Frage von Jan Merlin:
Hi folks,
I wanted to own a FX1 ask whether the "Piture Profiles" settings to use and / or adjust?
Have you given tips on how to because from the picture a little bit what "rauskitzeln" can?
Particularly interesting I find the "Cinematone" but you can because it provides yet more "tinkering"?!
What do you have for settings?
Antwort von wilo:
Cinematone is more than tickled ;-) and just goes on / off.
To the FX1 and her pale red-Picture abzugewöhnen pregnant, you should Farbpegel with Farbphase and play - there is plenty to do. The "sharpness" (Kantenaufsteilung!) At 13 is a good compromise. 15 is too violent and 10 or 11 bit muddy. In consultation on the sharing of Cinematone so you can determine your needs for what rausholen yet.
Antwort von Jan Merlin:
That will be tried the same times! Thank you!
"Cineframe" can safely be forgotten, however, is not it?! Have the feeling that, except as "Bildgezitter" doing nothing ....
Antwort von x-ray:
As you say, is Cineframe "toys", especially since you like about half the lines of resolution are lost - I use this at all.
Antwort von Sloper044:
Would be interesting to know what software you use.
In my FX1 I leave everything on automatic and let the material run through a setup that I at Studio 11 Ultimate to easily create and customize the FX1 could.
If you are often under varying ambient conditions turn, is a constant adjustment of the camera but very annoying.
Antwort von shodushitanaka:
If you are often under varying ambient conditions turn, is a constant adjustment of the camera but very annoying. Nobody, of the optimal image quality from this camera to get, will work with automatic. That would be the absolute exception. It must be you in the summer, for example, only someone in the white shirt running into the picture, already you have the awful brightness pumps.
Who is filming only with automatic transmission, is perhaps at Aiptek Technaxx or better.
With the software has nothing to do.
Antwort von Sloper044:
Who is filming only with automatic transmission, is perhaps at Aiptek Technaxx or better. Well thanks, I'm going there once for the tip ...
If you like maybe a setup times myself cope, then you know was synonymous works :-)))
Antwort von shodushitanaka:
Nobody, of the optimal image quality from this camera to get, will work with automatic. That would be the absolute exception. It must be you in the summer, for example, only someone in the white shirt running into the Picture What you describe here is absolute nonsense, the FX1 has a very good automatic. The problem with the "white shirt", only with the White Balance to be done. Furthermore, the FX1 For this not sweat. The create a setup for the FX1 does very well meaning, sharpness and color correction can be perfectly aligned and this "Cinema Effect" is much better to produce.
Antwort von r.p.television:
Since when has the brightness of the pump automatic control Apperture White Balance with something to do?
I think you know not of what you speak.
The guest has been right.
Regardless of whether someone with a white T-shirt's Picture runs through or a swing through trees with intervening open skies. Here is pumping every automatic. The only thing that can help here, is the inertia of the diaphragm in the automatic setup to influence. But this is always a compromise (for example, works with floating system) and no professional work.
Cinegamma and the whole Klimbim so synonymous has nothing to do.
Antwort von PUDU:
If you like maybe a setup times myself cope, then you know was synonymous works :-))) I had in my ZIP code area was the second of Sonyverkaufte FX1 ever. Two of my order twisted documentaries have already been held over a ÖR channels. No, I have them in automatic mode rotated. So tell
me nothing about how a camera setting.
The create a setup makes to the very sense FX1 Very true. Sloper44 says here, however, the camera in fully automatic mode to run and then with the entry of Pinnacle software (Windows Movie Maker, but a fee) to correct them.
Rare Schwachfug such a read.
Antwort von Jan Merlin:
I'm synonymous believe that one with manual settings for better results!
I film now about 2 years with the FX1, which have until now "Piture Profile" function, but never used and would therefore be time to ask what you as it did for setting values?
