence settings, ProRes422 1080i50, etc.) behind me.
I use Final Cut Pro (6.0.5)
I have source material in 1929X1080 of my Panasonic HDC-SD9. This means I already have Final Cut Pro, cut and finished. Then I took it as 1:1 "copy" exported (settings).
20min film were synonymous around 13GB. However, when I watch the movie, I see light at faster movements square pixels (eg moving people s.horizontalem Rand). This I have not in Final Cut Pro sequence window synonymous if I use this to full scale. Then I got the whole project with the codec ProRes422 exported. It Preferences GENERAL synonymous with the HQ codec, with VIDEO and optimum precision and RENDER in ProRes422 with optimally chosen. Also this result is not satisfied me.
I would simply create a 1:1 copy, which I later on a Blu-Ray disc can burn.
The funny is that when I use the Project using Compressor with a HQ DVD template render, I have these pixels are not.
That means for me that it just may be s.falschen codec, right?
Many thanks for the help and efforts
Antwort von Axel:
No stupid question. But something is not quite clear. From what master you create the HD-DVD in Compressor? Of the allegedly verpixelten ProRes?
I have noticed that the outward-and hercodieren artifacts produced fairly quickly. Recommended workflow (with AVCHD anyway, but synonymous with complex HDV - XDCamEX or projects): Footage immediately with Compressor batch convert to ProRes. 1440 in HDV, 1920 at XDCamEX or AVCHD. Sequence settings in Final Cut Pro, ProRes only. They remain until the final output!
Antwort von Monster:
I will create a DVD using Compressor from the cut HD material in Final Cut Pro. It then synonymous, so I wanted the HD version
