Frage von UlmsSkyliner:
Hello,
I am impressed with the music video "dead or alive" by Kool Savas.
Here's the link:
Could you tell me how these transitions have been made?
1) as at 15 sec where he was a picture in a magazine and watch the camera in this picture "hineinfährt".
2) or for 47 sec, Picture changes
3) at 51 sec, revolves Picture Camera "goes back into the Picture"
4) 1.12 min, geiler faster transition
5) 1.22 min, Still Image shows Camera goes back to the Still Image "in."
6) 1.36 min, water bottle
7) 1.47 min, Camera goes "beyond", has magazines in his hand where he worked as a cover on it is
8) 2.00min, where a picture of him on the T-shirt is printed and the Camera "hineinfährt"
How can you make something?
Here is the Making of, if you're interested
http://www.myvideo.de/watch/2842174
Would be glad if you give me these transitions would explain precisely.
What do you do when turning to these transitions to make / receive and in the post?
MfG Chris
Antwort von radiohead3:
the top frame of the videos on the newspaper / cardboard surface
and this position with the image / frame clean track ...
gruß cj
Antwort von Andreas_Kiel:
What editing software do you use? If you can work with keyframes, for example, with the camera, which goes into the gallery, easy - but it is a miserable hard work and not even fast zusammengeklickt.
So: You need at least two video tracks, and in one of which is the full clip later in the "Still Image" appears - in the Camera hineinfährt (lane 1).
The other track contains the performers with a book in his hand (lane 2).
Both traces start at zero (in fact no preference where, but most common start).
Now you verkleinerst the Picture in the track 1 so that in the "Still Image" in track 1 matches. You need to have something there rotate synonymous. Sony Vegas When this function is called "Panorama / Event Cropping".
That was the first step. Now you have to use keyframes. This lets you define your clip (ie, both tracks together) a few frames forward. There continues to leave a keyframe. At this point, changing only the picture you in trace 1, a little bit, for example, being larger, or add some color if the original image s / w should be.
Everything lies between keyframes, editing program calculates your car!
Now you're playing virtually Thumb Cinema: few frames before, keyframe set track 1 to adjust, and next (it: wretched hard work).
The more precise you work and the more experience so that you have, the better the outcome.
Difficult it is when the book moves at the same time. In this case, track 1, I would finish first and then the movements of the track 2 to track 1 on hand, so to speak, "synchronize".
So go on, it is not difficult and makes crazy fun. Like now with your software works, I know not, of course, but the principle is always the same. That with the newspaper can be very roughly 10 minutes in probably right. Is it good, it takes longer naturally.
BG
Andreas
Antwort von UlmsSkyliner:
Thanks Andreas.
I use Adobe Premiere.
Well, I get a little grad aufm hose.
So:
To enable this transition, I need 2 tracks in the timeline.
In lane 1, is the full clip later in the Still image appears.
In lane 2, the clip with the cast of the booklet in your hand.
Now I have the Picture of the track 1 so diminished that it is in the Still Image of Track 2 matches.
Right?
Then I set keyframes.
Now I have the Picture change in track 1.
But now my question:
Do I have the rotation with the camera in the picture into driving / zooming?
How should I or the "journey" to the Still Image hinbekommen?
Or only in the program?
MfG Chris
Antwort von Andreas_Kiel:
Yes, everything really!
In the clip of track 2 with the camera would slowly zoom in and evenly, because otherwise you two different directions / speeds must compensate with keyframes.
That would be the beginning if something you have not yet made, perhaps too strong point and could rise to frustration.
Until fairly linear movement, ie in the direction and speed, you need not even have too many keyframes.
BG, Andreas
Antwort von UlmsSkyliner:
Has worked!
Thank you.
Schloen was quite time-consuming, it added get clever.
So:
Scene as recreated in the video, then in the top frame of the video that runs in the Still Image (I do on a paper in a journal has stuck) zooming.
With Premiere, Clip to Still Image positioned keyframes set. (Scale, position, etc.)
With the video effect "Movement"
Then clip einegefärbt:
From black white after bunt.
Done.
Now I am still interested to know how the transition in 1:36 min with the water bottle was made?
What do you do when turning?
What in the post?
MfG Chris
Antwort von Axel:
Now I am still interested to know how the transition in 1:36 min with the water bottle was made? Looks to me like a simple zoom (whether on set or post, no preference), in the Picture by the singer has been superimposed on opacity (perhaps also briefly einskaliert, I can not in this Flash to see exactly). In any case easy to make.
What initially looks like a brain twister, the famous video
is in reality just darned well planned. The methods are Keying, scaling and rotation. The magic word is "levels". Guck's get a few in a row, and you know what the world together. Hint: Pay attention when
driven backwards (perspective should change) and when only
smaller.
