Frage von nicecam:
Hello,
gesterm I had a play to film. There were several cameras in use, whose recordings I still could not control.
My question however is: What settings s.der XH-A1 are in such a case makes sense?
The stage was beautifully lit, but with many different lighting effects (spots, rotating beam, different colors for each stage set), sometimes bright, sometimes dark.
I have s.der Camera settings durchprobiert (I could yesterday, since I still s.drei days also will be filming this piece, including tonight).
My Camera is grundkonfiguriert follows: I have proboscis presets loaded and with the other settings, he suggests - to AGC Off, On AWB, etc., combined. These AE Shift -0.25.
The-3db preset brings rather dark images, so prefer to choose preset 6db? But which program? For any lighting situation seemed to me the semi-automatic, a TV or AV mode, Spotlight, or the synonymous sense vollmanuelle mode.
Incidentally, I noticed synonymous at times a certain tightening preferably at 6db preset. These are but synonymous in the user guide on Page 75 that, when activating the noise reduction 1 moving objects can leave Nachzieheffekt. Should we thus synonymous in this preset NR 1 auschaltten? I could try it immediately, but will not be ill-action shots spoil me.
The preview at the rotation hole with the way, I have a camera connected s.die TV 37er.
Every evening with a different attitude to film, would be synonymous to an idea, but because the rich are not out evenings.
Probably, it is basically synonymous probably difficult, such a situation to control, or there is s.mir ....
I would therefore be grateful if anyone could give tips yet, perhaps I can already implement tonight.
And what setting would be to choose the HV20? But since I have anyway, not so many ways .......
Gruß Johannes
Antwort von Schleichmichel:
A beautiful stage lighting is nice for the eye, but can also be total for a camcorder. For example, if an actor comes out of the shadows (where it is but to see) and then enters into the light ... where worked with bright colors ... where is reflective parts on the stage ... all this affects the generally negative impact on the Picture for the camcorder out.
What You s.besten preset shalt take? I have not seen for stage lighting, but you normally fit for theater records "exceptional" times the light of the camera a bit, so that the audience something of the mood mitbekommt.
That means: No outright use red or blue, but rather desaturated colors; flatter light, disturbing reflections and to avoid sharp lights coming
That means: The best way to record a sample, you get better sound synonymous
Antwort von nicecam:
First, many thanks for the quick response
... I have not seen for stage lighting, but you normally fit for theater records "exceptional" times the light of the camera a bit, so that the audience something of the mood mitbekommt. A discussion with the lighting, I can at least for now not afford.
But it is probably correct. For a camcorder an extremely difficult situation.
But I would like to reiterate the presets come back, what the Nachzieheffekt concerns: Could the-3dB preset synonymous with 3 or 6dB operated or skin is not there?
Gruß Johannes
Antwort von KlausZ:
Hello,
Answers to these questions I would like to synonymous, because I am facing the same problem: shooting a dance event. We use 2 XH-A1. Since this is very kurzfrisitg led war I with the test no longer out in that I would be very grateful for some hints!
I would be interested in what preset (snout-3db,-6db) - what modifications? In DVINFO.NET Forum (heading XH-A1) is often the recommended VIVIDRGB, with slight reduction in the red portion.
What confuses me, but then, was the statement of User "Paul Dothery V", the thought is necessarily progressive record?
See http://www.dvinfo.net/conf/canon-xh-series-hdv-camcorders/100697-shooting-concerts-detailed-inquiries-2.html (from August 13 8:31 clock). What do you this?
Else useful information?
1000 Thanks!
Klaus
Antwort von Axel:
That is 25p with a general matter of taste, nothing with the specific requirement to do here.
Colored light can lead to blur. Wavelength + pixel sensor size, or something like that. See
this
Antwort von DWUA:
Play film One of the most difficult chapter of all.
A fortiori, if you, as you write, no influence
light on the staging, the director and his imagination
which can exert.
While this will be typed here, you're probably with your
"2nd rotation" just been completed.
Given your reported "problems" you have to wonder
why you do not (such as self-described) the 3 Settings
have led to heart.
(Every professional and amateur would be "pointed" to it).
Only then can you say what you have not folded.
In advance to give you advice (as well-which are synonymous)
to "presets" of any stripe, is poking in the fog.
Only YOU know what the light conditions.
You have the top "luxury" that many have not:
Under the same conditions 3 x to be able to experiment.
So times reports tomorrow on your findings of the present.
;)
Antwort von DWUA:
Sorry, almost forgot Addendum:
Good luck, and that you are not synonymous as may be made:
www.youtube.com/watch?v=75ADI9p2wHY
;))
Antwort von nicecam:
404ERR
Antwort von Axel:
Hey, it already had everything, and everything has worked as synonymous. The 12 dB verkniffen I would have hoped. the-3dB preset, you can obviously synonymous diversion, then just missing a bit of noise reduction is always better than all the preset default.
The zoom out is working, but s.der Aperture würd I do not change. The large aperture ring promises a precise exposure control, but there are simply too few
stops (although in the tele anyway - I believe now - 3.5 and is the largest in WW 1.6, or what the heck? Fade Fade out is out. ExpLock Lieber press.
Antwort von nicecam:
Last Friday and Saturday, the time is simply not sufficient to before the filming even try.
S.kommenden Friday I will be there very early to prepare everything in silence them.
With the sound and lighting technicians, I will deny, and maybe I can at the 12 dB actually renounce.
Before I should still take a look at what has been recorded Bildmarerial throw. There are some lessons in real-time transfer. Since you already wish sometimes a Camera, on the record card or HDD, but if I remember that my HV 20, down to the desk dropped (wood floorboards with carpet - and the camera shows no damage) - a hard drive camera would probably not have survived.
With the stops did you almost right: 3.4 in telephoto and 1.6 in the WW shows them to me.
Gruß Johannes
Antwort von Axel:
Exposure Compensation -0.25 hast thou ever set? In any case, make sure that the other has A1 synonymous, or else see
their images in the Comparison of some slack and have all subsequently be adjusted. Incidentally synonymous and especially on a dark stage. One more thing: trust yourself, and let a dark picture synonymous times black. This looks at any rate better than a whole bright pictures and perhaps one overexposed, because direct-lit motif. Look at this aspect of the previous shots very carefully. In Viewfinder display or you will quickly nervous, because everything looks bleak rapidly. On a monitor, but it may be noble act.
Antwort von nicecam:
Exposure Compensation -0.25 I set.
But I wonder if you answer me now or next KlausZ earlier in this thread, because the films with 2 XH A1, while I do my camera as a second HV 20 and just had the VX 1E.
But otherwise I will be your advice very carefully.
Gruß Johannes
Antwort von nicecam:
Ich hab da noch mal a request or inquiry synonymous ...
I put my cameras last Saturday so as follows: left s.Bühnenrand my Canon HV20, which held onto the stage, used passively. My XH A1 rear actively used and my Hi8 SonyVX 1E audience turn into passive. From the way I want to, understandably.
Maybe some of you so desire, mitzufilmen. As the cameras would only then, would then still be denied.
HDV is of course best, but still synonymous DV would be okay, especially since I am at the moment anyway runterkonvertieren needs.
Admittedly, the time is quite scarce, and the next performances are s.Freitag and s.Sonntag each clock 20:00.
As we all volunteer work, I can not pay in prospect, but of course, free admission and meals. The cassettes besorgs me.
The venue is Northern Ruhr. Details and all information on our website
