Frage von Mischek:Hi,
I'm looking for a good Micro for my Pana NV-GS 500, mainly for interviews. What can you recommend me? Who has experience?
Greetings!
Michael
Antwort von tommyb:
Interviews with the Micro in the hand? Or with the Micro at the camera?
Antwort von Markus:
Hi Michael,
find the interviews in noisy or quiet environment? - For the noisy environment (eg disco) dynamic vocal microphones are well suited, because of this very close Microphone primary noise sources responsible. In a normal environment, however Elektret-/Kondensator-Mikrofone used with which a good speech intelligibility can be achieved.
The Hama RMZ-10 would be for the initial well. There is next to a short cable (for use as a directional microphone on the camcorder) a synonymous with 3m cable to the microphone for interviews in front of the camera to be able to use.
Antwort von Mischek:
Hi Markus,
Thanks for the tip. Did you ever experience with the Zoom H2 made? This is a wav recorder, which can then synchronize with it. But it seems to me to be very flexible.
However, the cost of 199 EUR at synonymous Thomann, and for the money you get super safe synonymous Mikros directly to the camcorder, right?
SG
Michael
Antwort von Markus:
Did you ever experience with the Zoom H2 made? No, I did not, but there are some reports on the Zoom H4 in this forum. Perhaps the descriptions to help you so, a choice.
A special emphasis, you should be directed to what extent audio recorder and camcorder synchronously running (can) so that the states, then synonymous dubbing can be carried out. The fact that both devices with the same sampling rate record is still no guarantee of an absolute synchronization over time.
Antwort von Natevi:
As a small cutlery, I have this Camera: The separate microphone for interviews or lectures to be recorded as there is a stopper, I Sennheiser MD 421 On. This is a top and the sound you get used already S.50 ¬. And actually, the unkaputtbar. you have to do is NEN matching mini-plug cable soldered to, or obtain an adapter cable.