Frage von mtd77:
After a long search, I have really no satisfactory answer to this problem. Has anyone experienced similar?
I have with my Canon XH-A1 footage in 25p HDV recorded (for the Canon: 25F).
Now I capture the material in Premiere Pro CS3 and get it into my timeline.
Is the Project an HDV 1080i25 (50i), everything is ok.
However, it is an HDV 1080p25, a red bar on the footage - that fits the material is not. In the info it will be 1440x1080, 25.00 fps displayed.
Now it is clear to me that it is probably interlaced material. Why this is so, even though I have with the Canon have recorded progressive?
If this is the premiere of Progressivbild again in a converted interlaced picture, or how is it? Can you somehow remain in progressive?
Synonymous I know that Canon is not really progressive but absorbs the interlaced picture until Progressivbild zusammenstöpselt, but it can not be the reason, because the material is progressively stored on tape ...
Has anyone experience how the quality s.besten for a feature film is?
Thank you in advance!
Marko
Antwort von Axel:
Synonymous I know that Canon is not really progressive but absorbs the interlaced picture until Progressivbild zusammenstöpselt, but it can not be the reason, because the material is progressively stored on tape ... Technically not. So synonymous only captures you as HDV, interlaced. If Premiere wants to render the material,
because you're the timeline setting (there is a difference between the Premiere timeline and project settings? Sorry, FCPler) as specified 1080p searched, then logically it can not be i. I often see my colleagues with CS3 and A1-"F" material on the shoulder. There have been repeated problems with CS
2 and the Canon 25F preset plug-in between synonymous CS3 wants without apparent cause any adjustments (progress bar appears), but otherwise, it is clear that it is genuine footage is p, very good in still images with heavy motion blur to be distinguished.
Has anyone experience how the quality s.besten for a feature film is? "p" without question, without exception. Allegations, subsequently deinterlacetes 1080 50i look better, we can not confirm. In the weight class of less than 6000 ¬ certainly delivers the SonyEX-1 better results, but the A1 is a good (and especially
the fact), second choice. The benefits are progressive material already in the handling of the hand and on the downside - synonymous former - then i footage on a big screen right before your eyes. In this regard, may I practice as an expert, because I have already been 10 years
synonymous and digitally perform the whining about the shitty movies deinterlaceten know well (no other). Whether with the rendering for Premiere is normal, I will ask again.
EDIT: Hours later ...
Premiere will render that
seems normal. Droll.
Antwort von mtd77:
Thank you Axel for the detailed answer!
Strange is:
Only one project with HDV 1080p25 (Premiere can not Timlineebene) must first re-render. HDV 1080i25 When everything is ok.
I have both in the preview monitor for Comparison views and noticed no difference in the footage - it is synonymous the same progressive material. And Canon is the progressive material - which can be seen quite clearly. Apparently, it first checks but does not it?
But that is not interlaced by the project settings will be converted, I have probably in HDV 1080p25 project cut and still render, as I understand.
If only the question obdurch re-render a quality loss!
The issue with the progress bar I know of none.
Thanks Marko
Antwort von mtd77:
Still have a supplementary question:
I forgot my Premiere Project in 1080p25.
I now use 1080i25, then the progressive material undone and I have returned to the "Interlacedeffekt".
Could it actually be nichr, right?
I ask synonymous because I so far have found no format that the Media Player to play the Playstation lies.
Please urgent help!
Thank you!
Antwort von mtd77:
Sorry for the repeated post, but I do not really cut out already and next s.Film - äergerlich would be if I Nachinein would change everything again. Can someone help me?
Antwort von domain:
The way I see things, you cut in the first format, which can be easily beabeiten and this will probably be 1080i50, which in reality, but a cut in two fields is 1080p25.
When off, you can then yes: "Export as ..." choose, eg 1080p25. It then comes to a merge of the two fields through deinterlacing, but it no longer has effect.
Antwort von mtd77:
Thank you!
If this does not affect the quality, I will make it so.
However, I use any footage on a color filter and thus I must re-render picture anyway ... so no time savings.