Reason for this is that I have until now mainly documentaries and reports etc've done, where the "Video Picture" was fully in ordung. Now, however, a short film revolving front door and as I would like to look closer s.den movie coming out .... Could my 'Piture profiles "and their options to help you?
LG Jan
Antwort von kafix2008:
Yes of course they can das For my purposes, I have different profiles and the included overwritten. What you can adjust everything (sharpness, color saturation, white balance, contrast), and so the manual tells you.
The best settings but still delivers the factory preset with all the controls to "neutral" or "null".
If you want s.den film look like it, prefer in the post. I have since synonymous mal ins Klo grabbed the Color runtergeschraubt etc. - great picture, but unfortunately to a max. 20% of the volume - for the rest of the shooting but unusable.
Exception: I have a separate preset to B / W film. Since I have better results on the tape had afterwards as in the post. Especially the contrast and the S & W film look have made it my eye (and apart from make it crazy fun, even s.Set all in S / W can be assessed: for example, important when working with red filter). Hardly of a S & W film of the 60s to differentiate. And, without stating who is no longer next tonwertkorrigierte ran on two film festivals in Europe. Although no price given, but I was continuously asked, with which the software has been reworked :-)
Antwort von Jan Merlin:
That sounds so good! If you were so kind to me, the individual values to betray? So the SW of your profiles?
And you have the Cinematone used? Also for color?
Antwort von jbl:
Also in B & W looks to me like this:
Farbpegel -8
Sharpness: 2 (almost no Kantenaufsteilung more, very nice!)
Auto Exposure: 0
WA-shift: +5 (Although at first glance does not make sense for B & W shots, makes the picture but my feeling somewhat contrasting)
Cinematone: A (I use for color synonymous. Does not so much, but still)
Cineframe: OFF
Do you know the old Miss Marple movies? I have this look, compared with the purchase DVD, so that almost all achieved ... the contrast is, of course, the system lower, but still ... after all ...
All other variable in the preset values that I have not mentioned, are at zero or OFF. Color until I leave on Cinematone with a completely "neutral" preset run. There is s.wenigsten to be corrected.
No one should seriously try to color, which is already in the Recording farbkorrigieren "to get it!
Schönen Gruß
Antwort von Jan Merlin:
Thank you very much! You're right, it looks really very nice! At least on the camera monitor ... did not even test shots done ... but I will make the days!
Antwort von seedee701:
Guckst to you tube! Then Miss Marple (as an example of really good B / W material) and argue exactly hinsehen times: on PAL you will see no difference.
In HDV kackt the Marple-DVD, because they suffer at Upscale.
For outdoor scenes to make sure as the sky looks like. When clouds are visible, I'm happy with a yellow, red filter possibly synonymous. The highlights the contrast between the clouds and the nice blue sky.
Detriment of the red filter, it may be a slight shift in focus to, and also do you see in the Viewfinder not so much. There is a compendium of filters needed, but it is not synonymous dynamic Rotate out of hand possible.
Polarizer would do it synonymous, then the effect, but when panning out.
Antwort von Carina:
Next up is that you can adjust the contrast. This I find not in the picture profiles, although it would be one of the most interesting. Cinematone can probably not supposed to.
Incidentally, I work with color +4, Farbphase -3 sharpness and 11th
Furthermore, with Gain - and limiting aperture (12 and 6.8)
Antwort von Jan Merlin:
"WA-shift: +5 (Although at first glance does not make sense for B & W shots, makes the picture but my feeling somewhat contrasting)"
I share your feeling there!
The contrast itself you can not adjust ...
Did the Camera now synonymous already s.der tube ... like me! Thanks again for the tips! However, the next film in its color.
Ok, so the Cinematone a viable thing? The other color values then to neutral zero rum ... Focus on 13 .. Gain and Aperture are turning to the manual drawn eh .... -> That should then but first a usable setup or?
What can I filter is concerned, unfortunately, so far with only one pole filter to work ...
