Newsmeldung von slashCAM: Red Scarlet moves with info out ... 3K of heidi - 14 Apr 2008 18:45:00 After Red once again a huge hype around the smaller Cam Scarlet has generated, are their servers in time for product presentation in the left knee, eh klar. Anyway, now they are with the information rausgerückt, and lo and behold: the Scarlet Hochkantformat comes in with a 3K Resolutionund (unexpectedly) as it seems firmly assembled with Lens. Here are the features, which can be seen:
- 2 / 3 "Mysterium X Sensor
- 1-120 FPS (180FPS Burst)
- Up to 100 MB / SEC Redcode Raw and RGB recording to two Compakt flash cards (brand Red?)
- 4.8 "LCD
- 8x RED T2.8 Zoom Lens
- Auto and Manual Controls
- HDMI and HD-SDI
- Firewire 800 and USB2
- Photo inc function
- WI-FI control
They should appear in early 2009, at a price so far unnamed, Camcorder Info, however, of $ 3,000, which would be an absolute sensation (or is there because someone had thrown the 3K :-)
Hier noch mehr Bilder
Außerdem stellt Red die Epic 5K vor, ebenfalls für 2009 and ohne price, er wird aber with großer Wahrscheinlichkeit deutlich über dem der Red One liegen:
* FULL FRAME S35MM NEW MYSTERIUM X SENSOR
* 1-100 FPS
* UP TO 100 MB/SEC. REDCODE RAW AND RGB RECORDING TO REDFLASH
* FULL SIZE DUAL LINK HD-SDI , 2- XLR AUDIO INPUTS AND HDMI
* WI-FI CONTROL
* FIREWIRE 800 and USB2
* 6 POUND FULLY MACHINED ALUMINUM BODY WITH HYBRID STAINLESS PL MOUNT
* COMPATIBLE WITH MOST RED ONE ACCESSORIES
* FULLY UPGRADABLE SENSOR, BODY, BOARDS AND MOUNT.
Ferner gibt es Infos -- wenn synonymous sehr wenige -- über Red Ray 4K (s.2009):
- PLAYS 4K, 2K, 1080P, 720P AND SD FROM RED DISC AND RED EXPRESS
- ALSO PLAYS NATIVE RAW R3D FILES FROM COMPACT FLASH
This is an auto-generated entry
Antwort von satadioz:
Have a nice name for the camera, they have already found Yes :-)
Antwort von Lollobrigida:
What is with the sound? Is the mute? Comparison to the Red one has 4 times XLR, the Epic was still 2 times XLR. Since then more of what Full Auto or Full Manual. Pretty, but without sound is quite difficult. Weiss someone closer?
Antwort von B.DeKid:
Hi
So in the pictures is the thing rather than as it would be a CNC Rohling ;-(
For 3 000 will probably get just the body right?
I was for my lenses to fit it .... then what could be synonymous on the price (think) treasures.
Otherwise, the camera generally quite small.
Technology and all the games in net honorable but why RED products are so highly praised at the moment, I am not really clear.
Although I think the number s.Frames really sharp, but I can with the design is not really convinced.
I think not synonymous RED here in a few years makes ARRI competition.
Well I did not spend too much synonymous idea of film cameras but are just my impressions.
Antwort von PUDU:
What is the Gutt überhaupt?
Antwort von B.DeKid:
I guess ... Shooting ?!?.... of coffee nix stood there as I had read correctly ;-)
Antwort von kafix2008:
Sounds exciting, but I have real doubts s.der feel.
Antwort von kafix2008:
Hi
For 3 000 will probably get just the body right?
I was for my lenses to fit it .... then what could be synonymous on the price (think) treasures.
So if I understand correctly, Scarlett has a fixed Optics - there is nothing to exchange with Optics.
So in principle I find the idea great, but I would have found it better if they have a body with an integrated 35mm adapter would have brought - why always so davorschrauben a part when it is equal in the body could conceivably? The 2.8 in the integrated optics are not exactly synonymous record - however, the larger the chip back a bit to compensate.
Time to wait when the first specimens really are - if the 2009 writing, it is probably one of before 2010 can get up and then doing a PDX170 or HVX201a synonymous.
Antwort von kafix2008:
The has a 2/3-Sensor. Nix 35-adapter. 16mm DoF.
Antwort von Plexington Steel:
times a very big loool s.einige authors.
feel, look, form? ne is the (semi-) profit-camera, which in this price class times has no competition, and even much more expensive cameras to lengths suggests.
why is so highly praised? because it is cheaper but still a remarkable performance quality and comprehensive features?
manmanman, which is persuasive but not a toy for stinginess is cool customer ...
