Frage von Udo Schröer:
Hello,
desperately need info!
Support these camcorder Pal - Progressive 25P.
In this Manual is under Pro Cinema function. When I disc reading the film in this mode, however, recognizes only AVID LIQUID interlace video.
Helpful Answers to thank in advance.
Antwort von Nightfly!:
So for the GS-400 was as follows:
"... You can set the following 16:9 modes:
* CINEMA
At the top and bottom of the screen appear black stripes, vertical Resolutionder of images is reduced 576 to about 75%. This mode is really only suitable for 4:3 Television.
* PRO-CINEMA
The picture is with a display ratio of 16:9 (interlaced included), so that the results are compatible with a 16:9 television, full PAL 576 lines vertical Resolutionmit. The wide area of 45 to 38mm (expands about 18% more image information) in width.
* PRO-CINEMA FRAME
There are 25 frames per second was added (25p), with the frame with 1 / 50 s is exposed Resolutionmit full vertical 576 lines. The wide area of 45 to 38mm (expands about 18% more image information) in width.
The results of the two PRO-CINEMA modes are absolutely fascinating, the Resolutionist dramatically better than the 16:9 mode of the 4:3-castrated prosumer competitors. The PRO-CINEMA FRAME mode, the NV-GS400 is working with a softer gamma curve, reduced sharpness filter and progressive 25p frame rate. Because of the recording time of 1 / 50 s can, however, the typical flicker-film look are not generated for a closure time of 1 / 25 s would be necessary.
... "
Gruß,
Nightfly!
Antwort von Udo Schröer:
Hello and thanks for the reply.
In this Prospectus, the camera takes 25 frames available with 1 / 25 second. The imported file, I have checked with Avid Liquid. Wick appears to me but it was a file is interlaced. How can I tell that my file is synonymous Progressive.
Antwort von PowerMac:
Not at all. There is no progressive as DV. You will always work with interlaced files. Simply because that is the default. 50 fields. Inside are 25 frames that are packaged in 50 fields. So you have the field dominance to "without asking."
Antwort von beiti:
For storage in the DV format, it plays no role whether the material is from the origin interlaced or progressive. Only once in the editing program transitions or other elements are recalculated, you must decide whether this halbbildweise or Full image as to be calculated. For television series based on films (that were Full image of) rotated, and title screens are usually inserted halbbildweise anyway, because, for example by soft rolling title run.
Antwort von mkrawietz:
Unfortunately, everything goes on TV interlace (except Premiere HDTV).
I feel it in the following.
1. Interlace working ABAB interlaced (field sequence) 25i
2. Progressive works with frames AB. 25p
That's what I know everything!
Be created in the NV-GS500 frames, if so, why show me AVID Liquid s.es is interlaced.
How can I tell it in my computer file, the first and second field is identical to render it progressive 25p
Antwort von beiti:
Unfortunately, everything goes on TV interlace Sampled films on television are just as progressive as the full-screen video from your GS500.
How can I tell it in my computer file, the first and second field is identical to render it progressive 25p As you you are looking for a scene with a lot of movement and a frame s.Computermonitor anschaust. If a Halbbildversatz is available, you see the famous horizontal teeth.
why does my AVID Liquid s.es is interlaced. Clear labeling for progressive shooting in DV does not exist. Was not provided in the standard.
Antwort von PowerMac:
Be created in the NV-GS500 frames, if so, why show me AVID Liquid s.es is interlaced. Not a single program in the world can recognize progressive material. You're always editing interlaced. Your program can not detect what's actually there.
Antwort von Jan:
The GS 500, 1 / 50 sec notes can be easily verified, take down and sat on the playback camera data, has indicated to me the Pro Cinema "Fullscreen" not see ever 1 / 50, he never went to 1 / 25 sec. Only in the night mode, the shutter goes down, da gibts but no 25 P Pro Cinema mode.
Also, the GS takes up to 500 frames are not pure, hold two fields
increase at a horizontal resolution of the.
Somehow synonymous logically, why one film s.einem normal CRT TV - works interlaced - otherwise inspect the computer world is working with pure full frames. Even Canon MVX 45i could easily GS 500 Pro Cinema equipment show - stood synonymous with camera data 1 / 50 sec.
LG
Jan
