Frage von TheAlpha:
Hello community!
I'm currently a big problem that the post production of my 15-minute straight is very much in the way, maybe you can help me.
Today I have of my cutter from Hamburg (; live in Berlin) the hard drive with the final cut of the film obtained.
He has exported the movie in five Avid Media Composer, as uncompressed DNxHD. Mov, 83GB in size. Everything OK, can play the movie after you install the Avid QuickTime Codecs LE 2.1 in Quicktime Player (; or see the individual frames).
If I file now in the premiere import, and then he complains now (and thanks codec-installation) is no longer, but I can see in the film, only the last setting, the rest IS BLACK! 've Fiddled but some will not. As I said, the Quicktime player have her. Seems to lie again s.Premiere.
Do you have an idea or can help me specifically, the search had already tried in vain.
Thank you!
Felix
Antwort von Axel:
Seems to lie again s.Premiere. Do not know. Seemed to me as worthy of a free, high quality intermediates, an attempt to transfer material to the Mac with Final Cut Pro to Premiere on Windows. In Final Cut Pro, Quicktime though, the same phenomenon that you describe. We have since determined both made the same error in reasoning. That it is our exquisite error, you see the fact that Google (DNxHD + Final Cut Pro + black) is not apt description. So we will, if someone else knows (?), Both smarter. But may be synonymous, we do want whipped cream on raw potatoes, and anywhere else someone tries to peel strawberries.
Antwort von TheAlpha:
Have now converted the file with the Media Encoder to other format - same game, all black except the last setting. Although I can completely see the preview of the Media Encoder the source!? What da hell?
Can not be true that we are the only ones with the problem!
HILFEE!
Antwort von Alf_300:
If it's the Quicktime player can, he should still synonymous save Mov same as (film).
Antwort von TheAlpha:
Hey!
Yes, that is, if there is a possibility that the Quicktime player (would I then get a pro license), save the movie Uncompressed can, I'll try that. The film must then into the grading, ie losses in converting, I can not afford it. Can the QT Player it??
If so I'll try that. Hat jmd as experience?
Thank you!
Felix
Antwort von Axel:
If so I'll try that. Hat jmd as experience? Well, of course, is running on a Mac in the DNxHD Quicktime container, ie, as "mov". Everything runs in FinalCut is auto mov whether H.264 codec from here, DV, HDV, EX or whatever. This thing is a codec, similar to ProRes in my attachment, you can see (VideoSpec, marked in red) that
both the Avid codec is a Quicktime movie
as synonymous. Also yes you write one of Mov, it has therefore probably not make much sense to buy QT Pro, simply in order to export again as the same.
At 15 min and 83 GB of file size you've got nearly 800 Mbps, as would your friend like a tiff sequence can spend, that would have been synonymous compatible. Guess synonymous wise DNxHD compressed it is only fit for the degrees, but with ProRes is the same (and then you have to ensure that the 200 Mbps and "only" 20 GB). By the way: If Premiere zickt, that does not mean that zickt synonymous AAE, which determines for Farbsachen would be better anyway. Have you ever tried? But you could make one synonymous later Tiff sequence Draus (QT Pro again for what would be correct). You write "The movie must still
behind the levels." The obvious, although it has been cut already. What are you doing here? Effects?
Funnily worked today Import (previously with a QT export of ProRes transformed snippets, see upper picture in the attachment), presentation of the timeline and export. Actually good news, but since I do not know what's on the first attempt and had been since I generally know little about, yet some people here need to be interviewed.