Antwort von Schleichmichel:
Looks like this but ... well, at least no one steals your camcorder so ugly. The times should be serious-looking cabinet design, the less ghetto blaster look. Optically a Smashcam ...
Antwort von Valentino:
Yes just as I have my Scrallet presented, but the firm Optics is ja mal der absolute Hammer. Who buys the already please please ne HD Camera (The Scarllet is no more synonymous than FullHD delivery, if the RED 4k with her just so packs) without zoom. As would be so kind as Revol Lens for Arri old standard was a good idea ;-)
When you look, I can only agree, looks very strong after a SonyHandycam of grip and the whole stuff around synonymous not do it better.
It acts slowly synonymous ridiculous RED all their stink normal CMOS sensors "mystery" has christened. There are quite normal CMOS sensors to be manufactured somewhere cheap and not the size of competition differ. Alone image converters to give a name is just childish nurnoch.
Oh just before I forget it now the 'new'
Antwort von nw42:
quote = "B. DeKid" Hi
So in the pictures is the thing rather than as it would be a CNC Rohling ;-(
*** What did you think? Sold it so synonymous until next year ... kopfschüttel ...
For 3 000 will probably get just the body right?
*** Think times yes - and even that is incredibly cheap ...
I was for my lenses to fit it .... then what could be synonymous on the price (think) treasures.
*** Will make a fixed zoom as it looks
Otherwise, the camera generally quite small.
Technology and all the games in net honorable but why RED products are so highly praised at the moment, I am not really clear.
*** Then, see the Technical Data times s.and tell me, who still 3K RAW film cameras in the price range to offer ;-)
Although I think the number s.Frames really sharp, but I can with the design is not really convinced.
*** The design is very well thought out and professionally - ask an experienced cameraman times ...
I think not synonymous RED here in a few years makes ARRI competition.
*** I think not synonymous, because RED is already ARRI competition - where you just take your views - kopfschüttel ...
Well I did not spend too much synonymous idea of film cameras but are just my impressions.
*** Small Tip - If you RED with expensive systems like the Sony Cinealta HDW900 then compares the system has some fundamental advantages, such as 35mm Follformatsensor 4K Resolutionund RAW data recording - RED is something completely new in this price range and a TV camera is not to shoot films have been developed so expensive only a compromise in this area ...
many greetings
nw42
Antwort von nw42:
quote = "Valentino" Yes just as I have my Scrallet presented, but the firm Optics is ja mal der absolute Hammer. Who buys the already please please ne HD Camera (The Scarllet is no more synonymous than FullHD delivery, if the RED 4k with her just so packs) without zoom.
*** People who want to have price or in close vicinity need to rotate where space is ...
As would be so kind as Revol Lens for Arri old standard was a good idea ;-)
*** Hmm - that would certainly be very expensive - the built-in zoom, I should think times synonymous sufficient - other cams of the price range have not synonymous change lenses - they had then maybe something very synonymous in RED One market segment gewildert I think ...
When you look, I can only agree, looks very strong after a SonyHandycam of grip and the whole stuff around synonymous not do it better.
*** What ????!!! Since when are massive ALU gefräßte housing SonyHandycam Style? wake up!
It acts slowly synonymous ridiculous RED all their stink normal CMOS sensors "mystery" has christened. There are quite normal CMOS sensors to be manufactured somewhere cheap and not the size of competition differ. Alone image converters to give a name is just childish nurnoch.
Aha - you know you with "normal 12MPixel CMOS sensors from the high speed outputs for high frame rates - ARRI Imaging and Silicon familiar because, unfortunately, does not look Altas and delivers them synonymous Sorry, no" normal 12MPixel COMS 35mm Follformt sensors. ..
*** Something like, you can sadly still not easy to buy - try it and you will not get ...
Oh just before I forget it now the 'new'
Antwort von floh**:
To clarify a few times:
The ARRI D-20/21 delivers raw 3K. RAW DATA.
What the RED One's RAW files are so called, but deceived the fact that already in the ratio 1:9 to 1:12 was compressed. Through this compression (JPEG2000, lossy), creates the high-speed camera recording synonymous and such gimmicks. The Red compressed incidentally just after the sensor, the only way to Red so cheap to produce, expensive bus systems in the interior of the camera falling off.
So please compare and Arri Red One D20/21 only if you know what your talking about. The Red One is not a camera, you can elicit uncompressed signals.
In contrast, the D21 delivers exactly that, uncompressed raw material, which is synonymous in the price reflects (not for sale, incidentally). Nevertheless, it is not designed for the movies, because it creates no 4K. Digitally produced for TV or advertising, however, ne power.
