Frage von Jacobee:
Hello,
I need help!
'm In the last year of my school in the Department of Audiovisual Media Design Film / Video and to have a drawing ready. The last one is a little difficult, as can be found on the subject of very little substance - "semi-professional camcorder."
I need more information on the distinction between semi-professional and professional camcorders.
Would be glad if someone is a bit of his knowledge I could pass on or post links helpful!
Love Greetings from Graz
Hansi
Antwort von Pianist:
Such boundaries are now very difficult because the transitions are fluid. You'd have to be synonymous nor a distinction between professional and broadcast-making equipment. Look at this, whether the various Manufacturers are using today as a stringent nomenclature, as Sonyfrüher. As you could read s.ersten letter of the type designation, as the device is classified (eg DXC / UVW, PVW / PMW, BVW / DVW).
Maybe you could go on synonymous chip size, data rate, codec, or weight. This will be a considerable original research.
Matthias
Antwort von joe11:
I need more information on the distinction between semi-professional and professional camcorders. Semi-professional - I would dismiss as superfluous marketing term. They want to scare people so that the purchasing power ( "non-professional") and (to attract the upwardly mobile "almost-professional).
Antwort von Jacobee:
Hey,
times thank you for your answers! And therein lies my problem ^ ^ where catch SemiPro s.and where it ceases to really not easy ....
Chip sizes, data rates and codecs - that's a good idea, that reminds me just a little bit synonymous what a.
As it looks really out with the designs??
Is a semi-professional camcorder, only one hand-held camera or shoulder include variants such as: the JVC GY 700 as synonymous to?
lg
Antwort von Bernd E.:
... is exactly my problem ^ ^ is where starts SemiPro s.and where it ceases to really not easy ... If it comforts you: I do not think anyone of this marketing concept can be defined universally. To this end it is simply too vague and festzumachen not s.objektiven criteria.
... Chip sizes, data rates and codecs - that's a good idea ... As you will find not just a few exceptions that are beyond this classification: So, for example, consumer camcorders with larger sensors than professional equipment or identical codecs, together with data rate of the consumer up to the broadcast class.
... How it looks really out with the designs?? Is a semi-professional camcorder, only one hand, camera ... Again, Maybe, but not necessarily. The SonyEX1R is "only" a handle camera; of function, performance and use, but a clear professional unit. The HD1000 Manufacturer of the same contrast is even a shoulder-mounted camera, but otherwise still a pure consumer device.
Antwort von Macaroni:
Target missed ^ ^
Antwort von WoWu:
@ Jacobee
Take off the border itself, and simply ask yourself, what would buy the purchase of a broadcaster.
There you will find in the criteria quite sure such things as:
1) Chroma subsampling min. 4:2:2
2) Interchangeable Lenses for popular Fujinon, Canon, etc.
3) Sensor resized s.ein large Objektivanschluss s.Markt bid.
4) compatibility with other HD lenses Manufacturer ... No proprietary electrical contacts between the lens and camera head.
5) HD-SDI Interface
6) Time Code capability
7) ext. Synchronizable
8) codec compatibility with in-house formats.
9) serviceability (camera workshop), if service of the manufacturer.
There were certainly more, but that I would enter before.
One must not forget just synonymous, that the professionals after the performance synonymous (sell the service manufacturer with) weighted.
The camera decision does not stop at the physical characteristics of the camera.
As I said, a wedding videographers, who has his product so synonymous professionally prepared and commercial uses, certainly other requirements.
So I would tie the border s.Broadcast (Purchasing).