Antwort von Valentino:
In contrast, the D21 delivers exactly that, uncompressed raw material, which is synonymous in the price reflects (not for sale, incidentally). Nevertheless, it is not designed for the movies, because it creates no 4K. Digitally produced for TV or advertising, however, ne power. The D20 was not for sale, but apparently someone but very rich in the world at ARRI bought.
On the contrary this is to buy the D21 and be destined for one or other lender worthwhile. They wanted the Camera synonymous only sell if the camera without a service technician with Arri of turning on can. Insofar as there is now with the D21 and will in the near future for customers who would otherwise turn on 35mm, but maybe a faster workflow want to sooner or later prevail.
Nevertheless, it is not designed for the movies, because it creates no 4K. Digitally produced for TV or advertising, however, ne power. Aha and because until you absolutely certain times I say that a loan with a D21 no difference between digital and 35mm will see. Most admissions were synonymous, it is completely no preference whether 2k or 4k. As long as the picture does not look pixel DV.
If you ever searched and randomly lußt May the near of Cologne're so can look and you look the opposite convincing.
Antwort von miku:
After Red once again a huge hype around the smaller Cam Scarlet has generated ... Where is the religious rapture? I must ask yet ... Red make, and then a lack of reverence? People, read the Amiforum times. What is off, there's Tom Cruise with his dirt against a sect.
Antwort von smooth-appeal:
Without compendium one might think the thing would be a tool from the road ...
Antwort von floh**:
[quote = "Valentino"]
Aha and because until you absolutely certain times I say that a loan with a D21 no difference between digital and 35mm will see. Most admissions were synonymous, it is completely no preference whether 2k or 4k. As long as the picture does not look pixel DV.
If you ever searched and randomly lußt May the near of Cologne're so can look and you look the opposite convincing. Sure, there will be movies in the movies, which at its D20/21 were rotated. However, there was apparently recently ne Convention, which stipulates that at least 4k movies should have. When I say the D21 is not worth of movies, I think so picture perfect movie with no restrictions. I am aware that it is synonymous film prints that are effective in the projection is not about quality 2K get out.
Thank you for the offer, but my university has a D20 purchased, under a development program with ARRI. Meanwhile, even the ARRI program available to the raw data at all to be able to process.
Incidentally, I am glad that this discussion back into a serious sound has arrived:)
Antwort von comix:
The has a 2/3-Sensor. Nix 35-adapter. 16mm DoF. how do you react? 2 / 3 is not nearly equivalent to 16mm
Antwort von siematic:
But true.
Super 16 has a diagonal of 14,4 mm.
And a 2 / 3 "sensor of 14.3 mm.
So, the Super 16-Formaz almost exactly the 2 / 3 "sensors, while the normal 16 mm format almost exactly 1 / 2" 4:3 corresponds sensors
Antwort von siematic:
moin,
So I know it's not right. Here, the red-lasting compared with any cameras (no preference whether, EB, consumer or professional), but I think you can not. The RED is a Camera, which is currently still konkurenzlo Sist on the market and therefore it can not precisely arrange. The price range is in the area of each Eb, of the data at more film. But it really does not hinpassen. For EB, it is def. unsuitable and the film I would not shoot on location so wish. Generally synonymous, I believe that it still takes up the Digital Film in advance. You always talk of Resolutionetc. But what use you 4k for a contrast range as for video?
In the studio so it may be ok if you can use light as you want, but unfortunately that is not on location so. Likewise, it is in the D20. Whereby the D20 comes to that, that it is hardly less than a 435 (including materials).
Until the D20/D21 are times during the film and advertising has become established it will take some time and the next RED is still away.
Then what to kino. I have me a real ARRI 2K projection in cinema angeguckt and must say that it was better than any copy of the movie I have seen. The problem is that most copies of the 20th or 30 are. because you have a loss it in digital projection does not exist. In addition, almost all sfx stuff eh only 2k ausbelichtet be. So more than 2k but nobody break.
Antwort von Axel:
Then what to kino. I have me a real ARRI 2K projection in cinema angeguckt and must say that it was better than any copy of the movie I have seen. In very good Projektionsbedingen not do both a lot, although the analog copy of this course, never absolutely perfect picture booth will achieve. The problem is that very few cinemas such conditions. Since many factors play pure. The actual resolution (of the section of the screen, especially in the field of view) is at worst 200 pictures points.
The problem is that most copies of the 20th or 30 are. because you have a loss it in digital projection does not exist. That falls under "adverse conditions".
In addition, almost all sfx stuff eh only 2k ausbelichtet be. So more than 2k but nobody break. A BD on a FullHD plasma has a higher Resolutionals every cinema projection. That is fact. 4k you would need to target the least, otherwise more and more people say (long way): If my house is the picture better.
